Posted on Sep 30, 2022
Yeah Yeah Yeahs' 'Cool It Down' is an exhilarating yet unhurried return
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Posted >1 y ago
Responses: 1
PO1 William "Chip" Nagel
..."Karen O's equally playful on "Different Today," the record's dual emotional apex alongside "Spitting" and the symmetrical balance to that single's furious valor; she revels in the grace of connection, the harmonies to hear in the world still rotating around her. As she chants delicately, "I feel different today, different today / Different today 'bout you," atop Zinner and Chase's synth-pop pulse that is practically belching sequins, her peace is seductive; it feels hard-won, the kind you can't reach without having, inexplicably, survived something that should have consumed you. (Or so I hope? All I know is, walking in East Village the other day, I passed a tequila bar I frequented a dozen years ago, when they played the band's "Zero" incessantly and I once nearly shattered the floor-length windows face-first at 3 a.m. Now, catching sight of my jutting, pregnant belly in its indifferent panes, it seemed miraculous we both were still intact.)
Cool It Down closes with "Mars," a gentle little blip of naturalistic poetry, partially plucked from a conversation Karen O shared with her son. What does the sunset look like, she asks him? "'Mars,' he replied / With a glint in his eye." Clearly, he's inherited his mom's romantic brio; the arriving darkness could be frightening to the child, but instead, he sees the potential of a new world. May we all find such a farsighted gaze to carry us forward — through the next weeks, months, or nine years. Some things are clearly worth the wait."
..."Karen O's equally playful on "Different Today," the record's dual emotional apex alongside "Spitting" and the symmetrical balance to that single's furious valor; she revels in the grace of connection, the harmonies to hear in the world still rotating around her. As she chants delicately, "I feel different today, different today / Different today 'bout you," atop Zinner and Chase's synth-pop pulse that is practically belching sequins, her peace is seductive; it feels hard-won, the kind you can't reach without having, inexplicably, survived something that should have consumed you. (Or so I hope? All I know is, walking in East Village the other day, I passed a tequila bar I frequented a dozen years ago, when they played the band's "Zero" incessantly and I once nearly shattered the floor-length windows face-first at 3 a.m. Now, catching sight of my jutting, pregnant belly in its indifferent panes, it seemed miraculous we both were still intact.)
Cool It Down closes with "Mars," a gentle little blip of naturalistic poetry, partially plucked from a conversation Karen O shared with her son. What does the sunset look like, she asks him? "'Mars,' he replied / With a glint in his eye." Clearly, he's inherited his mom's romantic brio; the arriving darkness could be frightening to the child, but instead, he sees the potential of a new world. May we all find such a farsighted gaze to carry us forward — through the next weeks, months, or nine years. Some things are clearly worth the wait."
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