Josephine Baker

On October 2, 1925, Josephine Baker first performed in Paris in La Revue Nègre at the Théâtre des Champs-Élysées. From the article:

"Josephine Baker was a dancer and singer who became wildly popular in France during the 1920s. She also devoted much of her life to fighting racism.
Who Was Josephine Baker?
Josephine Baker spent her youth in poverty before learning to dance and finding success on Broadway. In the 1920s she moved to France and soon became one of Europe's most popular and highest-paid performers. She worked for the French Resistance during World War II, and during the 1950s and '60s devoted herself to fighting segregation and racism in the United States. After beginning her comeback to the stage in 1973, Baker died of a cerebral hemorrhage on April 12, 1975, and was buried with military honors.

Early Life
Baker was born Freda Josephine McDonald on June 3, 1906, in St. Louis, Missouri. Her mother, Carrie McDonald, was a washerwoman who had given up her dreams of becoming a music-hall dancer. Her father, Eddie Carson, was a vaudeville drummer. He abandoned Carrie and Josephine shortly after her birth. Carrie remarried soon thereafter and would have several more children in the coming years.

To help support her growing family, at age eight Josephine cleaned houses and babysat for wealthy white families, often being poorly treated. She briefly returned to school two years later before running away from home at age 13 and finding work as a waitress at a club. While working there, she married a man named Willie Wells, from whom she divorced only weeks later.

Dancing in Paris
It was also around this time that Josephine first took up dancing, honing her skills both in clubs and in street performances, and by 1919 she was touring the United States with the Jones Family Band and the Dixie Steppers performing comedic skits. In 1921, Josephine married a man named Willie Baker, whose name she would keep for the rest of her life despite their divorce years later. In 1923, Baker landed a role in the musical Shuffle Along as a member of the chorus, and the comic touch that she brought to the part made her popular with audiences. Looking to parlay these early successes, Baker moved to New York City and was soon performing in Chocolate Dandies and, along with Ethel Waters, in the floor show of the Plantation Club, where again she quickly became a crowd favorite.

In 1925, at the peak of France’s obsession with American jazz and all things exotic, Baker traveled to Paris to perform in La Revue Nègre at the Théâtre des Champs-Elysées. She made an immediate impression on French audiences when, with dance partner Joe Alex, she performed the Danse Sauvage, in which she wore only a feather skirt.

Josephine Baker did more than just shake a tail feather, she also fought for racial equality by demanding that her contract contain a nondiscrimination clause and that her audiences become integrated. (Photo: Gaston Paris/Roger Viollet/Getty Images)
Baker and the Banana Skirt
However, it was the following year, at the Folies Bergère music hall, one of the most popular of the era, that Baker’s career would reach a major turning point. In a performance called La Folie du Jour, Baker danced wearing little more than a skirt made of 16 bananas. The show was wildly popular with Parisian audiences and Baker was soon among the most popular and highest-paid performers in Europe, having the admiration of cultural figures like Pablo Picasso, Ernest Hemingway and E. E. Cummings and earning herself nicknames like “Black Venus” and “Black Pearl.” She also received more than 1,000 marriage proposals."