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SGT (Join to see) Driven Cutthroat in Ambition, Very Unfortunate in the End. Offended Plenty in Her Climb to the Top and Plenty were more than Willing to Help her Make a Great Fall.
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Thank you my friend SGT (Join to see) for making us aware that on May 15, 1536, Anne Boleyn and her brother George, Lord Rochford, were accused of adultery and incest, tried, found guilty, and sentenced to death.

The Fall of Anne Boleyn - Arrest | 2020 Documentary
https://www.youtube.com/watch?v=fbZEjkiK6yA

Images:
1. Anne Boleyn by William Nelson Gardiner
2. Lady called Anne Boleyn by Hans Holbein the Younger
3. An engraving of the Tower taken from Old London Illustrated, by Brewer and Cox, shows the Tower as it would have looked in Anne’s day, A= The Queen’s Apartment; B=The Cold Harbour Gate; C=The Inner Ward; D=The Great Hall; E=The White Tower; F=The Jewel House
4. May 19, 1536 execution of Anne Boleyn executed by French swordsman

Background from {[https://thetudortravelguide.com/2019/05/18/the-royal-apartments-at-the-tower/]}
English queen was executed on May 19, 1536 on charges that were almost certainly entirely fabricated. She joined her five co-accused in death at the hands of the swordsman from Calais. Her name was Anne Boleyn. In this article, we are honouring her memory in a slightly unusual blog. I invite you to imagine you are transported back in time to 19 May 1536. Standing in the courtyard of the palace at the Tower of London, you are an unseen witness as the queen is led from her royal apartments, before we head inside together to explore the chambers once built in her honour, and which now lie deserted.

‘Good Christian People, I Have Come Here to Die’

There was nothing left to do but die. However, the queen had long been prepared. Emerging from the royal apartments, at the top of a wooden staircase, she casts a slim silhouette. Anne Boleyn is dressed in an English gown of dark, grey damask worn over a crimson, taffeta kirtle, whilst an English hood is fixed in place over a netted, white, linen coif that covers her lustrous auburn hair. She glances up to drink in the beauty of an almost clear, morning sky, smudged only here and there by the faintest wisps of clouds that float lazily across London’s skyline. From atop the adjacent White Tower, a raven caws out its raucous call, shattering the silence within the courtyard below. It is an impossibly perfect Spring day.

Yet, she has not come to revel in its loveliness; she is here to give up her life. For the king, once her lover, has tired of her and demands it is so.

Accompanied by Master Kingston and four ladies in waiting, Anne Boleyn, condemned traitor and adulteress, found guilty of incest, just four days earlier, picks up the skirts of her damask gown and carefully makes her way down the flight of 15 steps. At the bottom, the king’s guard awaits her. Arranged in two rows of yeoman, they are paired, facing each other, to form a long corridor that extends away from the base of the privy stair towards the mighty Cold Harbour Gate. Each of them stands attentive, motionless, swords slung at their sides, halberds balanced erect in their right hands. Every brawny fellow is dressed in their familiar bright-red livery, decorated across their puffed sleeves and skirts with guards of blue velvet, while flat, felt caps sit upon their closely-shaven heads.

She begins her final walk from the royal apartments, Master Kingston in front, her ladies following in pairs behind. One foot in front of the other, the pressure of the earth beneath her feet, the rustle of her skirts as her hips sway in their usual, elegant fashion. Moving out of the shadow cast by the bulk of the queen’s lodgings, the gentle warmth of the sun touches her back. Anne makes her way along the path that runs alongside the King’s Jewel House to her right; she remembers how Henry once brought her here to show her the treasures of England, bestowing upon her the precious plate, worthy of her elevation as consort to the king. In contrast, over to her left and across the courtyard, the towering pitched roof of the medieval Great Hall stands resolutely, a witness to her recent conviction.

She has no time to dwell on such things. The little party soon reaches the south-west corner of the White Tower, where it swings right, beneath the imposing Cold Harbour Gate and begins its gradual climb to the large, open space beyond. Here, the scaffold, draped in sombre black, awaits. As she disappears from sight, Anne leaves behind the royal palace and the apartments which were built to glorify the name of Anne Boleyn. Although her body will lie for eternity within a stone’s throw from the palace, she will never see the interiors of the royal apartments again.


The Royal Apartments: From Palace to Prison

One of THE most common and enduring misperceptions about Anne’s final seventeen days in the Tower of London was that she was held in some dreary dungeon – not helped one iota by film-makers’ insistence on showing such cringe-worthy scenes. Let’s strike all that from our minds once and for all! Mercifully, when Anne was committed to the Tower on 2 May 1536, one of the few comforts granted to her was that she was allowed to stay in the same lodgings that had housed her during those heady midsummer days of 1533: the queen’s lodgings, part of the royal palace at the Tower.

Unlike Anne, whose story, character and accomplishments remain scorched into the collective memory of the thousands of lives she continues to touch, the buildings erected for her by Henry VIII have long since been lost. This is with the exception of a few foundation footings still visible in the ground. I fell in love with these buildings whilst writing Le Temps Viendra: a Novel of Anne Boleyn and spent many happy hours recreating them in my mind. I ‘lived’ in them in my imagination for a couple of months, as a I wrote about the final, harrowing few weeks of the queen’s life. Now, what remains with me, I’d like to share with you. So, read on if you want to uncover these evocative buildings, associated with this most formidable of women.

There had been royal apartments on the site, in one form or another, since 1220. During the reign of Henry II, a permanent inner ward (C) was created and separate lodgings for both the king and queen were constructed, including a Great Hall (D).

The entrance to the inner ward was through the Cold Harbour Gate (B). Remnants of the gate can still be seen abutting the west wall of the White Tower today. Once inside the inner ward, in front of you once existed a complex of buildings arranged around an irregular triangular courtyard.

Running diagonally from the Cold Harbour Gate towards the Great Hall was a line of brick-built Tudor lodgings/offices. The thirteenth century hall occupied the southernmost aspect of the courtyard, while a series of buildings ran at right angles from the hall towards the south-east corner of the White Tower and the Wardrobe Tower, thereby completing the far side of the inner ward. These latter buildings formed the newly built queen’s apartments. Finally, abutting the southern wall of the White Tower was the Jewel House (F).

At the turn of the sixteenth century, Henry VII had significantly enlarged the king’s lodgings. He added a new tower including, amongst others rooms, a bedchamber, library and chamber for ‘my Lady, the King’s Mother’. Then, in 1532, Henry VIII ordered Cromwell to organise the refurbishment of the royal apartments on both the king and queen’s sides. These had not been used since 1520, and were said to be ‘wonderously foul’! Whilst the old Queen’s Watching Chamber was simply refurbished, but otherwise retained, a whole new suite of rooms was added for Anne’s coronation celebrations.

Now it’s time for us to stroll through the recently abandoned palace. Let’s rewind the clock, let the centuries fall away, and imagine that we are there, just as Anne takes her final walk toward the scaffold.

Standing in the inner ward, enter the Great Hall via its porch. Immediately, you notice how cool is the air. You stop for a moment, awestruck by the cavernous space surrounding you. The hall, some 60 feet in length has thick, stone walls, a vaulted ceiling and two lines of soaring pillars of cold, Purbeck marble, forming a central, and two outer, aisles. On either side, enormous windows illuminate the space.

Straightaway you are confronted with two, huge ranges of seats sited along each length of the hall. These were hastily arranged to accommodate the enormous level of public curiosity aroused by the trial of England’s ‘goggle eyed whore’. However, in all this sad and bloody drama, they have not yet been dismantled. It is then you notice that in the centre of the space is a raised wood dais, set out in front of the king’s canopy of estate. Upon the dais, a chair remains abandoned behind the bar at which Anne had launched a most spirited defence of her innocence. Ghostly echoes of shouts from the crowd and the verdict of ‘guilty’ ring out in the silence.

A shiver runs down your spine as you cross the hall and make your way through a doorway at the high (far) end. Beyond lies the King’s Great Watching Chamber, part of the original medieval suite of rooms. It is much smaller than the great hall, maybe a fifth of the size. Empty now, since everyone who is permitted in the Tower has gathered to watch Anne’s execution; you move on to the door at the far end of the chamber. The ‘portall’ is embellished with ‘panels of drapery work….with a crest of antyk upon its head’. Peeking your head through the doorway, you find yourself directly in the Queen’s Great Watching Chamber. The space is empty. You are alone.

You are struck by just how much larger this chamber is; at about seventy feet by thirty feet, it is one-and-a-half times as long, and twice as wide, as the king’s. Such preference shown to the queen’s side is virtually unheard of in any of Henry’s other houses. Standing in these rooms, you realise that Henry had truly meant for his new queen to take centre stage during those blissfully happy days of 1533. Like every great watching chamber, there is precious little furniture to adorn it. Instead, it is the fabulous soft furnishings, the painted frieze running around the top third of the walls, and the elaborate moulded and painted fretwork of the ceiling, that gives it its magnificence.

Beyond the Great Watching Chamber lies Anne’s Presence Chamber; usually two guards stand on either side of the doorway as burly sentinels, preventing entry to any unauthorised persons. But no-one stands guard now, for their prisoner – their queen – is gone. And so you pass through the open door unmolested.

This room sits at right angles to the last on an east-west axis. As you enter, a blaze of golden sunlight falls in great shafts upon the black and white chequerboard floor beneath your feet. The space is illuminated by a large window positioned high above the dais, at the western end of the hall. Built at the same time that the great refurbishment of Whitehall was well underway, three years earlier, it is unsurprising that the two interiors closely resemble one another.

You look up in awe to the pretty gabled roof. The vaulted ceiling is carved from great oak beams and decorated along its length with finely sculpted heraldic emblems and mythical beasts, all brightly painted with red, blue and gold. However, it is the sophisticated decoration of the walls that you most admire. Tapestries cover the walls to the north and south; whilst at each end of the chamber, oak panelling has been carved into the most intricate designs. Life-sized classical figures, angels, beasts and garlands of flowers and fruit form a backdrop to where the queen’s canopy of state once hung. However, Anne is in disgrace and so the canopy is gone.

A doorway on the far side of the room invites you to explore what lies beyond. You are surprised to see a gallery, unusually positioned between the Queen’s Presence Chamber and her privy lodgings, which are reached from its far end. It is a large, airy space, positioned here to provide a suitable stage for the many grand ceremonial events held in the palace for those brief few days before Anne’s summer coronation.

You wander along its length, catching sight of the privy gardens stretching out beneath the windows on your right hand side, with the inner ward visible through the windows to your left. All along its length, the gallery is covered in wainscoted panelling, decorated with yet more ‘antyk work’, with pictures hung here and there. Some you have never seen before, and yet strangely, you recognise their familiar faces.

Finally at the far end, another doorway leads you through into Anne’s privy chambers: her bedchamber and privy chamber. Inside these chambers, you still sense her presence; scrawled writing upon a piece of parchment lying on the table – maybe a letter of farewell she hopes will be delivered; a book of prayer discarded upon a chair, even the scent of her perfume lingers. As you trace your finger across the edge of an oak table, reflecting upon a love so deeply betrayed, the cannons of the Tower roar out their angry declaration that Anne Boleyn is dead.


Note:
Although the walk I have taken you on is fictional, the rooms described reflect the layout of the royal palace at the Tower; at least as far as we currently understand them, and the interiors based on those typical of the period, or in accounts recorded during works undertaken at the palace. Particularly informative sources, drawn upon in writing this blog, include:
• The Royal Houses of Tudor England, by Simon Thurley
• Houses of Power, by Simon Thurley
• The History of the King’s Works, by Colvin et al.

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LTC Stephen F.
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The Fall of Anne Boleyn - Trial 2/3
https://www.youtube.com/watch?v=Fag3jbscEQ8

Images:
1. Anne Boleyn praying in the Tower of London
2. Lady Anne Boleyn in the Tower
3. The execution of Anne Boleyn, on 19 May, 1536, was conducted by a French swordsman to limit her pain
4. Anne on the eve of her execution in May 18, 1536

Background from {[ https://www.hrp.org.uk/tower-of-london/history-and-stories/anne-boleyn/#gs.1k74ef]}
Anne Boleyn
She failed to give Henry VIII a son and paid with her life
Anne Boleyn is one of the most divisive figures in British history. Her love-match with Henry VIII and her subsequent execution at the Tower of London after only three years of marriage have inspired dozens of books and films.
Everyone wants to know how she really felt and how and why she became queen: was she a ruthless schemer or was her death simply a tragic consequence of court politics?’ We will never, really, know.
Anne has left behind virtually nothing of her own voice, and all of the histories of her life are marred by the writers’ prejudices or leaps of imaginative fantasy. Even the simplest statements about her are difficult. And all the portraits of Anne that survive were created during the reign of her daughter, Elizabeth I.
The fascination with the life and death of Anne Boleyn lives on. The closest we can get to Anne today is by visiting her final resting place; she is buried in the Chapel Royal of St Peter ad Vincula at the Tower of London.

The darkness of her eyes
Anne was born in about 1500 (we don’t know exactly when), the daughter of Sir Thomas Boleyn, a respected courtier, and Elizabeth Howard, the daughter of Sir Thomas Howard, one of the most powerful men in the country.
Impartial descriptions of Anne are hard to find: she appears to have had dark hair and eyes and a slender neck, but no contemporary portrait of her has survived, and we know little about her personality.
She spent her childhood at Hever Castle in Kent, and her adolescence at the French court, originally as a companion to Henry VIII’s sister, Mary, who was married to Louis XII.
Anne was back in England by 1522, and Henry may have first encountered her when she took one of the lead roles, ‘Perseverance’, in a court masque in March at Thomas Wolsey’s residence at Whitehall.

The one I love
Anne was not short of admirers on her return to England.
This seems to have been partly due to her glamorous French fashions. Henry Percy, later Earl of Northumberland, and the poet Thomas Wyatt both courted her, but these dalliances seem to have remained within the accepted boundaries of flirtatious ‘courtly love’ and romantic poetry.
In 1526, the King’s interest significantly upped the stakes.
Henry VIII’s long marriage to Katherine of Aragon had produced only one surviving child, Princess Mary. By the mid-1520s, Henry was becoming increasingly desperate for a legitimate son and heir to secure the future of the Tudor dynasty.

Growing infatuation
Henry may have originally courted Anne as a prospective mistress, but, if that is the case, she refused.
Either driven by her own virtue or ambition, or by her scheming relatives, and aware of the King’s dynastic dilemma, Anne held out for the possibility of marriage.
Image: Cardinal Wolsey and courtiers with, on the right, the King meeting Anne Boleyn at the Cardinal's residence, York Place, later Whitehall Palace. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

Love's great adventure
A series of 17 letters survives in the Vatican Library which detail Henry’s growing infatuation over the next couple of years.
One, awkwardly and explicitly, declared that the King’s heart belonged to Anne alone, and that he hoped his body would soon also. It was signed with a loveheart around Anne’s initials. Anne’s responses do not survive.

It's a sin
In the Tudor period, not even a king could simply decide to get a divorce.
If Katherine of Aragon had meekly accepted her fate, then English history may well have turned out rather differently. But Katherine was a proud and pious queen who believed that her marriage to Henry VIII was a sacred institution.
In 1527, the King began looking for a political and legal solution, petitioning the Pope and claiming that his marriage had never been legitimate because he had sinned in taking his brother’s widow, which some scholars believed to be prohibited by the Bible.
Thomas Wolsey was charged with procuring the divorce. He failed, and his own career was destroyed in the process as the Pope refused to give into Henry’s demands.

Marrying the King
It was Anne who may have suggested a solution. Driven perhaps by her own reformist faith, she gave Henry a copy of William Tyndale’s ‘Obedience of a Christian Man’.
This book argued that the supreme authority was not held by the Pope but by the words of God enshrined in the Bible.
Henry defied the Pope and dismissed Katherine in 1531.
Anne finally married Henry in January 1533 and was crowned Queen in Westminster Hall on 1 June that summer. Henry's marriage to Anne was technically bigamous, as his marriage to Katherine was not annulled until May 1533.
The following year, Henry broke with the Roman Catholic Church, setting himself up instead as the Supreme Head of what would become the Church of England. This created shockwaves, which caused religious and political unrest in Britain for the next 200 years.

High hopes
Unsurprisingly, Anne supported Henry’s new religious and political policies, gathering around them a new team of rising courtiers, including Thomas Cromwell and Thomas Cranmer.
From what little we can discover about her time as queen, Anne seems to have been active in promoting new educational identities for monasteries, no longer under the protection of the Catholic Church.
She was also the first royal patron of the great court artist, Hans Holbein, who designed an arch for her coronation and a rose-water fountain.
Meanwhile, Henry and Anne’s first child, born on 7 September 1533, was a healthy daughter, who would grow up to become Elizabeth I.

Anne's downfall
But Anne and Henry had no more children. Miscarriages in 1534 and 1536 may have led Henry, always spiritually superstitious, to question whether he had made the right choice in marrying Anne.
Meanwhile, a promising new foreign alliance with the Holy Roman Empire floundered because the Emperor, Charles V, refused to ratify the Boleyn marriage.
Hostile factions gathered in the wings, led by all those courtiers who had lost their influence during the Boleyn change of regime. Thomas Wolsey too resented Anne’s influence over the King, calling her the “night crow”, cawing into his ear at night.

Tainted love
Many people sympathised with Henry’s first wife Katherine. Even during Anne’s coronation procession in 1533, one eye-witness claimed that people lining the route looked “as sorry as though it had been a funeral.”
Ultimately, Henry and Anne’s relationship, built on passion and expectation, seems to have become more tempestuous and Henry, again, began to look outside his marriage for solutions

Fall from grace
In 1536, Cromwell made a decisive move against Anne. Accusations of adultery and even of plotting against the King’s life were levelled against the Queen, her brother and a small group of courtiers.
Anne was arrested on 2 May 1536 and taken by barge to the Tower of London, passing under the most notorious of all the Tower's entrances, Traitors Gate. (pictured)
Henry VIII, notoriously prone to suspicion, and now besotted with one of Anne’s own ladies-in-waiting, Jane Seymour, ignored the Queen’s protestations of innocence.
A sham trial filled with Anne’s enemies found her guilty, and she found herself a prisoner at the Tower of London, in the same royal apartment where, just three years before, she had awaited her coronation.

A small mercy
Henry showed her a small ‘mercy’ by granting her request to die by sword rather than axe.
Anne was executed on Tower Green on 19 May 1536 and is buried at the Chapel Royal of St Peter ad Vincula (pictured).
Henry VIII married Jane Seymour 11 days after Anne's execution.

Anne Boleyn
She failed to give Henry VIII a son and paid with her life
Anne Boleyn is one of the most divisive figures in British history. Her love-match with Henry VIII and her subsequent execution at the Tower of London after only three years of marriage have inspired dozens of books and films.
Everyone wants to know how she really felt and how and why she became queen: was she a ruthless schemer or was her death simply a tragic consequence of court politics?’ We will never, really, know.
Anne has left behind virtually nothing of her own voice, and all of the histories of her life are marred by the writers’ prejudices or leaps of imaginative fantasy. Even the simplest statements about her are difficult. And all the portraits of Anne that survive were created during the reign of her daughter, Elizabeth I.
The fascination with the life and death of Anne Boleyn lives on. The closest we can get to Anne today is by visiting her final resting place; she is buried in the Chapel Royal of St Peter ad Vincula at the Tower of London."

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The Fall of Anne Boleyn - Execution 3/3
https://www.youtube.com/watch?v=yI78pGuj7k0

Images:
1. May 19, 1536 execution of blindfolded Anne Boleyn by French swordsman
2. The remnants of the Coldharbour Gate, which once secured the entrance to the Inner Ward, and the royal palace, at the Tower.
3. Tower of London Orange Circle-Tower Hill; Purple Arrow-Bell Tower, Red Arrow-Royal Apartments, Black Circle-Byward Gate, Green Arrow-Coldharbor Gate, Blue Arrow St Peter ad Vincula, Black X site of the scaffold
4. King Of England Henry VIII telling Anne Boleyn queen consort mother of Elizabeth off her sorry fate - beheaded 1536.

Background from {[https://www.theguardian.com/uk-news/2020/oct/25/chilling-find-shows-how-henry-viii-planned-every-detail-of-boleyn-beheading]}
Chilling find shows how Henry VIII planned every detail of Boleyn beheading by Dalya Alberge, Sun 25 Oct 2020 04.00 EDT
Chilling find shows how Henry VIII planned every detail of Boleyn beheading
Archives discovery shows the calculated nature of the execution and reinforces the image of the king as a ‘pathological monster’

It is a Tudor warrant book, one of many in the National Archives, filled with bureaucratic minutiae relating to 16th-century crimes. But this one has an extraordinary passage, overlooked until now, which bears instructions from Henry VIII explaining precisely how he wanted his second wife, Anne Boleyn, to be executed.

In this document, the king stipulated that, although his queen had been “adjudged to death… by burning of fire… or decapitation”, he had been “moved by pity” to spare her the more painful death of being “burned by fire”. But he continued: “We, however, command that… the head of the same Anne shall be… cut off.”

Tracy Borman, a leading Tudor historian, described the warrant book as an astonishing discovery, reinforcing the image of Henry VIII as a “pathological monster”. She told the Observer: “As a previously unknown document about one of the most famous events in history, it really is golddust, one of the most exciting finds in recent years. What it shows is Henry’s premeditated, calculating manner. He knows exactly how and where he wants it to happen.” The instructions laid out by Henry are for Sir William Kingston, constable of the Tower, detailing how the king would rid himself of the “late queen of England, lately our wife, lately attainted and convicted of high treason”.

Boleyn was incarcerated in the Tower of London on 2 May 1536 for adultery. At her trial, she was depicted as unable to control her “carnal lusts”. She denied the charges but was found guilty of treason and condemned to be burned or beheaded at “the King’s pleasure”.

Most historians agree the charges were bogus – her only crime had been her failure to give Henry a son. The most famous king in English history married six times in his relentless quest for a male heir. He divorced his first wife, Catherine of Aragon, to marry Boleyn – the marriage led him to break with the Catholic church and brought about the English Reformation. Boleyn did bear him a daughter, who became Elizabeth I.

Anne’s real ‘crime’ was failure to produce a male heir.
Anne’s real ‘crime’ was her failure to produce a male heir. Photograph: Roger-Viollet/Rex Features
In recent years, the story of Boleyn’s life and death have reached a new audience thanks to Hilary Mantel’s bestselling saga tracing the life of Thomas Cromwell, a blacksmith’s son who became one of Henry VIII’s most trusted advisers. In the Booker-prize-winning Bring Up the Bodies, she explored the destruction of Boleyn, writing of her execution: “Three years ago when she went to be crowned, she walked on a blue cloth that stretched the length of the abbey… Now she must shift over the rough ground… with her body hollow and light and just as many hands around her, ready to retrieve her from any stumble and deliver her safely to death.”

The warrant book reveals that Henry worked out details such as the exact spot for the execution (“upon the Green within our Tower of London”), making clear Kingston should “omit nothing” from his orders.

Borman is joint chief curator for Historic Royal Palaces, the charity that manages the Tower of London, among other sites. She will include the discovery in her forthcoming Channel 5 series, The Fall of Anne Boleyn, which begins in December.

She had visited the National Archives to study the Anne Boleyn trial papers when archivist Sean Cunningham, a Tudor expert, drew her attention to a passage he had discovered in a warrant book. Most of these warrants are “just the minutiae of Tudor government”, she said. “They’re pretty dull. The Tudors were great bureaucrats, and there are an awful lot of these warrant books and account books within the National Archives… It’s thanks to Sean’s eye for detail that it was uncovered.”

Borman argues that, despite the coldness of the instructions, the fact Henry spared Boleyn from being burned – a slow, agonising death – was a real kindness by the standards of the day. A beheading with an axe could also involve several blows, and Henry had specified that Boleyn’s head should be “cut off’, which meant by sword, a more reliable form of execution, but not used in England, which is why he had Cromwell send to Calais for a swordsman.

Henry’s instructions were not followed to the letter, though, partly due to a series of blunders, Borman said. “The execution didn’t take place on Tower Green, which is actually where we still mark it at the Tower today. More recent research has proved that… it was moved to opposite what is today the Waterloo Block, home of the crown jewels.”

She added: “Because we know the story so well, we forget how deeply shocking it was to execute a queen. They could well have got the collywobbles and thought we’re not going to do this. So this is Henry making really sure of it. For years, his trusty adviser Thomas Cromwell has got the blame. But this shows, actually, it’s Henry pulling the strings.”

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Thank you for the history share brother David
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