Tracy Chapman didn't take long to release her masterpiece. Arriving near the end of the Reagan Era, the singer-songwriter's classic, self-titled 1988 debut opened with a purposefully strummed blast of righteous indignation called "Talkin' Bout a Revolution" — a song about class warfare punctuated by a clear warning that "poor people gonna rise up / and take what's theirs."
At the time, "Talkin' Bout a Revolution" could get overshadowed by the track that immediately followed it on Tracy Chapman — the Top 10 hit "Fast Car," which remains one of the greatest songs ever written about working-class life — as well as the assortment of weary reflections on abuse ("Behind the Wall"), poverty ("Mountains o' Things"), crime ("For My Lover") and redemptive love ("Baby Can I Hold You," "For You") sprinkled throughout the album.
But "Talkin' Bout a Revolution" was and is a crucial tone-setter for the more nuanced character studies on Tracy Chapman: It's there to remind us up-front that the lives she's singing about matter, and that her subjects — no matter how firmly they've been held down — wield fearsome power. "Finally, the tables are starting to turn," she sang; that was 32 years ago.