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William Faulkner on his native soil in Oxford, Mississippi (1952)
In November of 1952, the normally reclusive Faulkner allowed a film crew into his secluded world at Oxford to make a short documentary about his life. The fi...
Thank you my friend TSgt Joe C. for making us aware that September 25 is the anniversary of the birth of American author William Faulkner and recipient of the Nobel Prize in Literature in 1949.
Background from nobelprize.org/prizes/literature/1949/faulkner/biographical/
"William Faulkner Biographical
William Faulkner (1897-1962), who came from an old southern family, grew up in Oxford, Mississippi. He joined the Canadian, and later the British, Royal Air Force during the First World War, studied for a while at the University of Mississippi, and temporarily worked for a New York bookstore and a New Orleans newspaper. Except for some trips to Europe and Asia, and a few brief stays in Hollywood as a scriptwriter, he worked on his novels and short stories on a farm in Oxford.
In an attempt to create a saga of his own, Faulkner has invented a host of characters typical of the historical growth and subsequent decadence of the South. The human drama in Faulkner’s novels is then built on the model of the actual, historical drama extending over almost a century and a half Each story and each novel contributes to the construction of a whole, which is the imaginary Yoknapatawpha County and its inhabitants. Their theme is the decay of the old South, as represented by the Sartoris and Compson families, and the emergence of ruthless and brash newcomers, the Snopeses. Theme and technique – the distortion of time through the use of the inner monologue are fused particularly successfully in The Sound and the Fury (1929), the downfall of the Compson family seen through the minds of several characters. The novel Sanctuary (1931) is about the degeneration of Temple Drake, a young girl from a distinguished southern family. Its sequel, Requiem For A Nun (1951), written partly as a drama, centered on the courtroom trial of a Negro woman who had once been a party to Temple Drake’s debauchery. In Light in August (1932), prejudice is shown to be most destructive when it is internalized, as in Joe Christmas, who believes, though there is no proof of it, that one of his parents was a Negro. The theme of racial prejudice is brought up again in Absalom, Absalom! (1936), in which a young man is rejected by his father and brother because of his mixed blood. Faulkner’s most outspoken moral evaluation of the relationship and the problems between Negroes and whites is to be found in Intruder In the Dust (1948).
In 1940, Faulkner published the first volume of the Snopes trilogy, The Hamlet, to be followed by two volumes, The Town (1957) and The Mansion (1959), all of them tracing the rise of the insidious Snopes family to positions of power and wealth in the community. The reivers, his last – and most humorous – work, with great many similarities to Mark Twain’s Huckleberry Finn, appeared in 1962, the year of Faulkner’s death.
From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969
This autobiography/biography was written at the time of the award and first published in the book series Les Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.
William Faulkner died on July 6, 1962."
William Faulkner on his native soil in Oxford, Mississippi (1952)
https://youtu.be/L1tQ-wt-eas
FYI LTC Bill Koski CW5 (Join to see) MSG Brad Sand SGM Steve Wettstein SSG James J. Palmer IV aka "JP4" SP5 Mark Kuzinski PO1 William "Chip" Nagel PO1 John Miller SP5 Robert Ruck SPC (Join to see) PO3 Steven Sherrill SN Greg Wright Maj Marty Hogan SCPO Morris Ramsey Cpl Joshua Caldwell SGT Michael Thorin SP5 Dave (Shotgun) Shockley SPC Margaret Higgins COL Mikel J. Burroughs
Background from nobelprize.org/prizes/literature/1949/faulkner/biographical/
"William Faulkner Biographical
William Faulkner (1897-1962), who came from an old southern family, grew up in Oxford, Mississippi. He joined the Canadian, and later the British, Royal Air Force during the First World War, studied for a while at the University of Mississippi, and temporarily worked for a New York bookstore and a New Orleans newspaper. Except for some trips to Europe and Asia, and a few brief stays in Hollywood as a scriptwriter, he worked on his novels and short stories on a farm in Oxford.
In an attempt to create a saga of his own, Faulkner has invented a host of characters typical of the historical growth and subsequent decadence of the South. The human drama in Faulkner’s novels is then built on the model of the actual, historical drama extending over almost a century and a half Each story and each novel contributes to the construction of a whole, which is the imaginary Yoknapatawpha County and its inhabitants. Their theme is the decay of the old South, as represented by the Sartoris and Compson families, and the emergence of ruthless and brash newcomers, the Snopeses. Theme and technique – the distortion of time through the use of the inner monologue are fused particularly successfully in The Sound and the Fury (1929), the downfall of the Compson family seen through the minds of several characters. The novel Sanctuary (1931) is about the degeneration of Temple Drake, a young girl from a distinguished southern family. Its sequel, Requiem For A Nun (1951), written partly as a drama, centered on the courtroom trial of a Negro woman who had once been a party to Temple Drake’s debauchery. In Light in August (1932), prejudice is shown to be most destructive when it is internalized, as in Joe Christmas, who believes, though there is no proof of it, that one of his parents was a Negro. The theme of racial prejudice is brought up again in Absalom, Absalom! (1936), in which a young man is rejected by his father and brother because of his mixed blood. Faulkner’s most outspoken moral evaluation of the relationship and the problems between Negroes and whites is to be found in Intruder In the Dust (1948).
In 1940, Faulkner published the first volume of the Snopes trilogy, The Hamlet, to be followed by two volumes, The Town (1957) and The Mansion (1959), all of them tracing the rise of the insidious Snopes family to positions of power and wealth in the community. The reivers, his last – and most humorous – work, with great many similarities to Mark Twain’s Huckleberry Finn, appeared in 1962, the year of Faulkner’s death.
From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969
This autobiography/biography was written at the time of the award and first published in the book series Les Prix Nobel. It was later edited and republished in Nobel Lectures. To cite this document, always state the source as shown above.
William Faulkner died on July 6, 1962."
William Faulkner on his native soil in Oxford, Mississippi (1952)
https://youtu.be/L1tQ-wt-eas
FYI LTC Bill Koski CW5 (Join to see) MSG Brad Sand SGM Steve Wettstein SSG James J. Palmer IV aka "JP4" SP5 Mark Kuzinski PO1 William "Chip" Nagel PO1 John Miller SP5 Robert Ruck SPC (Join to see) PO3 Steven Sherrill SN Greg Wright Maj Marty Hogan SCPO Morris Ramsey Cpl Joshua Caldwell SGT Michael Thorin SP5 Dave (Shotgun) Shockley SPC Margaret Higgins COL Mikel J. Burroughs
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SFC Shirley Whitfield COL Lee Flemming PO1 William "Chip" Nagel SCPO Morris Ramsey SFC William Farrell Alan K. MSgt Stephen Council Sgt Trevor Barrett MSG Andrew White SP5 Mark Kuzinski SGT David A. 'Cowboy' Groth Cpl Scott McCarroll LTC John Shaw SGT Jim Arnold SPC Margaret Higgins CWO3 Dennis M. Susan Foster (Join to see) SGT Elizabeth Scheck SGT Michael Thorin
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