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Thank you my friend SGT (Join to see) for making us aware that on July 2, 1961 American author and Nobel laureate, Ernest Miller Hemingway, died from suicide at the age of 61.

Ernest Hemingway Biography: A Life of Love and Loss
During his early years the future macho man’s mother dressed and treated him as a girl and his own son Gregory, would become a transvestite. He was known as Papa Hemingway and yet he had a distant relationship with his three sons. In the midst of the glowing tributes that the world heaped upon him he sunk to terrible lows, causing turmoil as he racked up awards. And then finally, in an act of desperation, he took his own life.
https://www.youtube.com/watch?v=aLTk727FGuA

Images:
1. Ernest Hemingway in an American Red Cross ambulance, Italy
2. Ernest Hemingway recuperating in the American Red Cross hospital in Milan, Italy, 1918
3. Agnes von Kurowsky and Ernest Hemingway in Milan, Italy
4. 1918 Ernest Hemingway on crutches as he recovers in Italy from the serious injuries to his legs

Background from {[https://www.cliffsnotes.com/literature/h/hemingways-short-stories/ernest-hemingway-biography]}
Ernest Hemingway Biography
Ernest Hemingway's colorful life as a war correspondent, big game hunter, angler, writer, and world celebrity, as well as winner of the 1954 Nobel Prize in literature, began in quiet Oak Park, Illinois, on July 21, 1899. When Ernest, the first son and second child born to Dr. Ed and Grace Hemingway, was only seven weeks old, his general practitioner father took the family for a quick weekend trip to the Michigan north woods, where Dr. Hemingway was having land cleared by several Ottawa Indians for Windemere, a summer cabin that he built on Walloon Lake. Ernest would return to this area year after year, as a child and later as an adolescent — hunting, fishing, camping, vegetable gardening, adventuring, and making plans for each new, successive summer.
Ernest's mother, a devout, religious woman with considerable musical talent, hoped that her son would develop an interest in music; she herself had once hoped for an operatic career, but during her first recital at Carnegie Hall, the lights were so intense for her defective eyes that she gave up performing. Ernest attempted playing the cello in high school, but from the beginning, it was clear that he was no musician. Instead, he deeply shared his father's fierce enthusiasm for the outdoors.
Ernest began fishing when he was three years old, and his fourth birthday present was an all-day fishing trip with his father. For his twelfth birthday, his grandfather gave him a single-barrel 20-gauge shotgun. His deep love of hunting and fishing in the north Michigan woods during his childhood and adolescence formed lasting impressions that would be ingredients for his short stories centering around Nick Adams, Hemingway's young fictional persona.
In high school, Hemingway played football, mostly lightweight football, because he was small and thin. Hoping for more success in another sport, Hemingway took up boxing. Years later, he would often write, using boxing metaphors; he would also tell people that it was a boxing accident that was responsible for his defective eyesight. Hemingway was always self-conscious about seeming less than the best at whatever he chose to do. For example, he had a lifelong difficulty pronouncing his l's; his sounded like w's. His perfectionist father always stressed that whatever Ernest did, he must "do it right." The stigma of having a slight speech defect and genetically flawed eyesight continually rankled Hemingway.
Hemingway's writing career began early. He was a reporter for The Trapeze, his high-school newspaper, and he published a couple of stories in the Tabula, the school's literary magazine. Ironically, he remained an atrocious speller throughout his life. Whenever editors would complain about his bad spelling, he'd retort, "Well, that's what you're hired to correct!"
After Ernest's high-school graduation, Dr. Hemingway realized that his son had no passion for further education, so he didn't encourage him to enroll in college. Neither did he encourage him to join the boys his age who were volunteering for the army and sailing to Europe to fight in World War I. Instead, Dr. Hemingway took another approach: He called the Kansas City Star to find out if his son could sign on as a cub reporter. He learned that an opening wouldn't be available until September, news that delighted Ernest because it meant that he could spend another summer in the north Michigan woods hunting and fishing before he began working in the adult world.
Arriving in Kansas City to work for the Star, young Hemingway began earning fifteen dollars a week. He was taught to write short sentences, avoid clichés, unnecessary adjectives, and construct good stories. He soon realized that a large part of Kansas City life was filled with crime and impulsive violence. It was an exciting time for the naive, eager, red-cheeked young man from the north woods who was determined to learn how to write well.
A few months passed, and despite the satisfying pace of his life and the thrill of seeing his work in print, Hemingway realized that most of the young men he knew were leaving to take part in the war in Europe. Hemingway's father was still opposed to his son's joining the army, and Hemingway himself knew that his defective eyesight would probably keep him from being accepted. However, Hemingway met Theodore Brumback, a fellow reporter with vision in only one eye at the Star, who suggested that Hemingway volunteer for the American Field Service as an ambulance driver. Hemingway's yearning to join the war effort was rekindled, and six months after he began his career as a newspaper reporter, he and Brumback resigned from the Star, said goodbye to their families, and headed to New York for their physicals. Hemingway received a B rating and was advised to get some glasses.
The letters that Hemingway wrote home to his parents while he was waiting to sail overseas were jubilant. The voyage from New York to France aboard the Chicago, however, was less exultant. Hemingway's second typhoid shot had left him nauseated and aching, and rough seas sent him retching to the rails several times.
At Bordeaux, France, Hemingway and Brumback boarded a train headed to Milan, Italy. Shortly after they settled in, a munitions factory exploded, and Hemingway was stunned to discover that "the dead are more women than men." After a few weeks of making routine ambulance runs and transporting dying and wounded men to hospitals, Hemingway grew impatient. Wanting to see more action, he traveled to the Austro-Italian border, where he finally had a sense of being at the wartime front.
During this time near the Austro-Italian border, Hemingway was severely wounded. An Austrian projectile exploded in the trenches and sent shrapnel ripping into his legs. Trying to carry an Italian soldier to safety, Hemingway caught a machine-gun bullet behind his kneecap and one in his foot. A few days later, he found himself on a train, returning to Milan. Later, writing about being wounded, he recalled that he felt life slipping from him. Some literary critics believe that it was this near death experience that obsessed Hemingway with a continual fear of death and a need to test his courage that lasted the rest of his life.
A few months later, the war was over and Hemingway returned to the States with a limp and a fleeting moment of celebrity. At home in Oak Park, Illinois, Hemingway immediately felt homesick for Italy. All of his friends were gone, and he received a letter from a nurse with whom he'd fallen in love while he was hospitalized. The news was not good: She had fallen in love with an Italian lieutenant. Ten years later, this nurse would become the model for the valiant Catherine Barkeley in A Farewell to Arms.
Returning to the north woods to find his emotional moorings, Hemingway fished, wrote some short-story sketches, and enjoyed a brief romance that would figure in "The End of Something" and "The Three-Day Blow." He also spoke to women's clubs about his wartime adventures, and one of the women in the audience, a monied Toronto matron, was so impressed with Hemingway that she hired him as a companion for her lame son.
Tutoring the boy and filling a scrapbook with writings in Canada, Hemingway then headed back to the Midwest, where he met Hadley Richardson, seven years older than he and an heiress to a small trust fund.
Hadley fell in love with Hemingway. Hemingway's ever-fretting, over-protective mother thought that Hadley was exactly what her rootless son needed; she prodded Hemingway to settle down and give up his gypsy travels and short-term, part-time jobs.
Despite his fears that marriage would destroy his way of living, Hemingway married Hadley, and they set up housekeeping, living on income from her trust fund. Soon, near-poverty depleted Hemingway's usual good nature, and friends urged him to move to Paris, where living expenses would be cheaper.
In Paris, Hemingway and Hadley lived in the Latin Quarter, a bohemian enclave of artists, poets, and writers. The Toronto Sun bought the articles that Hemingway submitted, as well as his political sketches, and Hemingway was pleased about the short stories he was writing. He was twenty-three years old and felt that he'd finally hit his stride as an author with a style that was authentically his own.
After covering the war between Greece and Turkey for the New York Sun, Hemingway returned to Paris and continued writing Nick Adams tales, including "A Way You'll Never Be." He was interrupted, though, when the Toronto Star insisted that he cover the Lausanne Peace Conference. While there, he urged Hadley to join him, and she did so, bringing all of his short stories, sketches, and poems in a valise that would be stolen in the Lyon train station.
Hemingway was so stunned with disbelief at the terrible loss that he immediately returned to Paris, convinced that Hadley surely hadn't packed even the carbon copies of his stories, but she had. Hemingway had lost everything that he'd written.
Ironically, American expatriate and writer Gertrude Stein had just spoken to Hemingway about loss, mentioning a garage keeper's off-hand comment: "You are all a lost generation," a casual remark, yet one that eventually would become world famous after Hemingway used it as an epigraph to his first major novel, The Sun Also Rises (1926). This term "lost generation" would be instantly meaningful to Hemingway's readers. It would give a name to the attitudes of the post-World War I generation of Americans, especially to the young writers of that era who believed that their loves and hopes had been shattered by the war. They had been led down a glory trail to death — not for noble patriotic ideals, but for the greedy, materialistic gains of international power groups. The high-minded sentiments of their elders were not to be trusted; only reality was truth — and reality was harsh: Life was futile, often meaningless.
After the loss of his manuscripts, Hemingway followed Stein's advice to go to Spain; she promised him that he'd find new stories there. After his sojourn in Spain, Hemingway returned to Paris and from there to Canada, where Hadley gave birth to their first child. Afterward, Hemingway returned to Paris, where he began writing "Big Two-Hearted River." From there, he went to Austria, where he wrote more Nick Adams stories, as well as "Hills Like White Elephants."
Hemingway and Hadley were divorced in 1927, and he married Pauline Pfeiffer, an Arkansas heiress, who accompanied him to Africa, traveling 300 miles by train to reach Nairobi, and onward to the Kapti Plains, the foothills of the Ngong Hills, and the Serengeti Plain. Africa would be the setting for two of Hemingway's most famous short stories — "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro."
In 1940, Hemingway and Pauline were divorced, and he married writer Martha Gellhorn. They toured China, then established a residence in Cuba. When World War II began, Hemingway volunteered his services and his fishing boat, the Pilar, and cooperated with United States naval intelligence as a German submarine spotter in the Caribbean.
Wanting a still-more-active role in the war, Hemingway soon was a 45-year-old war correspondent barnstorming through Europe with the Allied invasion troops — and sometimes ahead of them. It is said that Hemingway liberated the Ritz Hotel in Paris and that when the Allied troops arrived, they were greeted by a notice on the entrance: "Papa Hemingway took good hotel. Plenty stuff in the cellar."
Following yet another divorce, this one in 1944, Hemingway married Mary Welsh, a Time magazine correspondent. The couple lived in Venice for a while, then returned to Havana, Cuba. In 1950, Across the River and into the Trees appeared, but it was neither a critical nor a popular success. His short novel The Old Man and the Sea (1952), however, restored Hemingway's literary stature, and he was awarded the 1953 Pulitzer Prize in literature.
In January 1954, Hemingway was off for another of his many African safaris and was reported dead after two airplane crashes in two days. He survived, though, despite severe internal and spinal injuries and a concussion. When he read newspaper obituary notices about his death, he noted with great pleasure that they were favorable. That same year, Hemingway received the Swedish Academy's Nobel Prize in literature, "for his powerful style forming mastery of the art of modern narration, as most recently evidenced in The Old Man and the Sea."
During the next few years, Hemingway was not happy, and during 1961, he was periodically plagued by high blood pressure and clinical depression. He received shock therapy during two long confinements at the Mayo Clinic in Rochester, Minnesota, but most of the prescribed treatment for his depression was of little value. Hemingway died July 2, 1961, at his home, the result of a self-inflicted gunshot wound.
It seems as if there were always two Hemingways. One was the adventurer — the grinning, bearded "Papa" of the news photographs; the other was the skillful, sensitive author Hemingway, who patiently wrote, rewrote, and edited his work.
Certainly each of the short stories discussed in this volume represents a finished, polished "gem" — Hemingway's own word for his short stories. No word is superfluous, and no more words are needed. Along with such well-known short-story writers as William Faulkner, Flannery O'Connor, and John Steinbeck, Hemingway is considered by literary critics to be one of the world's finest.

Background from {[https://www.cliffsnotes.com/literature/h/hemingways-short-stories/critical-essay/hemingways-writing-style]}
Critical Essay Hemingway's Writing Style

A great deal has been written about Hemingway's distinctive style. In fact, the two great stylists of twentieth-century American literature are William Faulkner and Ernest Hemingway, and the styles of the two writers are so vastly different that there can be no comparison. For example, their styles have become so famous and so individually unique that yearly contests award prizes to people who write the best parodies of their styles. The parodies of Hemingway's writing style are perhaps the more fun to read because of Hemingway's ultimate simplicity and because he so often used the same style and the same themes in much of his work.
From the beginning of his writing career in the 1920s, Hemingway's writing style occasioned a great deal of comment and controversy. Basically, a typical Hemingway novel or short story is written in simple, direct, unadorned prose. Possibly, the style developed because of his early journalistic training. The reality, however, is this: Before Hemingway began publishing his short stories and sketches, American writers affected British mannerisms. Adjectives piled on top of one another; adverbs tripped over each other. Colons clogged the flow of even short paragraphs, and the plethora of semicolons often caused readers to throw up their hands in exasperation. And then came Hemingway.
An excellent example of Hemingway's style is found in "A Clean, Well-Lighted Place." In this story, there is no maudlin sentimentality; the plot is simple, yet highly complex and difficult. Focusing on an old man and two waiters, Hemingway says as little as possible. He lets the characters speak, and, from them, we discover the inner loneliness of two of the men and the callous prejudices of the other. When Hemingway was awarded the Nobel Prize in literature in 1954, his writing style was singled out as one of his foremost achievements. The committee recognized his "forceful and style-making mastery of the art of modern narration."
Hemingway has often been described as a master of dialogue; in story after story, novel after novel, readers and critics have remarked, "This is the way that these characters would really talk." Yet, a close examination of his dialogue reveals that this is rarely the way people really speak. The effect is accomplished, rather, by calculated emphasis and repetition that makes us remember what has been said.
Perhaps some of the best of Hemingway's much-celebrated use of dialogue occurs in "Hills Like White Elephants." When the story opens, two characters — a man and a woman — are sitting at a table. We finally learn that the girl's nickname is "Jig." Eventually we learn that they are in the cafe of a train station in Spain. But Hemingway tells us nothing about them — or about their past or about their future. There is no description of them. We don't know their ages. We know virtually nothing about them. The only information that we have about them is what we learn from their dialogue; thus this story must be read very carefully.
This spare, carefully honed and polished writing style of Hemingway was by no means spontaneous. When he worked as a journalist, he learned to report facts crisply and succinctly. He was also an obsessive revisionist. It is reported that he wrote and rewrote all, or portions, of The Old Man and the Sea more than two hundred times before he was ready to release it for publication.
Hemingway took great pains with his work; he revised tirelessly. "A writer's style," he said, "should be direct and personal, his imagery rich and earthy, and his words simple and vigorous." Hemingway more than fulfilled his own requirements for good writing. His words are simple and vigorous, burnished and uniquely brilliant."

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LTC Stephen F.
LTC Stephen F.
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Ernest Hemingway, Wrestling With Life (documentary)
https://www.youtube.com/watch?v=sPvBXsiA9Zs

Images:
1. 1937 Spanish Civil War correspondent Ernest Hemingway (center) 1937 with Ilya Ehrenburg (Russian author, left)
2. 1937 Barcelona, 1937. The man with the dog is George Orwell. The one right behind him - Ernest Hemingway
3. Ernest Hemingway 'Every Man's life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another'.
4. 1944 Ernest Hemingway and an unidentified soldier look at a map in Europe during World War II; Hemingway served as a war correspondent in France and Germany for Collier’s magazine


Background from {[https://www.thoughtco.com/ernest-hemingway-1779812]}
Biography of Ernest Hemingway, Pulitzer and Nobel Prize Winning Writer
Famous Author of Simple Prose and Rugged Persona

Table of Contents
• Early Life
• World War I
• Becoming a Writer
• Life in Paris
• Getting Published
• Back to the U.S.
• The Spanish Civil War
• World War II
• The Pulitzer and Nobel Prizes
• Decline and Death
• Legacy
• Sources
By Patricia Daniels updated January 23, 2020
Ernest Hemingway (July 21, 1899–July 2, 1961) is considered one of the most influential writers of the 20th century. Best known for his novels and short stories, he was also an accomplished journalist and war correspondent. Hemingway's trademark prose style—simple and spare—influenced a generation of writers.

Fast Facts: Ernest Hemingway
• Known For: Journalist and member of the Lost Generation group of writers who won the Pulitzer Prize and Nobel Prize in Literature
• Born: July 21, 1899 in Oak Park, Illinois
• Parents: Grace Hall Hemingway and Clarence ("Ed") Edmonds Hemingway
• Died: July 2, 1961 in Ketchum, Idaho
• Education: Oak Park High School
• Published Works: The Sun Also Rises, A Farewell to Arms, Death in the Afternoon, For Whom the Bell Tolls, the Old Man and the Sea, A Moveable Feast
• Spouse(s): Hadley Richardson (m. 1921–1927), Pauline Pfeiffer (1927–1939), Martha Gellhorn (1940–1945), Mary Welsh (1946–1961)
• Children: With Hadley Richardson: John Hadley Nicanor Hemingway ("Jack" 1923–2000); with Pauline Pfeiffer: Patrick (b. 1928), Gregory ("Gig" 1931–2001)

Early Life
Ernest Miller Hemingway was born on July 21, 1899 in Oak Park, Illinois, the second child born to Grace Hall Hemingway and Clarence ("Ed") Edmonds Hemingway. Ed was a general medical practitioner and Grace a would-be opera singer turned music teacher.
Hemingway's parents reportedly had an unconventional arrangement, in which Grace, an ardent feminist, would agree to marry Ed only if he could assure her she would not be responsible for the housework or cooking. Ed acquiesced; in addition to his busy medical practice, he ran the household, managed the servants, and even cooked meals when the need arose.
Ernest Hemingway grew up with four sisters; his much-longed-for brother did not arrive until Ernest was 15 years old. Young Ernest enjoyed family vacations at a cottage in northern Michigan where he developed a love of the outdoors and learned hunting and fishing from his father. His mother, who insisted that all of her children learn to play an instrument, instilled in him an appreciation of the arts.
In high school, Hemingway co-edited the school newspaper and competed on the football and swim teams. Fond of impromptu boxing matches with his friends, Hemingway also played cello in the school orchestra. He graduated from Oak Park High School in 1917.

World War I
Hired by the Kansas City Star in 1917 as a reporter covering the police beat, Hemingway—obligated to adhere to the newspaper's style guidelines—began to develop the succinct, simple style of writing that would become his trademark. That style was a dramatic departure from the ornate prose that dominated literature of the late 19th and early 20th centuries.
After six months in Kansas City, Hemingway longed for adventure. Ineligible for military service due to poor eyesight, he volunteered in 1918 as an ambulance driver for the Red Cross in Europe. In July of that year, while on duty in Italy, Hemingway was severely injured by an exploding mortar shell. His legs were peppered by more than 200 shell fragments, a painful and debilitating injury that required several surgeries.
As the first American to have survived being wounded in Italy in World War I, Hemingway was awarded a medal from the Italian government.
While recovering from his wounds at a hospital in Milan, Hemingway met and fell in love with Agnes von Kurowsky, a nurse with the American Red Cross. He and Agnes made plans to marry once he had earned enough money.
After the war ended in November 1918, Hemingway returned to the United States to look for a job, but the wedding was not to be. Hemingway received a letter from Agnes in March 1919, breaking off the relationship. Devastated, he became depressed and rarely left the house.

Becoming a Writer
Hemingway spent a year at his parents' home, recovering from wounds both physical and emotional. In early 1920, mostly recovered and eager to be employed, Hemingway got a job in Toronto helping a woman care for her disabled son. There he met the features editor of the Toronto Star Weekly, which hired him as a feature writer.
In fall of that year, he moved to Chicago and became a writer for The Cooperative Commonwealth, a monthly magazine, while still working for the Star.
Hemingway, however, longed to write fiction. He began submitting short stories to magazines, but they were repeatedly rejected. Soon, however, Hemingway had reason for hope. Through mutual friends, Hemingway met novelist Sherwood Anderson, who was impressed by Hemingway's short stories and encouraged him to pursue a career in writing.
Hemingway also met the woman who would become his first wife: Hadley Richardson. A native of St. Louis, Richardson had come to Chicago to visit friends after the death of her mother. She managed to support herself with a small trust fund left to her by her mother. The pair married in September 1921.
Sherwood Anderson, just back from a trip to Europe, urged the newly married couple to move to Paris, where he believed a writer's talent could flourish. He furnished the Hemingways with letters of introduction to American expatriate poet Ezra Pound and modernist writer Gertrude Stein. They set sail from New York in December 1921.

Life in Paris
The Hemingways found an inexpensive apartment in a working-class district in Paris. They lived on Hadley's inheritance and Hemingway's income from the Toronto Star Weekly, which employed him as a foreign correspondent. Hemingway also rented out a small hotel room to use as his workplace.
There, in a burst of productivity, Hemingway filled one notebook after another with stories, poems, and accounts of his childhood trips to Michigan.
Hemingway finally garnered an invitation to the salon of Gertrude Stein, with whom he later developed a deep friendship. Stein's home in Paris had become a meeting place for various artists and writers of the era, with Stein acting as a mentor to several prominent writers.
Stein promoted the simplification of both prose and poetry as a backlash to the elaborate style of writing seen in past decades. Hemingway took her suggestions to heart and later credited Stein for having taught him valuable lessons that influenced his writing style.
Hemingway and Stein belonged to the group of American expatriate writers in 1920s Paris who came to be known as the "Lost Generation." These writers had become disillusioned with traditional American values following World War I; their work often reflected their sense of futility and despair. Other writers in this group included F. Scott Fitzgerald, Ezra Pound, T.S. Eliot, and John Dos Passos.
In December 1922, Hemingway endured what might be considered a writer's worst nightmare. His wife, traveling by train to meet him for a holiday, lost a valise filled with a large portion of his recent work, including carbon copies. The papers were never found.

Getting Published
In 1923, several of Hemingway's poems and stories were accepted for publication in two American literary magazines, Poetry and The Little Review. In the summer of that year, Hemingway's first book, "Three Stories and Ten Poems," was published by an American-owned Paris publishing house.
On a trip to Spain in the summer of 1923, Hemingway witnessed his first bullfight. He wrote of bullfighting in the Star, seeming to condemn the sport and romanticize it at the same time. On another excursion to Spain, Hemingway covered the traditional "running of the bulls" at Pamplona, during which young men—courting death or, at the very least, injury—ran through town pursued by a throng of angry bulls.
The Hemingways returned to Toronto for the birth of their son. John Hadley Hemingway (nicknamed "Bumby") was born October 10, 1923. They returned to Paris in January 1924, where Hemingway continued to work on a new collection of short stories, later published in the book "In Our Time."
Hemingway returned to Spain to work on his upcoming novel set in Spain: "The Sun Also Rises." The book was published in 1926, to mostly good reviews.
Yet Hemingway's marriage was in turmoil. He had begun an affair in 1925 with American journalist Pauline Pfeiffer, who worked for the Paris Vogue. The Hemingways divorced in January 1927; Pfeiffer and Hemingway married in May of that year. Hadley later remarried and returned to Chicago with Bumby in 1934.

Back to the U.S.
In 1928, Hemingway and his second wife returned to the United States to live. In June 1928, Pauline gave birth to son Patrick in Kansas City. A second son, Gregory, would be born in 1931. The Hemingways rented a house in Key West, Florida, where Hemingway worked on his latest book, "A Farewell to Arms," based upon his World War I experiences.
In December 1928, Hemingway received shocking news—his father, despondent over mounting health and financial problems, had shot himself to death. Hemingway, who'd had a strained relationship with his parents, reconciled with his mother after his father's suicide and helped support her financially.
In May 1928, Scribner's Magazine published its first installment of "A Farewell to Arms." It was well-received; however, the second and third installments, deemed profane and sexually explicit, were banned from newsstands in Boston. Such criticism only served to boost sales when the entire book was published in September 1929.

The Spanish Civil War
The early 1930s proved to be a productive (if not always successful) time for Hemingway. Fascinated by bullfighting, he traveled to Spain to do research for the non-fiction book, "Death in the Afternoon." It was published in 1932 to generally poor reviews and was followed by several less-than-successful short story collections.
Ever the adventurer, Hemingway traveled to Africa on a shooting safari in November 1933. Although the trip was somewhat disastrous—Hemingway clashed with his companions and later became ill with dysentery—it provided him with ample material for a short story, "The Snows of Kilimanjaro," as well as a non-fiction book, "Green Hills of Africa."
While Hemingway was on a hunting and fishing trip in the United States in the summer of 1936, the Spanish Civil War began. A supporter of the loyalist (anti-Fascist) forces, Hemingway donated money for ambulances. He also signed on as a journalist to cover the conflict for a group of American newspapers and became involved in making a documentary. While in Spain, Hemingway began an affair with Martha Gellhorn, an American journalist and documentarian.
Weary of her husband's adulterous ways, Pauline took her sons and left Key West in December 1939. Only months after she divorced Hemingway, he married Martha Gellhorn in November 1940.

World War II
Hemingway and Gellhorn rented a farmhouse in Cuba just outside of Havana, where both could work on their writing. Traveling between Cuba and Key West, Hemingway wrote one of his most popular novels: "For Whom the Bell Tolls."
A fictionalized account of the Spanish Civil War, the book was published in October 1940 and became a bestseller. Despite being named the winner of the Pulitzer Prize in 1941, the book did not win because the president of Columbia University (which bestowed the award) vetoed the decision.
As Martha's reputation as a journalist grew, she earned assignments around the globe, leaving Hemingway resentful of her long absences. But soon, they would both be globetrotting. After the Japanese bombed Pearl Harbor in December 1941, both Hemingway and Gellhorn signed on as war correspondents.
Hemingway was allowed on board a troop transport ship, from which he was able to watch the D-day invasion of Normandy in June 1944.

The Pulitzer and Nobel Prizes
While in London during the war, Hemingway began an affair with the woman who would become his fourth wife—journalist Mary Welsh. Gellhorn learned of the affair and divorced Hemingway in 1945. He and Welsh married in 1946. They alternated between homes in Cuba and Idaho.
In January 1951, Hemingway began writing a book that would become one of his most celebrated works: "The Old Man and the Sea." A bestseller, the novella also won Hemingway his long-awaited Pulitzer Prize in 1953.
The Hemingways traveled extensively but were often the victims of bad luck. They were involved in two plane crashes in Africa during one trip in 1953. Hemingway was severely injured, sustaining internal and head injuries as well as burns. Some newspapers erroneously reported that he had died in the second crash.
In 1954, Hemingway was awarded the career-topping Nobel Prize for literature.

Decline and Death
In January 1959, the Hemingways moved from Cuba to Ketchum, Idaho. Hemingway, now nearly 60 years old, had suffered for several years with high blood pressure and the effects of years of heavy drinking. He had also become moody and depressed and appeared to be deteriorating mentally.
In November 1960, Hemingway was admitted to the Mayo Clinic for treatment of his physical and mental symptoms. He received electroshock therapy for his depression and was sent home after a two-month stay. Hemingway became further depressed when he realized he was unable to write after the treatments.
After three suicide attempts, Hemingway was readmitted to the Mayo Clinic and given more shock treatments. Although his wife protested, he convinced his doctors he was well enough to go home. Only days after being discharged from the hospital, Hemingway shot himself in the head in his Ketchum home early on the morning of July 2, 1961. He died instantly.

Legacy
A larger-than-life figure, Hemingway thrived on high adventure, from safaris and bullfights to wartime journalism and adulterous affairs, communicating that to his readers in an immediately recognizable spare, staccato format. Hemingway is among the most prominent and influential of the "Lost Generation" of expatriate writers who lived in Paris in the 1920s.
Known affectionately as "Papa Hemingway," he was awarded both the Pulitzer Prize and the Nobel Prize in literature, and several of his books were made into movies.

Sources
• Dearborn, Mary V. "Ernest Hemingway: A Biography." New York, Alfred A. Knopf, 2017.
• Hemingway, Ernest. "Moveable Feast: The Restored Edition." New York: Simon and Schuster, 2014.
• Henderson, Paul. "Hemingway's Boat: Everything He Loved in Life, and Lost, 1934–1961." New York, Alfred A. Knopf, 2011.
• Hutchisson, James M. "Ernest Hemingway: A New Life." University Park: The Pennsylvania State University Press, 2016."
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Hemingway Unknown (Documentary 2012)
https://www.youtube.com/watch?v=qm-dlJnigK8

Images:
1. Ernest Hemingway photo by Loomis Dean - Life
2. Fidel Castro and Ernest Hemingway in Cuba, circa 1960
3. The 1952 Life magazine where The Old Man and the Sea appeared in full. It sold out immediately
4. Ernest Hemingway's gravesite near Ketchum, Idaho


Background from {[http://www.lostgeneration.com/]}
Ernest Hemingway Biography> Childhood
Ernest Miller Hemingway was born at eight o'clock in the morning on July 21, 1899 in Oak Park, Illinois. In the nearly sixty two years of his life that followed he forged a literary reputation unsurpassed in the twentieth century. In doing so, he also created a mythological hero in himself that captivated (and at times confounded) not only serious literary critics but the average man as well. In a word, he was a star.
Born in the family home at 439 North Oak Park Avenue (now 339 N. Oak Park Avenue), a house built by his widowed grandfather Ernest Hall, Hemingway was the second of Dr. Clarence and Grace Hall Hemingway's six children; he had four sisters and one brother. He was named after his maternal grandfather Ernest Hall and his great uncle Miller Hall.
Oak Park was a mainly Protestant, upper middle-class suburb of Chicago that Hemingway would later refer to as a town of "wide lawns and narrow minds." Only ten miles from the big city, Oak Park was really much farther away philosophically. It was basically a conservative town that tried to isolate itself from Chicago's liberal seediness. Hemingway was raised with the conservative Midwestern values of strong religion, hard work, physical fitness and self determination; if one adhered to these parameters, he was taught, he would be ensured of success in whatever field he chose.
As a boy he was taught by his father to hunt and fish along the shores and in the forests surrounding Lake Michigan. The Hemingways had a summer house called Windemere on Walloon Lake in northern Michigan, and the family would spend the summer months there trying to stay cool. Hemingway would either fish the different streams that ran into the lake, or would take the row boat out to do some fishing there. He would also go squirrel hunting in the woods near the summer house, discovering early in life the serenity to be found while alone in the forest or wading a stream. It was something he could always go back to throughout his life, wherever he was. Nature would be the touchstone of Hemingway's life and work, and though he often found himself living in major cities like Chicago, Toronto and Paris early in his career, once he became successful he chose somewhat isolated places to live like Key West, or San Francisco de Paula, Cuba, or Ketchum, Idaho. All were convenient locales for hunting and fishing.
When he wasn't hunting or fishing his mother taught him the finer points of music. Grace was an accomplished singer who once had aspirations of a career on stage, but eventually settled down with her husband and occupied her time by giving voice and music lessons to local children, including her own. Hemingway never had a knack for music and suffered through choir practices and cello lessons, however the musical knowledge he acquired from his mother helped him share in his first wife Hadley's interest in the piano.
Hemingway received his formal schooling in the Oak Park public school system. In high school he was mediocre at sports, playing football, swimming, water basketball and serving as the track team manager. He enjoyed working on the high school newspaper called the Trapeze, where he wrote his first articles, usually humorous pieces in the style of Ring Lardner, a popular satirist of the time. Hemingway graduated in the spring of 1917 and instead of going to college the following fall like his parents expected, he took a job as a cub reporter for the Kansas City Star; the job was arranged for by his Uncle Tyler who was a close friend of the chief editorial writer of the paper.
Ernest Hemingway Biography>World War I
At the time of Hemingway's graduation from High School, World War I was raging in Europe, and despite Woodrow Wilson's attempts to keep America out of the war, the United States joined the Allies in the fight against Germany and Austria in April, 1917. When Hemingway turned eighteen he tried to enlist in the army, but was deferred because of poor vision; he had a bad left eye that he probably inherited from his mother, who also had poor vision. When he heard the Red Cross was taking volunteers as ambulance drivers he quickly signed up. He was accepted in December of 1917, left his job at the paper in April of 1918, and sailed for Europe in May. In the short time that Hemingway worked for the Kansas City Star he learned some stylistic lessons that would later influence his fiction. The newspaper advocated short sentences, short paragraphs, active verbs, authenticity, compression, clarity and immediacy. Hemingway later said: "Those were the best rules I ever learned for the business of writing. I've never forgotten them."
Hemingway first went to Paris upon reaching Europe, then traveled to Milan in early June after receiving his orders. The day he arrived, a munitions factory exploded and he had to carry mutilated bodies and body parts to a makeshift morgue; it was an immediate and powerful initiation into the horrors of war. Two days later he was sent to an ambulance unit in the town of Schio, where he worked driving ambulances. On July 8, 1918, only a few weeks after arriving, Hemingway was seriously wounded by fragments from an Austrian mortar shell which had landed just a few feet away. At the time, Hemingway was distributing chocolate and cigarettes to Italian soldiers in the trenches near the front lines. The explosion knocked Hemingway unconscious, killed an Italian soldier and blew the legs off another. What happened next has been debated for some time. In a letter to Hemingway's father, Ted Brumback, one of Ernest's fellow ambulance drivers, wrote that despite over 200 pieces of shrapnel being lodged in Hemingway's legs he still managed to carry another wounded soldier back to the first aid station; along the way he was hit in the legs by several machine gun bullets. Whether he carried the wounded soldier or not, doesn't diminish Hemingway's sacrifice. He was awarded the Italian Silver Medal for Valor with the official Italian citation reading: "Gravely wounded by numerous pieces of shrapnel from an enemy shell, with an admirable spirit of brotherhood, before taking care of himself, he rendered generous assistance to the Italian soldiers more seriously wounded by the same explosion and did not allow himself to be carried elsewhere until after they had been evacuated." Hemingway described his injuries to a friend of his: "There was one of those big noises you sometimes hear at the front. I died then. I felt my soul or something coming right out of my body, like you'd pull a silk handkerchief out of a pocket by one corner. It flew all around and then came back and went in again and I wasn't dead any more."
Hemingway's wounding along the Piave River in Italy and his subsequent recovery at a hospital in Milan, including the relationship with his nurse Agnes von Kurowsky, all inspired his great novel A Farewell To Arms.

A Soldier's Home...
When Hemingway returned home from Italy in January of 1919 he found Oak Park dull compared to the adventures of war, the beauty of foreign lands and the romance of an older woman, Agnes von Kurowsky. He was nineteen years old and only a year and a half removed from high school, but the war had matured him beyond his years. Living with his parents, who never quite appreciated what their son had been through, was difficult. Soon after his homecoming they began to question his future, began to pressure him to find work or to further his education, but Hemingway couldn't seem to muster interest in anything.
He had received some $1,000 dollars in insurance payments for his war wounds, which allowed him to avoid work for nearly a year. He lived at his parent's house and spent his time at the library or at home reading. He spoke to small civic organizations about his war exploits and was often seen in his Red Cross uniform, walking about town. For a time though, Hemingway questioned his role as a war hero, and when asked to tell of his experiences he often exaggerated to satisfy his audience. Hemingway's story "Soldier's Home" conveys his feelings of frustration and shame upon returning home to a town and to parents who still had a romantic notion of war and who didn't understand the psychological impact the war had had on their son.
The last speaking engagement the young Hemingway took was at the Petoskey (Michigan) Public Library, and it would be important to Hemingway not for what he said but for who heard it. In the audience was Harriett Connable, the wife of an executive for the Woolworth's company in Toronto. As Hemingway spun his war tales Harriett couldn't help but notice the differences between Hemingway and her own son. Hemingway appeared confident, strong, intelligent and athletic, while her son was slight, somewhat handicapped by a weak right arm and spent most of his time indoors. Harriett Connable thought her son needed someone to show him the joys of physical activity and Hemingway seemed the perfect candidate to tutor and watch over him while she and her husband Ralph vacationed in Florida. So, she asked Hemingway if he would do it.
Hemingway took the position, which offered him time to write and a chance to work for the Toronto Star Weekly, the editor of which Ralph Connable promised to introduce Hemingway to. Hemingway wrote for the Star Weekly even after moving to Chicago in the fall of 1920. While living at a friend's house he met Hadley Richardson and they quickly fell in love. The two married in September 1921 and by November of the same year Hemingway accepted an offer to work with the Toronto Daily Star as its European corespondent. Hemingway and his new bride would go to Paris, France where the whole of literature was being changed by the likes of Ezra Pound, James Joyce, Gertrude Stein and Ford Maddox Ford. He would not miss his chance to change it as well.
Ernest Hemingway Biography>The Paris Years
The Hemingways arrived in Paris on December 22, 1921 and a few weeks later moved into their first apartment at 74 rue Cardinal Lemoine. It was a miserable apartment with no running water and a bathroom that was basically a closet with a slop bucket inside. Hemingway tried to minimize the primitiveness of the living quarters for his wife Hadley who had grown up in relative splendor, but despite the conditions she endured, carried away by her husbands enthusiasm for living the bohemian lifestyle. Ironically, they could have afforded much better; with Hemingway's job and Hadley's trust fund their annual income was $3,000, a decent sum in the inflated economies of Europe at the time. Hemingway rented a room at 39 rue Descartes where he could do his writing in peace.
With a letter of introduction from Sherwood Anderson, Hemingway met some of Paris' prominent writers and artists and forged quick friendships with them during his first few years. Counted among those friends were Ezra Pound, Gertrude Stein, Sylvia Beach, James Joyce, Max Eastman, Lincoln Steffens and Wyndahm Lewis, and he was acquainted with the painters Miro and Picasso. These friendships would be instrumental in Hemingway's development as a writer and artist.
Hemingway's reporting during his first two years in Paris was extensive, covering the Geneva Conference in April of 1922, The Greco-Turkish War in October, the Luasanne Conference in November and the post war convention in the Ruhr Valley in early 1923. Along with the political pieces he wrote lifestyle pieces as well, covering fishing, bullfighting, social life in Europe, skiing, bobsledding and more.
Just as Hemingway was beginning to make a name for himself as a reporter and a fledgling fiction writer, and just as he and his wife were hitting their stride socially in Europe, the couple found out that Hadley was pregnant with their first child. Wanting the baby born in North America where the doctors and hospitals were better, the Hemingways left Paris in 1923 and moved to Toronto, where he wrote for the Toronto Daily Star and waited for their child to arrive.
John Hadley Nicanor Hemingway was born on October 10, 1923 and by January of 1924 the young family boarded a ship and headed back to Paris where Hemingway would finish making a name for himself.
~~~
With a recommendation from Ezra Pound, Ford Maddox Ford let Hemingway edit his fledgling literary magazine the Transatlantic Review. In recommending Hemingway to Ford, Pound said "...He's an experienced journalist. He writes very good verse and he's the finest prose stylist in the world."
Ford published some of Hemingway's early stories, including "Indian Camp" and "Cross Country Snow" and generally praised the younger writer. The magazine lasted only a year and a half (until 1925), but allowed Hemingway to work out his own artistic theories and to see them in print in a respectable journal.


An unparalleled creative flurry...
From 1925 to 1929 Hemingway produced some of the most important works of 20th century fiction, including the landmark short story collection In Our Time (1925) which contained "The Big Two-Hearted River." In 1926 he came out with his first true novel, The Sun Also Rises (after publishing Torrents of Spring, a comic novel parodying Sherwood Anderson in 1925). He followed that book with Men Without Women in 1927; it was another book of stories which collected "The Killers," and "In Another Country." In 1929 he published A Farewell to Arms, arguably the finest novel to emerge from World War I. In four short years he went from being an unknown writer to being the most important writer of his generation, and perhaps the 20th century.
The first version of in our time (characterized by the lowercase letters in the title) was published by William Bird's Three Mountain Press in 1924 and illustrated Hemingway's new theories on literature. It contained only the vignettes that would later appear as interchapters in the American version published by Boni & Liveright in 1925. This small 32 page book, of which only 170 copies were printed, contained the essence of Hemingway's aesthetic theory which stated that omitting the right thing from a story could actually strengthen it. Hemingway equated this theory with the structure of an iceberg where only 1/8 of the iceberg could be seen above water while the remaining 7/8 under the surface provided the iceberg's dignity of motion and contributed to its momentum. Hemingway felt a story could be constructed the same way and this theory shows up even in these early vignettes. A year after the small printing of in our time came out, Boni & Liveright published the American version, which contains ten short stories along with the vignettes. The collection of stories is amazing, including the much anthologized "Soldier's Home," as well as "Indian Camp," "A Very Short Story," "My Old Man" and the classic "Big Two-Hearted River" parts one and two. "Big Two Hearted River" was a eureka story for Hemingway, who realized that his theory of omission really could work in the story form.
Next came The Torrents of Spring, a short comic novel that satired Hemingway's early mentor Sherwood Anderson and allowed him to break his relationship with Boni & Liveright to move to Scribner's. Scribner's published Torrents (which Scott Fitzgerald called the finest comic novel ever written by an American) in 1925, then a year later published Hemingway's second novel The Sun Also Rises, which the publisher had bought sight unseen.
The Sun Also Rises introduced the world to the "lost generation" and was a critical and commercial success. Set in Paris and Spain, the book was a story of unrequitable love against a backdrop of bars and bullfighting. In 1927 came Men Without Women and soon after he began working on A Farewell To Arms.
~~~
While he could do no wrong with his writing career, his personal life had began to show signs of wear. He divorced his first wife Hadley in 1927 and married Pauline Pfeiffer, an occasional fashion reporter for the likes of Vanity Fair and Vogue, later that year. In 1928 Hemingway and Pauline left Paris for Key West, Florida in search of new surroundings to go with their new life together. They would live there for nearly twelve years, and Hemingway found it a wonderful place to work and to play, discovering the sport of big game fishing which would become a life-long passion and a source for much of his later writing. That same year Hemingway received word of his father's death by suicide. Clarence Hemingway had begun to suffer from a number of physical ailments that would exacerbate an already fragile mental state. He had developed diabetes, endured painful angina and extreme headaches. On top of these physical problems he also suffered from a dismal financial situation after speculative real estate purchases in Florida never panned out. His problems seemingly insurmountable, Clarence Hemingway shot himself in the head. Ernest immediately traveled to Oak Park to arrange for his funeral.
Ernest Hemingway Biography>Key West

The new Hemingways heard of Key West from Ernest's friend John Dos Passos, and the two stopped at the tiny Florida island on their way back from Paris. They soon discovered that life in remote Key West was like living in a foreign country while still perched on the southernmost tip of America. Hemingway loved it. "It's the best place I've ever been anytime, anywhere, flowers, tamarind trees, guava trees, coconut palms...Got tight last night on absinthe and did knife tricks." After renting an apartment and a house for a couple of years the Hemingways bought a large house at 907 Whitehead Street with $12,500 of help from Pauline's wealthy Uncle Gus.
Pauline was pregnant at the time and on June 28, 1928 gave birth to Patrick by cesarean section. It was in December of that year that Hemingway received the cable reporting his father's suicide. Despite the personal turmoil and change Hemingway continued to work on A Farewell to Arms, finishing it in January of 1929. The novel was published on September 27, 1929 to a level of critical acclaim that Hemingway wouldn't see again until 1940 with the publication of his Spanish war novel For Whom the Bell Tolls. In between Hemingway entered his experimental phase which confounded critics but still, to some extent, satisfied his audience.
In 1931 Pauline gave birth to Gregory, their second son together, and the last of Hemingway's children.
After A Farewell to Arms Hemingway published his 1932 Spanish bullfighting dissertation, Death in the Afternoon. While writing an encyclopedic book on bullfighting he still managed to make it readable even by those who had no real interest in the corrida. He inserts observations on Spanish culture, writers, food, people, politics, history, etc. Hemingway wrote about the purpose of his Spanish book, "It is intended as an introduction to the modern Spanish bullfight and attempts to explain that spectacle both emotionally and practically. It was written because there was no book which did this in Spanish or in English."
Though a non-fiction book, Death in the Afternoon does codify one of Hemingway's literary concepts of the stoical hero facing deadly opposition while still performing his duties with professionalism and skill, or "grace under pressure," as Hemingway described it. Many critics took issue with an apparent change in Hemingway from detracted artist to actual character in one of his own works. They disliked a blustery tone Hemingway drifted into , particularly when discussing writers, writing and art in general. It was the genesis of the public "Papa" image that would grow over the remaining 30 years of his life, at times almost obscuring the serious artist within.
Returning to fiction in 1933, Hemingway published Winner Take Nothing, a volume of short stories. The book contained 14 stories, including "A Clean Well Lighted Place," "Fathers and Sons," and "A Way You'll Never Be." The book sold well despite a mediocre critical reception and despite the terrible economic depression the world was then mired in. James Joyce, one of Hemingway's friends from his early Paris days, wrote glowingly of "A Clean, Well Lighted Place" as follows: "He has reduced the veil between literature and life, which is what every writer strives to do. Have you read 'A Clean, Well Lighted Place'?...It is masterly. Indeed, it is one of the best stories ever written..."
In the summer of 1933 the Hemingways and their Key West friend Charles Thompson journeyed to Africa for a big game safari. Ever since reading of Teddy Roosevelt's African hunting exploits as a boy, Hemingway wanted to test his hunting skills against the biggest and most dangerous animals on earth. With a $25,000 loan form Pauline's uncle Gus (the same uncle who helped them buy their Key West home) Hemingway spent three months hunting on the dark continent, all the while gathering material for his future writing. In 1935 he published Green Hills of Africa, a pseudo non-fiction account of his safari. Unfortunately, he picked up where he left off in Death in the Afternoon. While the book contained some decent writing about Africa and its animals it was overshadowed by Hemingway's again digression into the blustery tone of his alter ego. In the book Hemingway harshly criticizes his supposed friends, making the reader cringe at his insensitivity. He portrays himself as courageous, skillful and cool while depicting others, including his friend Charles Thompson, as mean-spirited and selfish. In a telling review the prominent literary critic Edmund Wilson poked at Hemingway, saying "he has produced what must be the only book ever written which makes Africa and its animals seem dull."
Oddly though, from the same safari Hemingway gathered the material for two of his finest short stories, "The Snows of Kilimanjaro" and "The Short Happy Life of Francis Macomber." In both stories the protagonist shows a weakness that is contrary to what the typical Hemingway hero exhibits. Harry, the dying writer in "The Snows of Kilimanjaro," laments his wasted talent, a talent diminished by drink, women, wealth and laziness. Macomber in "The Short Happy Life..." shows cowardice under pressure and just as he redeems himself his wife shoots him.
As in other Hemingway stories, a curious effect can be seen in these African tales. Often in Hemingway's non-fiction work the truth is obscured by Hemingway's need to promote his public personality, his need to portray himself as above fear, above pettiness, above any negative quality that would tarnish that image. In his fiction though, certain negative qualities, whatever they might be, are in the characters as flaws that often lead to their destruction. Beyond that, in a biographical context, the actual events of Hemingway's life end up in his fiction rather than in his non-fiction. For example: Hemingway's World War I injuries more closely resemble those of Frederic Henry in A Farewell To Arms than the accounts you see repeated in old biographical blurbs which tell of how he fought with the elite Italian forces, how after being hit by a mortar he carried a wounded soldier through machine gun fire to the field hospital, and how he refused medical treatment until others were treated before him.
When you want to find the truth about Hemingway's life, look first to his fiction.
In March 1937 Hemingway traveled to Spain to cover the Spanish Civil War for the North American Newspaper Alliance. The civil war caused a marital war in the Hemingway household as well. Hemingway had met a young writer named Martha Gellhorn in Key West and the two would go on to conduct a secret affair for almost four years before Hemingway divorced Pauline and married Martha. Pauline sided with the Facist Franco Regime in Spain because of is pro-catholic stance, while Hemingway supported the communist loyalists who in turn supported the democratically elected government. Often travelling with Gellhorn, the two fell in love as they competed for quality stories. They would eventually marry in November of 1940, nearly four years after meeting at Sloppy Joe's bar in Key West in December 1936. Eventually the loyalist movement failed and the Franco led rebels won the war and installed a dictatorial government in the spring of 1939. Though his side lost the war Hemingway used his experiences there to write the novel For Whom the Bell Tolls, a play titled "The Fifth Column" and several short stories.
Ernest Hemingway Biography> Cuba

After returning from Spain and divorcing Pauline, Hemingway and Martha moved to a large house outside Havana, Cuba. They named it Finca Vigia ("Lookout Farm"), and Hemingway decorated it with hunting trophies from his African safari. He had begun work on For Whom The Bell Tolls in 1939 in Cuba and worked on it on the road as he traveled back to Key West or to Wyoming or to Sun Valley, finishing it in July of 1940. The book was a huge success, both critically and commercially, prompting Sinclair Lewis to write that it was "the American book published during the three years past which was most likely to survive, to be know fifty years from now, or possibly a hundred...it might just possibly be a masterpiece, a classic..." Oddly, the book was unanimously voted the best novel of the year by the Pulitzer Prize committee, but was vetoed for political reason by the conservative president of Columbia University; no prize was awarded that year. The book sold over 500,000 copies in just six months, and continues to sell well today.
The next ten years would be a creatively fallow period for Hemingway, (it would be 1950 before he would publish another novel) but while he looked more interested in bolstering his public image at the expense of his work, he was actually immersed in several large writing projects which he could never seem to complete. During the 1940's he worked on what would become the heavily edited and posthumously published novels Islands In The Stream and The Garden Of Eden. In between he would also cover (and some say participate in) World War II, and he would divorce his third wife Martha to marry his fourth, Mary Welsh. In an insightful essay on Hemingway, E. L. Doctorow writes of Hemingway's work during the 40's, discussing The Garden of Eden in particular. "That is exciting because it gives evidence, despite his celebrity, despite his Nobel, despite the torments of his own physical self-punishment, of a writer still developing. Those same writing strategies Hemingway formulated to such triumph in his early work came to entrap him in the later...I would like to think that as he began "The Garden of Eden," his very next novel after that war work (For Whom the Bell Tolls), he realized this and wanted to retool, to remake himself. That he would fail is almost not the point--but that he would have tried, which is the true bravery of a writer..."

After his work covering the Spanish Civil War and the subsequent work on his novel For Whom the Bell Tolls, Hemingway took on another assignment, covering the Chinese-Japanese war in 1941. He traveled with his wife Martha and wrote dispatches about the war for PM Magazine. It was a tedious trip and Hemingway was glad to return to Cuba for some well deserved rest. He didn't stay still long. By 1942 Hemingway had undertaken an undercover operation to hunt down German submarines in the Atlantic-ocean off the coast of Cuba. Hemingway gathered some of his friends, as well as a few professional operatives, then outfitted his boat Pilar with radio equipment, extra fuel tanks and a nice quantity of ordnance, hoping that if he ever located a German sub he could get close enough to drop a bomb down the hatch. He called the gang the "Crook Factory." Nothing ever came of their sub hunts except a good time fishing and drinking together, in the process irritating Martha who thought Hemingway was avoiding the responsibilities as a great writer to report the real war then raging in Europe.

Ernest Hemingway Biography> World War II

In the spring of 1944 Hemingway finally decided to go to Europe to report the war, heading first to London where he wrote articles about the RAF and about the war's effects on England. While there he was injured in a car crash, suffering a serious concussion and a gash to his head which required over 50 stitches. Martha visited him in the hospital and minimized his injuries, castigating him for being involved in a drunken auto wreck. Hemingway really was seriously hurt and Martha's cavalier reaction triggered the beginning of the end of their marriage. While in London Hemingway met Mary Welsh, the antithesis of Martha. Mary was caring, adoring, and complimentary while Martha couldn't care less, had lost any admiration for her man and was often insulting to him. For Hemingway it was an easy choice between the two and like in other wars, Hemingway fell in love with a new woman.
Hemingway and Mary openly conducted their courtship in London and then in France after the allied invasion at Normandy and the subsequent liberation of Paris. For all intents and purposes Hemingway's third marriage was over and his fourth and final marriage to Mary had begun. Hemingway wrote, "Funny how it should take one war to start a woman in your damn heart and another to finish her. Bad luck."

~~~

In late August of 1944 Hemingway and his band of irregular soldiers entered Paris. Hemingway was always fond of saying he was the first to enter Paris en route to its liberation, but the story is a stretch. He did liberate his favorite bar and hotel though. He set up camp in The Ritz Hotel and spent the next week or so drinking, carousing and celebrating his return to the city that meant so much to him as a young man.
Next, Hemingway traveled to the north of France to join his friend General Buck Lanham as the allied forces (the 22nd Infantry Regiment in particular) pushed toward Germany. Hemingway spent a month with Lanham, long enough to watch American forces cross over into Germany. The fighting was some of the bloodiest of the war and was obliquely recorded by Hemingway in Across the River and into the Trees.
Hemingway returned to America in March of 1946 with plans to write a great novel of the war, but it never materialized. The only book length work he would produce about the war was Across the River and Into the Trees. It tells the bitter-sweet story of Richard Cantwell, a former brigadier general who has been demoted to colonel after a disastrous battle which had been blamed on him. The aging Cantwell, with his heart problem that threatened to kill him at any moment, falls in love with the young Italian countess Renata. They carry out a love affair and through their conversations and monologues we learn the source of Cantwell's bitterness...an inept military that fails to appreciate his talents and in fact sends him orders that are impossible to fulfill, in effect guaranteeing his failure and disgrace, an ex-wife (based on Martha Gellhorn) that uses her relationship with Cantwell to gain access to the military brass for information important to her journalism career and a general distaste for the modern world.
Banking on Hemingway's reputation, Scribners ran an initial printing of 75,000 copies of Across the River and Into the Trees in September of 1950 after it had already appeared in Cosmopolitan magazine in the February-June issues of the same year. Generally slammed by the critics as sentimental, boorish and a thin disguise of Hemingway's own relationship with a young Italian woman named Adriana Ivancich, the novel actually contains some of Hemingway's finest writing, especially in the opening chapters. The critics were expecting something on the scale of For Whom The Bell Tolls and were disappointed by the short novel and its narrow scope.

Ernest Hemingway Biography> The Last Days

Stung by the critical reception of Across the River and Into the Trees , Hemingway was determined to regain his former stature as the world's preeminent novelist. Still under the muse of Adriana Ivancich, Hemingway began work on a story of an old man and a great fish. The words poured forth and hit the page in almost perfect form, requiring little editing after he'd completed the first draft. It had been a story simmering in Hemingway's subconscious for some time...in fact he had written about just such a story in one of his Esquire magazine dispatches as early as 1936. Max Perkins periodically tried to persuade Hemingway to write the story, but Hemingway felt he wasn't yet ready to write what his wife Mary would later call "poetry in prose."
Hemingway often described competition among writers in boxing terms. He felt he'd been suckerpunched and knocked to the canvas by the critics on Across the River and Into the Trees, but as if he'd been saving it for just such an occasion, he believed the fish story would allow him to regain his position as "champion."
In September of 1952 The Old Man and the Sea appeared in Life magazine, selling over 5 million copies in a flash. The next week Scribners rolled out the first hardcover edition of 50,000 copies and they too sold out quickly. The book was a huge success both critically and commercially and for the first time since For Whom The Bell Tolls in 1940 Hemingway was atop the literary heap...and making a fortune. Though Hemingway had known great success before, he never had the privilege of receiving any major literary prizes. The Old Man and the Sea changed that, winning the Pulitzer Prize for fiction in 1953.
Flush with money from the Old Man and the Sea Hemingway decided to exercise his wanderlust, returning to Europe to catch some bullfights in Spain and then to Africa later in the summer for another safari with his wife Mary. In January of 1954 Hemingway and Mary boarded a small Cessna airplane to take a tour of some of east Africa's beautiful lakes and waterfalls. The pilot, Roy marsh, dove to avoid a flock of birds and hit a telegraph wire. The plane was badly damaged and they had to make a crash landing. The group's injuries were minor, though several of Mary's ribs were fractured. After a boat ride across Lake Victoria they took another flight in a de Haviland Rapide, this time piloted by Reginald Cartwright. Heading toward Uganda the plane barely got off the ground before crashing and catching fire. Cartwright, Mary and Roy Marsh made it through an exit at the front of the plane. Hemingway, using his head as a battering ram, broke through the main door. The crash had injured Hemingway more than most would know. In his biography of Hemingway Jeffrey Meyer lists the various injuries to the writer. "His skull was fractured, two discs of his spine were cracked, his right arm and shoulder were dislocated, his liver, right kidney and spleen were ruptured, his sphincter muscle was paralyzed by compressed vertebrae on the iliac nerve, his arms, face and head were burned by the flames of the plane, his vision and hearing were impaired..." Though he survived the crashes and lived to read his own premature obituaries, his injuries cut short his life in a slow and painful way.
Despite his ailments, Hemingway and Mary traveled on to Venice one last time and then headed back to Cuba. On October 28, 1954 Hemingway won the Nobel Prize for Literature, but due to his injuries was unable to attend the ceremonies in Sweden. Instead, he sent a written acceptance, read to the Nobel Committee by John Cabot, the US Ambassador to Sweden.


Denouement
After 1954 Hemingway battled deteriorating health which often kept him from working, and when he was working he felt it wasn't very good. He had written 200,000 words of an account of his doomed safari tentatively titled "African Journal" (a heavily edited version was published in July of 1999 as True At First Light), but didn't feel it publishable and didn't have the energy to work it into shape. There were no short stories forthcoming either and those he had written he put aside as well, disappointed with his effort. He was struggling creatively as much as he was physically, and as a way to satisfy his writing "compulsion" he returned to those subjects he knew well and felt he could write about with little struggle.
In 1959 Life magazine contracted with Hemingway to write a short article about the series of mano y mano bullfights between Antonio Ordonez and Louis Miguel Dominguin, two of Spain's finest matadors. Hemingway spent the summer of 1959 travelling with the bullfighters to gather material for the article. When he began writing the story however, it quickly grew to some 120,000 words, words that Hemingway couldn't edit into short form. He asked his friend A. E. Hotchner to help (something he would have never considered in his prime) and together they succeeded in cutting it down to 65,000 words. Despite reservations about the article's length the magazine published the article as "The Dangerous Summer" in three installments in 1960. This was the last work that Hemingway would see published in his lifetime.
Besides highlighting Hemingway's increasing problem with writing the clear, effective prose which made him famous, his physical deterioration had become obvious as well during that summer of his 60th year. Pictures show Hemingway looking like a man closer to eighty than one of sixty. At times despondent, at others the life of the party, the swings in his moods, exacerbated by his heavy drinking of up to a quart of liquor a day, were taking a toll on those close to him.
During this time Hemingway was also working on his memoirs which would be in 1964 as A Moveable Feast. Hemingway wouldn't live to see the success of this book which critics praised for its tenderness and beauty and for its rare look at the expatriate lifestyle of Paris in the 1920's. There was a control in his writing that hadn't been evident in a long time.
By this time Hemingway had left Cuba, departing in July of 1960, and had taken up residence in Ketchum, Idaho where he and Mary had already purchased a home in April of 1959. Idaho reminded Hemingway of Spain and Ketchum was small and remote enough to buffer him from the negative trappings of his celebrity. He had first visited the area in 1939 as a guest of Averill Harrimen who had just developed Sun Valley resort and wanted a celebrity like Hemingway to promote it. He had always liked the cool summers there and the abundance of wild land for hunting and fishing.
But even the beautiful landscapes of Idaho couldn't hide the fact that something was seriously wrong with Hemingway. In the fall of 1960 Hemingway flew to Rochester, Minnesota and was admitted to the Mayo Clinic, ostensibly for treatment of high blood pressure but really for help with the severe depression his wife Mary could no longer handle alone. After Hemingway began talking of suicide his Ketchum doctor agreed with Mary that they should seek expert help. He registered under the name of his personal doctor George Saviers and they began a medical program to try and repair his mental state. The Mayo Clinic's treatment would ultimately lead to electro shock therapy. According to Jefferey Meyers Hemingway received "between 11 to 15 shock treatments that instead of helping him most certainly hastened his demise." One of the sad side effects of shock therapy is the loss of memory, and for Hemingway it was a catastrophic loss. Without his memory he could no longer write, could no longer recall the facts and images he required to create his art. Writing, which had already become difficult was now nearly impossible.
Hemingway spent the first half of 1961 fighting his depression and paranoia, seeing enemies at every turn and threatening suicide on several more occasions. On the morning of July 2, 1961 Hemingway rose early, as he had his entire adult life, selected a shotgun from a closet in the basement, went upstairs to a spot near the entrance-way of the house and shot himself in the head. It was little more than two weeks until his 62nd birthday.
The End"

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SPC Michael Duricko, Ph.D
SPC Michael Duricko, Ph.D
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Toured his house in the Keys and many fascinating points were presented by the guide. Also had some refreshments in a bar he often frequented in Milan but had no idea as to the tie in with the above Italian recuperation period. Thank you for this shot of history.
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SPC Nancy Greene
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Hemingway was a great author. Not surprised to learn he committed suicide. Thanks for the informative share SGT (Join to see)
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SPC Douglas Bolton
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So many great books.
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