14
14
0
On April 9, 1821, Charles-Pierre Baudelaire, French poet, critic, and translator, was born in Paris, France (d. 1867). From the article:
"Charles Baudelaire
Early life
Charles Baudelaire was born in Paris, France on April 9, 1821, to François Baudelaire, a senior civil servant and amateur artist, and his wife, Caroline. After François died, in 1827, Caroline married Lieutenant Colonel Jacques Aupick, who later became a prominent ambassador.
As a young man, Baudelaire studied law at the Lycée Louis-le-Grand. Dissatisfied with his choice of profession, he began to drink daily, hire prostitutes and run up considerable debts. Upon obtaining his degree in 1839, Baudelaire chose not to pursue law—to his mother’s chagrin—and turned to a career in literature instead.
In 1841, Baudelaire's stepfather sent him on a voyage to India, in an effort to redirect his stepson's energy. The themes of the sea, sailing and exotic ports that appeared in Baudelaire's later poetry were largely inspired by this experience. Upon his return to Paris, Baudelaire became friends with other authors and artists. He also began a lifelong relationship with Jeanne Duval. When his parents rejected the coupling, a troubled Baudelaire attempted suicide.
Baudelaire soon began to publish his writing. His first published work was an 1845 art review, which attracted immediate attention. Many of his critical opinions, including his championing of Delacroix, were bold and prophetic. In 1846, Baudelaire wrote his second art review, establishing himself as an advocate of Romanticism.
Baudelaire struggled with poor health and pressing debts throughout his adult life. He moved frequently to escape creditors, making it difficult to devote himself to any one project. However, he did manage to produce translations of stories by Edgar Allan Poe, whose work he greatly admired, as well as write the works of poetry for which he would eventually become known.
'The Flowers of Evil'
In 1857, Baudelaire published his first and most famous volume of poems, Les Fleurs du mal ("The Flowers of Evil"). The poems found a small but enthusiastic audience. The principal themes of sex and death, however, created a public scandal. Other themes included lesbianism, metamorphosis, depression, urban corruption, lost innocence and alcohol.
Baudelaire, his publisher and the book's printer were prosecuted for creating an offense against public morality. Six of the poems were suppressed. Many notables of the era, including Gustave Flaubert and Victor Hugo, rallied behind Baudelaire and condemned the decision. Today, The Flowers of Evil and its famous French author are held in high literary regard. The book helped to create an appreciation for new literary artforms, bring once-controversial issues out of the dark and create a surge for truth and impressionism among writers and readers alike.
Baudelaire next worked on a translation of Thomas de Quincey's Confessions of an English Opium Eater. Other works in the years that followed included Petits Poemes en prose ("Small Prose Poems") and critical studies of Flaubert, Théophile Gautier and Balzac.
Final Years
By 1859, Baudelaire was suffering from a number of chronic conditions, brought on by stress and his long-term use of laudanum, a form of opium. His long-standing relationship with Jeanne Duval, and relationships with actress Marie Daubrun and courtesan Apollonie Sabatier, provided inspiration but no consistent companionship. Baudelaire lived with his mother for a short time toward the end of his life, producing the poem "Le Voyage," among other works. Eventually, financial difficulties drove him to leave his home. In 1864, he departed for Belgium, hoping to raise enough money to pay off his debts.
Baudelaire suffered a massive stroke in 1866. The final months of his life were spent in a semi-paralyzed state in Brussels and Paris, where he died on August 31, 1867. Baudelaire was buried in the Montparnasse Cemetery in Paris. Many of his works were published posthumously, allowing his mother to resolve his debts."
"Charles Baudelaire
Early life
Charles Baudelaire was born in Paris, France on April 9, 1821, to François Baudelaire, a senior civil servant and amateur artist, and his wife, Caroline. After François died, in 1827, Caroline married Lieutenant Colonel Jacques Aupick, who later became a prominent ambassador.
As a young man, Baudelaire studied law at the Lycée Louis-le-Grand. Dissatisfied with his choice of profession, he began to drink daily, hire prostitutes and run up considerable debts. Upon obtaining his degree in 1839, Baudelaire chose not to pursue law—to his mother’s chagrin—and turned to a career in literature instead.
In 1841, Baudelaire's stepfather sent him on a voyage to India, in an effort to redirect his stepson's energy. The themes of the sea, sailing and exotic ports that appeared in Baudelaire's later poetry were largely inspired by this experience. Upon his return to Paris, Baudelaire became friends with other authors and artists. He also began a lifelong relationship with Jeanne Duval. When his parents rejected the coupling, a troubled Baudelaire attempted suicide.
Baudelaire soon began to publish his writing. His first published work was an 1845 art review, which attracted immediate attention. Many of his critical opinions, including his championing of Delacroix, were bold and prophetic. In 1846, Baudelaire wrote his second art review, establishing himself as an advocate of Romanticism.
Baudelaire struggled with poor health and pressing debts throughout his adult life. He moved frequently to escape creditors, making it difficult to devote himself to any one project. However, he did manage to produce translations of stories by Edgar Allan Poe, whose work he greatly admired, as well as write the works of poetry for which he would eventually become known.
'The Flowers of Evil'
In 1857, Baudelaire published his first and most famous volume of poems, Les Fleurs du mal ("The Flowers of Evil"). The poems found a small but enthusiastic audience. The principal themes of sex and death, however, created a public scandal. Other themes included lesbianism, metamorphosis, depression, urban corruption, lost innocence and alcohol.
Baudelaire, his publisher and the book's printer were prosecuted for creating an offense against public morality. Six of the poems were suppressed. Many notables of the era, including Gustave Flaubert and Victor Hugo, rallied behind Baudelaire and condemned the decision. Today, The Flowers of Evil and its famous French author are held in high literary regard. The book helped to create an appreciation for new literary artforms, bring once-controversial issues out of the dark and create a surge for truth and impressionism among writers and readers alike.
Baudelaire next worked on a translation of Thomas de Quincey's Confessions of an English Opium Eater. Other works in the years that followed included Petits Poemes en prose ("Small Prose Poems") and critical studies of Flaubert, Théophile Gautier and Balzac.
Final Years
By 1859, Baudelaire was suffering from a number of chronic conditions, brought on by stress and his long-term use of laudanum, a form of opium. His long-standing relationship with Jeanne Duval, and relationships with actress Marie Daubrun and courtesan Apollonie Sabatier, provided inspiration but no consistent companionship. Baudelaire lived with his mother for a short time toward the end of his life, producing the poem "Le Voyage," among other works. Eventually, financial difficulties drove him to leave his home. In 1864, he departed for Belgium, hoping to raise enough money to pay off his debts.
Baudelaire suffered a massive stroke in 1866. The final months of his life were spent in a semi-paralyzed state in Brussels and Paris, where he died on August 31, 1867. Baudelaire was buried in the Montparnasse Cemetery in Paris. Many of his works were published posthumously, allowing his mother to resolve his debts."
Charles Baudelaire
Posted from biography.com
World History
Literature
Writer
Poetry
Translator
Posted >1 y ago
Responses: 6
5
5
0
4
4
0
"Baudelaire on Original Sin," Françoise Meltzer
A lecture given by Françoise Meltzer (University of Chicago) on May 22, 2014, at the University of Chicago. By 1851, the poet Charles Baudelaire had become o...
Thank you my friend SGT (Join to see) for making us aware that April 9 is the anniversary of the birth of French poet, critic, and translator Charles-Pierre Baudelaire.
His poetry book "The Flowers of Evil" had principal themes of sex and death which were considered scandalous in the 1850's. "He also touched on lesbianism, sacred and profane love, metamorphosis, melancholy, the corruption of the city, lost innocence, the oppressiveness of living, and wine. Notable in some poems is Baudelaire's use of imagery of the sense of smell and of fragrances, which is used to evoke feelings of nostalgia and past intimacy."
"Baudelaire on Original Sin," Françoise Meltzer
A lecture given by Françoise Meltzer (University of Chicago) on May 22, 2014, at the University of Chicago.
https://www.youtube.com/watch?v=6DKSkSeZpPs
Background from poemhunter.com/charles-baudelaire/biography/
"Biography of Charles Baudelaire
Charles Baudelaire poet
Charles Pierre Baudelaire was a French poet who produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in modern, industrializing Paris during the 19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé among many others. He is credited with coining the term "modernity" (modernité) to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience
Baudelaire the poet
“Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations. ”
Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connect it more closely to the work of the contemporary 'Parnassians'. As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetical pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of 'symbols', (images which take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarmé, who acknowledge Baudelaire as a pioneer in this regard.
Beyond his innovations in versification and the theories of symbolism and 'correspondences', an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work which regularly receive (or have received) much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of 'satanism', his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix).
Early life
Baudelaire was born in Paris, France on April 9, 1821 and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, François Baudelaire, a senior civil servant and amateur artist, was thirty-four years older than Baudelaire's mother. François died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts. Biographers have often seen this as a crucial moment, considering that finding himself no longer the sole focus of his mother's affection left him with a trauma which goes some way to explaining the excesses later apparent in his life. He stated in a letter to her that, "There was in my childhood a period of passionate love for you". Baudelaire regularly implored his mother for money throughout his career, often promising that a lucrative publishing contract or journalistic commission was just around the corner.
Baudelaire was educated in Lyon, where he boarded. Baudelaire at fourteen was described by a classmate: "He was much more refined and distinguished than any of our fellow pupils [...] we are bound to one another[...] by shared tastes and sympathies, the precocious love of fine works of literature". Baudelaire was erratic in his studies, at times diligent, at other times prone to "idleness". Later, he attended the Lycée Louis-le-Grand in Paris, studying law, a popular course for those not yet decided on any particular career. Baudelaire began to frequent prostitutes and may have contracted gonorrhea and syphilis during this period. Baudelaire began to run up debts, mostly for clothes. Upon gaining his degree in 1839, he told his brother "I don't feel I have a vocation for anything." His stepfather had in mind a career in law or diplomacy, but instead Baudelaire decided to embark upon a literary career. His mother later recalled: "Oh, what grief! If Charles had let himself be guided by his stepfather, his career would have been very different... He would not have left a name in literature, it is true, but we should have been happier, all three of us".
His stepfather sent him on a voyage to Calcutta, India in 1841 in the hope of ending his dissolute habits. The trip provided strong impressions of the sea, sailing, and exotic ports, that he later employed in his poetry. (Baudelaire later exaggerated his aborted trip to create a legend about his youthful travels and experiences, including "riding on elephants".) Baudelaire returned to the taverns where he began to compose some of the poems of Les Fleurs du Mal. At twenty-one, he received a good-sized inheritance but squandered much of it within a few years. His family obtained a decree to place his property in trust which he resented bitterly, at one point arguing that allowing him to fail alone financially would have been the one sure way of teaching him the value of maintaining well-ordered finances.
Baudelaire became known in artistic circles as a dandy and free-spender. During this time Jeanne Duval became his mistress. His mother thought Duval a "Black Venus" who "tortured him in every way" and drained him of money at every opportunity. She was rejected by his family. He made a suicide attempt during this time.
Baudelaire took part in the Revolutions of 1848 and wrote for a revolutionary newspaper. However, his interest was passing, as he was later to note in his political writings in his journals.
In the early 1850s, Baudelaire struggled with poor health, pressing debts, and irregular literary output. He often moved from one lodging to another to escape creditors. He received many projects that he was unable to complete, though he did finish translations of stories by Edgar Allan Poe.
Upon the death of his stepfather in 1857, Baudelaire received no mention in the will but he was heartened nonetheless that the division with his mother might now be mended. At thirty-six he wrote her: "believe that I belong to you absolutely, and that I belong only to you".
Published career
His first published work was his art review "Salon of 1845," which attracted immediate attention for its boldness. Many of his critical opinions were novel in their time, including his championing of Delacroix, and some of his views seem remarkably in tune with the future theories of the Impressionist painters.
In 1846, Baudelaire wrote his second Salon review, gaining additional credibility as an advocate and critic of Romanticism. His support of Delacroix as the foremost Romantic artist gained widespread notice.The following year Baudelaire's novella La Fanfarlo was published.
The Flowers of Evil
Baudelaire was a slow and fastidious worker, often sidetracked by indolence, emotional distress and illness, and it was not until 1857 that he published his first and most famous volume of poems, Les Fleurs du mal (The Flowers of Evil). Some of these poems had already appeared in the Revue des deux mondes (Review of Two Worlds), when they were published by Baudelaire's friend Auguste Poulet Malassis.
The poems found a small, appreciative audience, but greater public attention was given to their subject matter. The effect on fellow artists was, as Théodore de Banville stated, "immense, prodigious, unexpected, mingled with admiration and with some indefinable anxious fear". Flaubert, recently attacked in a similar fashion for Madame Bovary (and acquitted), was impressed and wrote to Baudelaire: "You have found a way to rejuvenate Romanticism... You are as unyielding as marble, and as penetrating as an English mist".
The principal themes of sex and death were considered scandalous. He also touched on lesbianism, sacred and profane love, metamorphosis, melancholy, the corruption of the city, lost innocence, the oppressiveness of living, and wine. Notable in some poems is Baudelaire's use of imagery of the sense of smell and of fragrances, which is used to evoke feelings of nostalgia and past intimacy.
The book, however, quickly became a byword for unwholesomeness among mainstream critics of the day. Some critics called a few of the poems "masterpieces of passion, art and poetry" but other poems were deemed to merit no less than legal action to suppress them. J. Habas writing in Le Figaro, led the charge against Baudelaire, writing: "Everything in it which is not hideous is incomprehensible, everything one understands is putrid". Then Baudelaire responded to the outcry, in a prophetic letter to his mother:
"You know that I have always considered that literature and the arts pursue an aim independent of morality. Beauty of conception and style is enough for me. But this book, whose title (Fleurs du mal) says everything, is clad, as you will see, in a cold and sinister beauty. It was created with rage and patience. Besides, the proof of its positive worth is in all the ill that they speak of it. The book enrages people. Moreover, since I was terrified myself of the horror that I should inspire, I cut out a third from the proofs. They deny me everything, the spirit of invention and even the knowledge of the French language. I don't care a rap about all these imbeciles, and I know that this book, with its virtues and its faults, will make its way in the memory of the lettered public, beside the best poems of V.Hugo, Th. Gautier and even Byron."
Baudelaire, his publisher and the printer were successfully prosecuted for creating an offense against public morals. They were fined but Baudelaire was not imprisoned. Six of the poems were suppressed, but printed later as Les Épaves (The Wrecks) (Brussels, 1866). Another edition of Les Fleurs du mal, without these poems, but with considerable additions, appeared in 1861. Many notables rallied behind Baudelaire and condemned the sentence. Victor Hugo wrote to him: "Your fleurs du mal shine and dazzle like stars... I applaud your vigorous spirit with all my might". Baudelaire did not appeal the judgment but his fine was reduced. Nearly 100 years later, on May 11, 1949, Baudelaire was vindicated, the judgment officially reversed, and the six banned poems reinstated in France.[
In the poem "Au lecteur" ("To the Reader") that prefaces Les Fleurs du mal, Baudelaire accuses his readers of hypocrisy and of being as guilty of sins and lies as the poet:
...If rape or arson, poison or the knife
Has wove no pleasing patterns in the stuff
Of this drab canvas we accept as life—
It is because we are not bold enough!
Final years
Baudelaire next worked on a translation and adaptation of Thomas de Quincey's Confessions of an English Opium Eater. Other works in the years that followed included Petits Poèmes en prose (Small Prose poems); a series of art reviews published in the Pays, Exposition universelle (Country, World Fair); studies on Gustave Flaubert (in L'Artiste, October 18, 1857); on Théophile Gautier (Revue contemporaine, September 1858); various articles contributed to Eugene Crepet's Poètes francais; Les Paradis artificiels: opium et haschisch (French poets; Artificial Paradises: opium and hashish) (1860); and Un Dernier Chapitre de l'histoire des oeuvres de Balzac (A Final Chapter of the history of works of Balzac) (1880), originally an article "Comment on paye ses dettes quand on a du génie" ("How one pays one's debts when one has genius"), in which his criticism turns against his friends Honoré de Balzac, Théophile Gautier, and Gérard de Nerval.
By 1859, his illnesses, his long-term use of laudanum, his life of stress and poverty had taken a toll and Baudelaire had aged noticeably. But at last, his mother relented and agreed to let him live with her for a while at Honfleur. Baudelaire was productive and at peace in the seaside town, his poem Le Voyage being one example of his efforts during that time. In 1860, he became an ardent supporter of Richard Wagner.
His financial difficulties increased again, however, particularly after his publisher Poulet Malassis went bankrupt in 1861. In 1864, he left Paris for Belgium, partly in the hope of selling the rights to his works and also to give lectures. His long-standing relationship with Jeanne Duval continued on-and-off, and he helped her to the end of his life. Baudelaire's relationships with actress Marie Daubrun and with courtesan Apollonie Sabatier, though the source of much inspiration, never produced any lasting satisfaction. He smoked opium, and in Brussels he began to drink to excess. Baudelaire suffered a massive stroke in 1866 and paralysis followed. After more than a year of aphasia, he received the last rites of the Catholic Church. The last two years of his life were spent, in a semi-paralyzed state, in "maisons de santé" in Brussels and in Paris, where he died on August 31, 1867. Baudelaire is buried in the Cimetière du Montparnasse, Paris.
Many of Baudelaire's works were published posthumously. After his death, his mother paid off his substantial debts, and at last she found some comfort in Baudelaire's emerging fame. "I see that my son, for all his faults, has his place in literature". She lived another four years. "
FYI LTC Wayne Brandon LTC (Join to see) MSgt Robert C Aldi CPT Scott Sharon CMSgt (Join to see) SMSgt Tom Burns SSG Donald H "Don" Bates SSG Jeffrey Leake Sgt (Join to see) SGT Randal Groover SGT Rick Colburn SPC Mike Lake PO3 William Hetrick PO3 Lynn Spalding SPC Mark Huddleston Rhonda Hanson SPC Jordan Sutich PO3 Craig Phillips
His poetry book "The Flowers of Evil" had principal themes of sex and death which were considered scandalous in the 1850's. "He also touched on lesbianism, sacred and profane love, metamorphosis, melancholy, the corruption of the city, lost innocence, the oppressiveness of living, and wine. Notable in some poems is Baudelaire's use of imagery of the sense of smell and of fragrances, which is used to evoke feelings of nostalgia and past intimacy."
"Baudelaire on Original Sin," Françoise Meltzer
A lecture given by Françoise Meltzer (University of Chicago) on May 22, 2014, at the University of Chicago.
https://www.youtube.com/watch?v=6DKSkSeZpPs
Background from poemhunter.com/charles-baudelaire/biography/
"Biography of Charles Baudelaire
Charles Baudelaire poet
Charles Pierre Baudelaire was a French poet who produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in modern, industrializing Paris during the 19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé among many others. He is credited with coining the term "modernity" (modernité) to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience
Baudelaire the poet
“Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations. ”
Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connect it more closely to the work of the contemporary 'Parnassians'. As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetical pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of 'symbols', (images which take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarmé, who acknowledge Baudelaire as a pioneer in this regard.
Beyond his innovations in versification and the theories of symbolism and 'correspondences', an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work which regularly receive (or have received) much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of 'satanism', his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix).
Early life
Baudelaire was born in Paris, France on April 9, 1821 and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, François Baudelaire, a senior civil servant and amateur artist, was thirty-four years older than Baudelaire's mother. François died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts. Biographers have often seen this as a crucial moment, considering that finding himself no longer the sole focus of his mother's affection left him with a trauma which goes some way to explaining the excesses later apparent in his life. He stated in a letter to her that, "There was in my childhood a period of passionate love for you". Baudelaire regularly implored his mother for money throughout his career, often promising that a lucrative publishing contract or journalistic commission was just around the corner.
Baudelaire was educated in Lyon, where he boarded. Baudelaire at fourteen was described by a classmate: "He was much more refined and distinguished than any of our fellow pupils [...] we are bound to one another[...] by shared tastes and sympathies, the precocious love of fine works of literature". Baudelaire was erratic in his studies, at times diligent, at other times prone to "idleness". Later, he attended the Lycée Louis-le-Grand in Paris, studying law, a popular course for those not yet decided on any particular career. Baudelaire began to frequent prostitutes and may have contracted gonorrhea and syphilis during this period. Baudelaire began to run up debts, mostly for clothes. Upon gaining his degree in 1839, he told his brother "I don't feel I have a vocation for anything." His stepfather had in mind a career in law or diplomacy, but instead Baudelaire decided to embark upon a literary career. His mother later recalled: "Oh, what grief! If Charles had let himself be guided by his stepfather, his career would have been very different... He would not have left a name in literature, it is true, but we should have been happier, all three of us".
His stepfather sent him on a voyage to Calcutta, India in 1841 in the hope of ending his dissolute habits. The trip provided strong impressions of the sea, sailing, and exotic ports, that he later employed in his poetry. (Baudelaire later exaggerated his aborted trip to create a legend about his youthful travels and experiences, including "riding on elephants".) Baudelaire returned to the taverns where he began to compose some of the poems of Les Fleurs du Mal. At twenty-one, he received a good-sized inheritance but squandered much of it within a few years. His family obtained a decree to place his property in trust which he resented bitterly, at one point arguing that allowing him to fail alone financially would have been the one sure way of teaching him the value of maintaining well-ordered finances.
Baudelaire became known in artistic circles as a dandy and free-spender. During this time Jeanne Duval became his mistress. His mother thought Duval a "Black Venus" who "tortured him in every way" and drained him of money at every opportunity. She was rejected by his family. He made a suicide attempt during this time.
Baudelaire took part in the Revolutions of 1848 and wrote for a revolutionary newspaper. However, his interest was passing, as he was later to note in his political writings in his journals.
In the early 1850s, Baudelaire struggled with poor health, pressing debts, and irregular literary output. He often moved from one lodging to another to escape creditors. He received many projects that he was unable to complete, though he did finish translations of stories by Edgar Allan Poe.
Upon the death of his stepfather in 1857, Baudelaire received no mention in the will but he was heartened nonetheless that the division with his mother might now be mended. At thirty-six he wrote her: "believe that I belong to you absolutely, and that I belong only to you".
Published career
His first published work was his art review "Salon of 1845," which attracted immediate attention for its boldness. Many of his critical opinions were novel in their time, including his championing of Delacroix, and some of his views seem remarkably in tune with the future theories of the Impressionist painters.
In 1846, Baudelaire wrote his second Salon review, gaining additional credibility as an advocate and critic of Romanticism. His support of Delacroix as the foremost Romantic artist gained widespread notice.The following year Baudelaire's novella La Fanfarlo was published.
The Flowers of Evil
Baudelaire was a slow and fastidious worker, often sidetracked by indolence, emotional distress and illness, and it was not until 1857 that he published his first and most famous volume of poems, Les Fleurs du mal (The Flowers of Evil). Some of these poems had already appeared in the Revue des deux mondes (Review of Two Worlds), when they were published by Baudelaire's friend Auguste Poulet Malassis.
The poems found a small, appreciative audience, but greater public attention was given to their subject matter. The effect on fellow artists was, as Théodore de Banville stated, "immense, prodigious, unexpected, mingled with admiration and with some indefinable anxious fear". Flaubert, recently attacked in a similar fashion for Madame Bovary (and acquitted), was impressed and wrote to Baudelaire: "You have found a way to rejuvenate Romanticism... You are as unyielding as marble, and as penetrating as an English mist".
The principal themes of sex and death were considered scandalous. He also touched on lesbianism, sacred and profane love, metamorphosis, melancholy, the corruption of the city, lost innocence, the oppressiveness of living, and wine. Notable in some poems is Baudelaire's use of imagery of the sense of smell and of fragrances, which is used to evoke feelings of nostalgia and past intimacy.
The book, however, quickly became a byword for unwholesomeness among mainstream critics of the day. Some critics called a few of the poems "masterpieces of passion, art and poetry" but other poems were deemed to merit no less than legal action to suppress them. J. Habas writing in Le Figaro, led the charge against Baudelaire, writing: "Everything in it which is not hideous is incomprehensible, everything one understands is putrid". Then Baudelaire responded to the outcry, in a prophetic letter to his mother:
"You know that I have always considered that literature and the arts pursue an aim independent of morality. Beauty of conception and style is enough for me. But this book, whose title (Fleurs du mal) says everything, is clad, as you will see, in a cold and sinister beauty. It was created with rage and patience. Besides, the proof of its positive worth is in all the ill that they speak of it. The book enrages people. Moreover, since I was terrified myself of the horror that I should inspire, I cut out a third from the proofs. They deny me everything, the spirit of invention and even the knowledge of the French language. I don't care a rap about all these imbeciles, and I know that this book, with its virtues and its faults, will make its way in the memory of the lettered public, beside the best poems of V.Hugo, Th. Gautier and even Byron."
Baudelaire, his publisher and the printer were successfully prosecuted for creating an offense against public morals. They were fined but Baudelaire was not imprisoned. Six of the poems were suppressed, but printed later as Les Épaves (The Wrecks) (Brussels, 1866). Another edition of Les Fleurs du mal, without these poems, but with considerable additions, appeared in 1861. Many notables rallied behind Baudelaire and condemned the sentence. Victor Hugo wrote to him: "Your fleurs du mal shine and dazzle like stars... I applaud your vigorous spirit with all my might". Baudelaire did not appeal the judgment but his fine was reduced. Nearly 100 years later, on May 11, 1949, Baudelaire was vindicated, the judgment officially reversed, and the six banned poems reinstated in France.[
In the poem "Au lecteur" ("To the Reader") that prefaces Les Fleurs du mal, Baudelaire accuses his readers of hypocrisy and of being as guilty of sins and lies as the poet:
...If rape or arson, poison or the knife
Has wove no pleasing patterns in the stuff
Of this drab canvas we accept as life—
It is because we are not bold enough!
Final years
Baudelaire next worked on a translation and adaptation of Thomas de Quincey's Confessions of an English Opium Eater. Other works in the years that followed included Petits Poèmes en prose (Small Prose poems); a series of art reviews published in the Pays, Exposition universelle (Country, World Fair); studies on Gustave Flaubert (in L'Artiste, October 18, 1857); on Théophile Gautier (Revue contemporaine, September 1858); various articles contributed to Eugene Crepet's Poètes francais; Les Paradis artificiels: opium et haschisch (French poets; Artificial Paradises: opium and hashish) (1860); and Un Dernier Chapitre de l'histoire des oeuvres de Balzac (A Final Chapter of the history of works of Balzac) (1880), originally an article "Comment on paye ses dettes quand on a du génie" ("How one pays one's debts when one has genius"), in which his criticism turns against his friends Honoré de Balzac, Théophile Gautier, and Gérard de Nerval.
By 1859, his illnesses, his long-term use of laudanum, his life of stress and poverty had taken a toll and Baudelaire had aged noticeably. But at last, his mother relented and agreed to let him live with her for a while at Honfleur. Baudelaire was productive and at peace in the seaside town, his poem Le Voyage being one example of his efforts during that time. In 1860, he became an ardent supporter of Richard Wagner.
His financial difficulties increased again, however, particularly after his publisher Poulet Malassis went bankrupt in 1861. In 1864, he left Paris for Belgium, partly in the hope of selling the rights to his works and also to give lectures. His long-standing relationship with Jeanne Duval continued on-and-off, and he helped her to the end of his life. Baudelaire's relationships with actress Marie Daubrun and with courtesan Apollonie Sabatier, though the source of much inspiration, never produced any lasting satisfaction. He smoked opium, and in Brussels he began to drink to excess. Baudelaire suffered a massive stroke in 1866 and paralysis followed. After more than a year of aphasia, he received the last rites of the Catholic Church. The last two years of his life were spent, in a semi-paralyzed state, in "maisons de santé" in Brussels and in Paris, where he died on August 31, 1867. Baudelaire is buried in the Cimetière du Montparnasse, Paris.
Many of Baudelaire's works were published posthumously. After his death, his mother paid off his substantial debts, and at last she found some comfort in Baudelaire's emerging fame. "I see that my son, for all his faults, has his place in literature". She lived another four years. "
FYI LTC Wayne Brandon LTC (Join to see) MSgt Robert C Aldi CPT Scott Sharon CMSgt (Join to see) SMSgt Tom Burns SSG Donald H "Don" Bates SSG Jeffrey Leake Sgt (Join to see) SGT Randal Groover SGT Rick Colburn SPC Mike Lake PO3 William Hetrick PO3 Lynn Spalding SPC Mark Huddleston Rhonda Hanson SPC Jordan Sutich PO3 Craig Phillips
(4)
(0)
3
3
0
My lack of a liberal arts degree is showing again, never heard of him. Sounds like he was quite an individual though.
(3)
(0)
Read This Next
Continue with Facebook 
Continue with Google