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Cleopatra, queen of Egypt and lover of Julius Caesar and Mark Antony, takes her life following the defeat of her forces against Octavian, the future first emperor of Rome.
Cleopatra, born in 69 B.C., was made Cleopatra VII, queen of Egypt, upon the death of her father, Ptolemy XII, in 51 B.C. Her brother was made King Ptolemy XIII at the same time, and the siblings ruled Egypt under the formal title of husband and wife. Cleopatra and Ptolemy were members of the Macedonian dynasty that governed Egypt since the death of Alexander the Great in 323 B.C. Although Cleopatra had no Egyptian blood, she alone in her ruling house learned Egyptian. To further her influence over the Egyptian people, she was also proclaimed the daughter of Re, the Egyptian sun god. Cleopatra soon fell into dispute with her brother, and civil war erupted in 48 B.C.
Rome, the greatest power in the Western world, was also beset by civil war at the time. Just as Cleopatra was preparing to attack her brother with a large Arab army, the Roman civil war spilled into Egypt. Pompey the Great, defeated by Julius Caesar in Greece, fled to Egypt seeking solace but was immediately murdered by agents of Ptolemy XIII. Caesar arrived in Alexandria soon after and, finding his enemy dead, decided to restore order in Egypt.
During the preceding century, Rome had exercised increasing control over the rich Egyptian kingdom, and Cleopatra sought to advance her political aims by winning the favor of Caesar. She traveled to the royal palace in Alexandria and was allegedly carried to Caesar rolled in a rug, which was offered as a gift. Cleopatra, beautiful and alluring, captivated the powerful Roman leader, and he agreed to intercede in the Egyptian civil war on her behalf.
In 47 B.C., Ptolemy XIII was killed after a defeat against Caesar’s forces, and Cleopatra was made dual ruler with another brother, Ptolemy XIV. Julius and Cleopatra spent several amorous weeks together, and then Caesar departed for Asia Minor, where he declared “Veni, vidi, vici” (I came, I saw, I conquered), after putting down a rebellion. In June 47 B.C., Cleopatra bore a son, whom she claimed was Caesar’s and named Caesarion, meaning “little Caesar.”
Upon Caesar’s triumphant return to Rome, Cleopatra and Caesarion joined him there. Under the auspices of negotiating a treaty with Rome, Cleopatra lived discretely in a villa that Caesar owned outside the capital. After Caesar was assassinated in March 44 B.C., she returned to Egypt. Soon after, Ptolemy XIV died, likely poisoned by Cleopatra, and the queen made her son co-ruler with her as Ptolemy XV Caesar.
With Julius Caesar’s murder, Rome again fell into civil war, which was temporarily resolved in 43 B.C. with the formation of the second triumvirate, made up of Octavian, Caesar’s great-nephew and chosen heir; Mark Antony, a powerful general; and Lepidus, a Roman statesman. Antony took up the administration of the eastern provinces of the Roman Empire, and he summoned Cleopatra to Tarsus, in Asia Minor, to answer charges that she had aided his enemies.
Cleopatra sought to seduce Antony, as she had Caesar before him, and in 41 B.C. arrived in Tarsus on a magnificent river barge, dressed as Venus, the Roman god of love. Successful in her efforts, Antony returned with her to Alexandria, where they spent the winter in debauchery. In 40 B.C., Antony returned to Rome and married Octavian’s sister Octavia in an effort to mend his strained alliance with Octavian. The triumvirate, however, continued to deteriorate. In 37 B.C., Antony separated from Octavia and traveled east, arranging for Cleopatra to join him in Syria. In their time apart, Cleopatra had borne him twins, a son and a daughter. According to Octavian’s propagandists, the lovers were then married, which violated the Roman law restricting Romans from marrying foreigners.
Antony’s disastrous military campaign against Parthia in 36 B.C. further reduced his prestige, but in 34 B.C. he was more successful against Armenia. To celebrate the victory, he staged a triumphal procession through the streets of Alexandria, in which he and Cleopatra sat on golden thrones, and Caesarion and their children were given imposing royal titles. Many in Rome, spurred on by Octavian, interpreted the spectacle as a sign that Antony intended to deliver the Roman Empire into alien hands.
After several more years of tension and propaganda attacks, Octavian declared war against Cleopatra, and therefore Antony, in 31 B.C. Enemies of Octavian rallied to Antony’s side, but Octavian’s brilliant military commanders gained early successes against his forces. On September 2, 31 B.C., their fleets clashed at Actium in Greece. After heavy fighting, Cleopatra broke from the engagement and set course for Egypt with 60 of her ships. Antony then broke through the enemy line and followed her. The disheartened fleet that remained surrendered to Octavian. One week later, Antony’s land forces surrendered.
Although they had suffered a decisive defeat, it was nearly a year before Octavian reached Alexandria and again defeated Antony. In the aftermath of the battle, Cleopatra took refuge in the mausoleum she had commissioned for herself. Antony, informed that Cleopatra was dead, stabbed himself with his sword. Before he died, another messenger arrived, saying Cleopatra still lived. Antony had himself carried to Cleopatra’s retreat, where he died after bidding her to make her peace with Octavian. When the triumphant Roman arrived, she attempted to seduce him, but he resisted her charms. Rather than fall under Octavian’s domination, Cleopatra committed suicide on August 12, 30 B.C., possibly by means of an asp, a poisonous Egyptian serpent and symbol of divine royalty.
Octavian then executed her son Caesarion, annexed Egypt into the Roman Empire, and used Cleopatra’s treasure to pay off his veterans. In 27 B.C., Octavian became Augustus, the first and arguably most successful of all Roman emperors. He ruled a peaceful, prosperous, and expanding Roman Empire until his death in 14 A.D. at the age of 75.
Cleopatra, born in 69 B.C., was made Cleopatra VII, queen of Egypt, upon the death of her father, Ptolemy XII, in 51 B.C. Her brother was made King Ptolemy XIII at the same time, and the siblings ruled Egypt under the formal title of husband and wife. Cleopatra and Ptolemy were members of the Macedonian dynasty that governed Egypt since the death of Alexander the Great in 323 B.C. Although Cleopatra had no Egyptian blood, she alone in her ruling house learned Egyptian. To further her influence over the Egyptian people, she was also proclaimed the daughter of Re, the Egyptian sun god. Cleopatra soon fell into dispute with her brother, and civil war erupted in 48 B.C.
Rome, the greatest power in the Western world, was also beset by civil war at the time. Just as Cleopatra was preparing to attack her brother with a large Arab army, the Roman civil war spilled into Egypt. Pompey the Great, defeated by Julius Caesar in Greece, fled to Egypt seeking solace but was immediately murdered by agents of Ptolemy XIII. Caesar arrived in Alexandria soon after and, finding his enemy dead, decided to restore order in Egypt.
During the preceding century, Rome had exercised increasing control over the rich Egyptian kingdom, and Cleopatra sought to advance her political aims by winning the favor of Caesar. She traveled to the royal palace in Alexandria and was allegedly carried to Caesar rolled in a rug, which was offered as a gift. Cleopatra, beautiful and alluring, captivated the powerful Roman leader, and he agreed to intercede in the Egyptian civil war on her behalf.
In 47 B.C., Ptolemy XIII was killed after a defeat against Caesar’s forces, and Cleopatra was made dual ruler with another brother, Ptolemy XIV. Julius and Cleopatra spent several amorous weeks together, and then Caesar departed for Asia Minor, where he declared “Veni, vidi, vici” (I came, I saw, I conquered), after putting down a rebellion. In June 47 B.C., Cleopatra bore a son, whom she claimed was Caesar’s and named Caesarion, meaning “little Caesar.”
Upon Caesar’s triumphant return to Rome, Cleopatra and Caesarion joined him there. Under the auspices of negotiating a treaty with Rome, Cleopatra lived discretely in a villa that Caesar owned outside the capital. After Caesar was assassinated in March 44 B.C., she returned to Egypt. Soon after, Ptolemy XIV died, likely poisoned by Cleopatra, and the queen made her son co-ruler with her as Ptolemy XV Caesar.
With Julius Caesar’s murder, Rome again fell into civil war, which was temporarily resolved in 43 B.C. with the formation of the second triumvirate, made up of Octavian, Caesar’s great-nephew and chosen heir; Mark Antony, a powerful general; and Lepidus, a Roman statesman. Antony took up the administration of the eastern provinces of the Roman Empire, and he summoned Cleopatra to Tarsus, in Asia Minor, to answer charges that she had aided his enemies.
Cleopatra sought to seduce Antony, as she had Caesar before him, and in 41 B.C. arrived in Tarsus on a magnificent river barge, dressed as Venus, the Roman god of love. Successful in her efforts, Antony returned with her to Alexandria, where they spent the winter in debauchery. In 40 B.C., Antony returned to Rome and married Octavian’s sister Octavia in an effort to mend his strained alliance with Octavian. The triumvirate, however, continued to deteriorate. In 37 B.C., Antony separated from Octavia and traveled east, arranging for Cleopatra to join him in Syria. In their time apart, Cleopatra had borne him twins, a son and a daughter. According to Octavian’s propagandists, the lovers were then married, which violated the Roman law restricting Romans from marrying foreigners.
Antony’s disastrous military campaign against Parthia in 36 B.C. further reduced his prestige, but in 34 B.C. he was more successful against Armenia. To celebrate the victory, he staged a triumphal procession through the streets of Alexandria, in which he and Cleopatra sat on golden thrones, and Caesarion and their children were given imposing royal titles. Many in Rome, spurred on by Octavian, interpreted the spectacle as a sign that Antony intended to deliver the Roman Empire into alien hands.
After several more years of tension and propaganda attacks, Octavian declared war against Cleopatra, and therefore Antony, in 31 B.C. Enemies of Octavian rallied to Antony’s side, but Octavian’s brilliant military commanders gained early successes against his forces. On September 2, 31 B.C., their fleets clashed at Actium in Greece. After heavy fighting, Cleopatra broke from the engagement and set course for Egypt with 60 of her ships. Antony then broke through the enemy line and followed her. The disheartened fleet that remained surrendered to Octavian. One week later, Antony’s land forces surrendered.
Although they had suffered a decisive defeat, it was nearly a year before Octavian reached Alexandria and again defeated Antony. In the aftermath of the battle, Cleopatra took refuge in the mausoleum she had commissioned for herself. Antony, informed that Cleopatra was dead, stabbed himself with his sword. Before he died, another messenger arrived, saying Cleopatra still lived. Antony had himself carried to Cleopatra’s retreat, where he died after bidding her to make her peace with Octavian. When the triumphant Roman arrived, she attempted to seduce him, but he resisted her charms. Rather than fall under Octavian’s domination, Cleopatra committed suicide on August 12, 30 B.C., possibly by means of an asp, a poisonous Egyptian serpent and symbol of divine royalty.
Octavian then executed her son Caesarion, annexed Egypt into the Roman Empire, and used Cleopatra’s treasure to pay off his veterans. In 27 B.C., Octavian became Augustus, the first and arguably most successful of all Roman emperors. He ruled a peaceful, prosperous, and expanding Roman Empire until his death in 14 A.D. at the age of 75.
Cleopatra commits suicide - Aug 12, 30 - HISTORY.com
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The Real Cleopatra History Documentary
I take no credit for this video, uploaded only for educational purposes.
Thank you for sharing my friend TSgt Joe C. that on August 12, 30 BC Cleopatra VIII who was the queen on Egypt committed suicide.
Background from smithsonianmag.com/history/who-was-cleopatra-151356013/
The struggle with her teenage brother over the throne of Egypt was not going as well as Cleopatra VII had hoped. In 49 B.C., Pharaoh Ptolemy XIII—also her husband and, by the terms of their father’s will, her co-ruler—had driven his sister from the palace at Alexandria after Cleopatra attempted to make herself the sole sovereign. The queen, then in her early twenties, fled to Syria and returned with a mercenary army, setting up camp just outside the capital.
Meanwhile, pursuing a military rival who had fled to Egypt, the Roman general Julius Caesar arrived at Alexandria in the summer of 48 B.C., and found himself drawn into the Egyptian family feud. For decades Egypt had been a subservient ally to Rome, and preserving the stability of the Nile Valley, with its great agricultural wealth, was in Rome’s economic interest. Caesar took up residence at Alexandria’s royal palace and summoned the warring siblings for a peace conference, which he planned to arbitrate. But Ptolemy XIII’s forces barred the return of the king’s sister to Alexandria. Aware that Caesar’s diplomatic intervention could help her regain the throne, Cleopatra hatched a scheme to sneak herself into the palace for an audience with Caesar. She persuaded her servant Apollodoros to wrap her in a carpet (or, according to some sources, a sack used for storing bedclothes), which he then presented to the 52-year old Roman.
The image of young Cleopatra tumbling out of an unfurled carpet has been dramatized in nearly every film about her, from the silent era to a 1999 TV miniseries, but it was also a key scene in the real Cleopatra’s staging of her own life. “She was clearly using all her talents from the moment she arrived on the world stage before Caesar,” says Egyptologist Joann Fletcher, author of a forthcoming biography, Cleopatra the Great.
Cleopatra and Ceasar by Jean-Léon Gérôme portrays the scene in which Cleopatra emerges from the carpet—probably somewhat disheveled, but dressed in her best finery—and begs Caesar for aid, the gesture that won over Rome’s future dictator-for-life. With his help Cleopatra regained Egypt’s throne. (Image Source: Wikimedia Commons)
Like most monarchs of her time, Cleopatra saw herself as divine; from birth she and other members of her family were declared to be gods and goddesses. Highly image-conscious, Cleopatra maintained her mystique through shows of splendor, identifying herself with the deities Isis and Aphrodite, and in effect creating much of the mythology that surrounds her to this day. Though Hollywood versions of her story are jam-packed with anachronisms, embellishments, exaggerations and inaccuracies, the Cleopatras of Elizabeth Taylor, Vivien Leigh and Claudette Colbert do share with the real queen a love of pageantry. “Cleopatra was a mistress of disguise and costume,” says Fletcher. “She could reinvent herself to suit the occasion, and I think that’s a mark of the consummate politician.”
When Cleopatra emerged from the carpet—probably somewhat disheveled, but dressed in her best finery—and begged Caesar for aid, the gesture won over Rome’s future dictator-for-life. With his help Cleopatra regained Egypt’s throne. Ptolemy XIII rebelled against the armistice that Caesar had imposed, but in the ensuing civil war he drowned in the Nile, leaving Cleopatra safely in power.
Though Cleopatra bore him a son, Caesar was already married, and Egyptian custom decreed that Cleopatra marry her remaining brother, Ptolemy XIV. Caesar was assassinated in 44 B.C., and with her ally gone Cleopatra had Ptolemy XIV killed to prevent any challenges to her son’s succession. To solidify her grip on the throne, she dispatched her rebellious sister Arsinoe as well. Such ruthlessness was not only a common feature of Egyptian dynastic politics in Cleopatra’s day, it was necessary to ensure her own survival and that of her son. With all domestic threats removed, Cleopatra set about the business of ruling Egypt, the richest nation in the Mediterranean world, and the last to remain independent of Rome.
What kind of pharaoh was Cleopatra? The few remaining contemporary Egyptian sources suggest that she was very popular among her own people. Egypt’s Alexandria-based rulers, including Cleopatra, were ethnically Greek, descended from Alexander the Great’s general Ptolemy I Soter. They would have spoken Greek and observed Greek customs, separating themselves from the ethnically Egyptian majority. But unlike her forebears, Cleopatra actually bothered to learn the Egyptian language. For Egyptian audiences, she commissioned portraits of herself in the traditional Egyptian style. In one papyrus dated to 35 B.C. Cleopatra is called Philopatris, “she who loves her country.” By identifying herself as a truly Egyptian pharaoh, Cleopatra used patriotism to cement her position.
Cleopatra’s foreign policy goal, in addition to preserving her personal power, was to maintain Egypt’s independence from the rapidly expanding Roman Empire. By trading with Eastern nations—Arabia and possibly as far away as India—she built up Egypt’s economy, bolstering her country’s status as a world power. By allying herself with Roman general Mark Antony, Cleopatra hoped to keep Octavian, Julius Caesar’s heir and Antony’s rival, from making Egypt a vassal to Rome. Ancient sources make it clear that Cleopatra and Antony did love each other and that Cleopatra bore Antony three children; still, the relationship was also very useful to an Egyptian queen who wished to expand and protect her empire.
Though some modern historians have portrayed Cleopatra as a capable, popular Egyptian leader, we tend to imagine her through Roman eyes. During her lifetime and in the century after her death, Roman propaganda, most of it originating with her enemy Octavian, painted Cleopatra as a dangerous harlot who employed sex, witchcraft and cunning as she grasped for power beyond what was proper for a woman. The poet Horace, writing in the late first century B.C., called her “A crazy queen...plotting...to demolish the Capitol and topple the [Roman] Empire.” Nearly a century later, the Roman poet Lucan labeled her “the shame of Egypt, the lascivious fury who was to become the bane of Rome.”
After Roman tempers cooled, the Greek historian Plutarch published a more sympathetic biography. Cleopatra became a tragic heroine, with love of Antony her sole motivation. Over the next two millennia, countless paintings and dramatizations—including Shakespeare’s Antony and Cleopatra and John Dryden’s All for Love—focused on the fantastic details of her suicide after Octavian defeated Antony. We know almost certainly that Cleopatra, along with her two most trusted servants, killed herself on August 12, 30 B.C., to escape capture by Octavian. However, since the facts of her death were unclear even to the men who found the bodies, we will never know if it was the famous asp that killed the queen, or a smuggled vial of poison. The asp legend has prevailed, however, and the image of her death, more than anything else, gave Cleopatra immortality.
In February 2007, a recently discovered coin bearing a portrait of Cleopatra went on display at Newcastle University in England, sparking renewed interest in the queen and a debate about whether she was really as beautiful as we imagine. The coin, dated to 32 B.C., shows a rather homely Cleopatra with a large nose, narrow lips and a sharp chin. She looks nothing like Elizabeth Taylor. But ancient historians never characterized Cleopatra as a great beauty, and in her time she was not considered a romantic heroine. In his A.D. 75 Life of Antony, Plutarch tells us, “Her actual beauty...was not so remarkable that none could be compared with her, or that no one could see her without being struck by it, but the contact of her presence...was irresistible.... The character that attended all she said or did was something bewitching.”
Cleopatra’s beauty (or lack thereof) was irrelevant to the Romans who knew her and the Egyptian people she ruled. The real Cleopatra had charisma, and her sexiness stemmed from her intelligence—what Plutarch described as “the charm of her conversation”—rather than her kohl-rimmed eyes. Pharaoh Cleopatra VII was a brilliant leader, says Joann Fletcher. “She was one of the most dynamic figures the world has ever seen. And I don’t think that’s an exaggeration.”
The Real Cleopatra History Documentary
https://www.youtube.com/watch?v=m3JMEhSpWtc
FYI COL Mikel J. Burroughs LTC Stephen C. LTC (Join to see) Lt Col John (Jack) Christensen Lt Col Charlie Brown Maj Bill Smith, Ph.D. Maj William W. "Bill" Price Maj Marty Hogan SCPO Morris Ramsey SSG John Ross SGT Mark Halmrast Sgt Randy Wilber Sgt John H. SGT Gregory Lawritson CPL Dave Hoover SPC Margaret Higgins SSgt Brian Brakke 1stSgt Eugene Harless CPT Scott Sharon
Background from smithsonianmag.com/history/who-was-cleopatra-151356013/
The struggle with her teenage brother over the throne of Egypt was not going as well as Cleopatra VII had hoped. In 49 B.C., Pharaoh Ptolemy XIII—also her husband and, by the terms of their father’s will, her co-ruler—had driven his sister from the palace at Alexandria after Cleopatra attempted to make herself the sole sovereign. The queen, then in her early twenties, fled to Syria and returned with a mercenary army, setting up camp just outside the capital.
Meanwhile, pursuing a military rival who had fled to Egypt, the Roman general Julius Caesar arrived at Alexandria in the summer of 48 B.C., and found himself drawn into the Egyptian family feud. For decades Egypt had been a subservient ally to Rome, and preserving the stability of the Nile Valley, with its great agricultural wealth, was in Rome’s economic interest. Caesar took up residence at Alexandria’s royal palace and summoned the warring siblings for a peace conference, which he planned to arbitrate. But Ptolemy XIII’s forces barred the return of the king’s sister to Alexandria. Aware that Caesar’s diplomatic intervention could help her regain the throne, Cleopatra hatched a scheme to sneak herself into the palace for an audience with Caesar. She persuaded her servant Apollodoros to wrap her in a carpet (or, according to some sources, a sack used for storing bedclothes), which he then presented to the 52-year old Roman.
The image of young Cleopatra tumbling out of an unfurled carpet has been dramatized in nearly every film about her, from the silent era to a 1999 TV miniseries, but it was also a key scene in the real Cleopatra’s staging of her own life. “She was clearly using all her talents from the moment she arrived on the world stage before Caesar,” says Egyptologist Joann Fletcher, author of a forthcoming biography, Cleopatra the Great.
Cleopatra and Ceasar by Jean-Léon Gérôme portrays the scene in which Cleopatra emerges from the carpet—probably somewhat disheveled, but dressed in her best finery—and begs Caesar for aid, the gesture that won over Rome’s future dictator-for-life. With his help Cleopatra regained Egypt’s throne. (Image Source: Wikimedia Commons)
Like most monarchs of her time, Cleopatra saw herself as divine; from birth she and other members of her family were declared to be gods and goddesses. Highly image-conscious, Cleopatra maintained her mystique through shows of splendor, identifying herself with the deities Isis and Aphrodite, and in effect creating much of the mythology that surrounds her to this day. Though Hollywood versions of her story are jam-packed with anachronisms, embellishments, exaggerations and inaccuracies, the Cleopatras of Elizabeth Taylor, Vivien Leigh and Claudette Colbert do share with the real queen a love of pageantry. “Cleopatra was a mistress of disguise and costume,” says Fletcher. “She could reinvent herself to suit the occasion, and I think that’s a mark of the consummate politician.”
When Cleopatra emerged from the carpet—probably somewhat disheveled, but dressed in her best finery—and begged Caesar for aid, the gesture won over Rome’s future dictator-for-life. With his help Cleopatra regained Egypt’s throne. Ptolemy XIII rebelled against the armistice that Caesar had imposed, but in the ensuing civil war he drowned in the Nile, leaving Cleopatra safely in power.
Though Cleopatra bore him a son, Caesar was already married, and Egyptian custom decreed that Cleopatra marry her remaining brother, Ptolemy XIV. Caesar was assassinated in 44 B.C., and with her ally gone Cleopatra had Ptolemy XIV killed to prevent any challenges to her son’s succession. To solidify her grip on the throne, she dispatched her rebellious sister Arsinoe as well. Such ruthlessness was not only a common feature of Egyptian dynastic politics in Cleopatra’s day, it was necessary to ensure her own survival and that of her son. With all domestic threats removed, Cleopatra set about the business of ruling Egypt, the richest nation in the Mediterranean world, and the last to remain independent of Rome.
What kind of pharaoh was Cleopatra? The few remaining contemporary Egyptian sources suggest that she was very popular among her own people. Egypt’s Alexandria-based rulers, including Cleopatra, were ethnically Greek, descended from Alexander the Great’s general Ptolemy I Soter. They would have spoken Greek and observed Greek customs, separating themselves from the ethnically Egyptian majority. But unlike her forebears, Cleopatra actually bothered to learn the Egyptian language. For Egyptian audiences, she commissioned portraits of herself in the traditional Egyptian style. In one papyrus dated to 35 B.C. Cleopatra is called Philopatris, “she who loves her country.” By identifying herself as a truly Egyptian pharaoh, Cleopatra used patriotism to cement her position.
Cleopatra’s foreign policy goal, in addition to preserving her personal power, was to maintain Egypt’s independence from the rapidly expanding Roman Empire. By trading with Eastern nations—Arabia and possibly as far away as India—she built up Egypt’s economy, bolstering her country’s status as a world power. By allying herself with Roman general Mark Antony, Cleopatra hoped to keep Octavian, Julius Caesar’s heir and Antony’s rival, from making Egypt a vassal to Rome. Ancient sources make it clear that Cleopatra and Antony did love each other and that Cleopatra bore Antony three children; still, the relationship was also very useful to an Egyptian queen who wished to expand and protect her empire.
Though some modern historians have portrayed Cleopatra as a capable, popular Egyptian leader, we tend to imagine her through Roman eyes. During her lifetime and in the century after her death, Roman propaganda, most of it originating with her enemy Octavian, painted Cleopatra as a dangerous harlot who employed sex, witchcraft and cunning as she grasped for power beyond what was proper for a woman. The poet Horace, writing in the late first century B.C., called her “A crazy queen...plotting...to demolish the Capitol and topple the [Roman] Empire.” Nearly a century later, the Roman poet Lucan labeled her “the shame of Egypt, the lascivious fury who was to become the bane of Rome.”
After Roman tempers cooled, the Greek historian Plutarch published a more sympathetic biography. Cleopatra became a tragic heroine, with love of Antony her sole motivation. Over the next two millennia, countless paintings and dramatizations—including Shakespeare’s Antony and Cleopatra and John Dryden’s All for Love—focused on the fantastic details of her suicide after Octavian defeated Antony. We know almost certainly that Cleopatra, along with her two most trusted servants, killed herself on August 12, 30 B.C., to escape capture by Octavian. However, since the facts of her death were unclear even to the men who found the bodies, we will never know if it was the famous asp that killed the queen, or a smuggled vial of poison. The asp legend has prevailed, however, and the image of her death, more than anything else, gave Cleopatra immortality.
In February 2007, a recently discovered coin bearing a portrait of Cleopatra went on display at Newcastle University in England, sparking renewed interest in the queen and a debate about whether she was really as beautiful as we imagine. The coin, dated to 32 B.C., shows a rather homely Cleopatra with a large nose, narrow lips and a sharp chin. She looks nothing like Elizabeth Taylor. But ancient historians never characterized Cleopatra as a great beauty, and in her time she was not considered a romantic heroine. In his A.D. 75 Life of Antony, Plutarch tells us, “Her actual beauty...was not so remarkable that none could be compared with her, or that no one could see her without being struck by it, but the contact of her presence...was irresistible.... The character that attended all she said or did was something bewitching.”
Cleopatra’s beauty (or lack thereof) was irrelevant to the Romans who knew her and the Egyptian people she ruled. The real Cleopatra had charisma, and her sexiness stemmed from her intelligence—what Plutarch described as “the charm of her conversation”—rather than her kohl-rimmed eyes. Pharaoh Cleopatra VII was a brilliant leader, says Joann Fletcher. “She was one of the most dynamic figures the world has ever seen. And I don’t think that’s an exaggeration.”
The Real Cleopatra History Documentary
https://www.youtube.com/watch?v=m3JMEhSpWtc
FYI COL Mikel J. Burroughs LTC Stephen C. LTC (Join to see) Lt Col John (Jack) Christensen Lt Col Charlie Brown Maj Bill Smith, Ph.D. Maj William W. "Bill" Price Maj Marty Hogan SCPO Morris Ramsey SSG John Ross SGT Mark Halmrast Sgt Randy Wilber Sgt John H. SGT Gregory Lawritson CPL Dave Hoover SPC Margaret Higgins SSgt Brian Brakke 1stSgt Eugene Harless CPT Scott Sharon
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