Posted on May 21, 2023
Rare music composition ‘1000 Airplanes’ to be performed under Spruce Goose in McMinnville
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Posted 12 mo ago
Responses: 3
PO1 William "Chip" Nagel
..."Sarah Tiedemann, the artistic director of Third Angle New Music, said part of the reason the piece hasn’t been performed much since it was written in the ‘80s is that it involves a strange collection of instruments and voices.
“It’s for two synthesizers, three wind players playing saxophones and flutes, and I’m playing something called the EWI (which is an electronic wind instrument), and then a vocalist and an actor,” she said. “So it’s kind of a theater piece. It’s kind of not really a classical piece. An orchestra wouldn’t really do it. It’s kind of like a cross between classical music and Depeche Mode.”
When Third Angle New Music sent away for the score, they discovered an additional complication, said Tiedemann.
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“So it is handwritten, I assume in Philip Glass’s hand. It clearly hasn’t been revised other than scribbles on it in the last 40 years,” she said. “So there was a process with me on the floor with all of the parts: photocopying and cutting and pasting and transposing the instruments.”
Also, it was difficult to know what the full piece should sound like. “I managed to track down one archival video from a group in Scotland who did it 12 years ago, but that was just for a reference and that’s all we’ve got,” she said.
Ithica Tell, a long-time Portland actor who plays the only role in this production, said that because the score is so difficult, it can be hard to know the right time to perform her parts.
“We decided that we’re just gonna get someone to cue me, someone who’s incredibly capable of reading this music,” she said. “Someone’s gonna tell me when to go [and] I’ve taken the time to figure out how long based on the rehearsals my speech should take.”
It’s all worth it, though, for the opportunity of performing under the Spruce Goose."...
..."Sarah Tiedemann, the artistic director of Third Angle New Music, said part of the reason the piece hasn’t been performed much since it was written in the ‘80s is that it involves a strange collection of instruments and voices.
“It’s for two synthesizers, three wind players playing saxophones and flutes, and I’m playing something called the EWI (which is an electronic wind instrument), and then a vocalist and an actor,” she said. “So it’s kind of a theater piece. It’s kind of not really a classical piece. An orchestra wouldn’t really do it. It’s kind of like a cross between classical music and Depeche Mode.”
When Third Angle New Music sent away for the score, they discovered an additional complication, said Tiedemann.
THANKS TO OUR SPONSOR:Become a Sponsor
“So it is handwritten, I assume in Philip Glass’s hand. It clearly hasn’t been revised other than scribbles on it in the last 40 years,” she said. “So there was a process with me on the floor with all of the parts: photocopying and cutting and pasting and transposing the instruments.”
Also, it was difficult to know what the full piece should sound like. “I managed to track down one archival video from a group in Scotland who did it 12 years ago, but that was just for a reference and that’s all we’ve got,” she said.
Ithica Tell, a long-time Portland actor who plays the only role in this production, said that because the score is so difficult, it can be hard to know the right time to perform her parts.
“We decided that we’re just gonna get someone to cue me, someone who’s incredibly capable of reading this music,” she said. “Someone’s gonna tell me when to go [and] I’ve taken the time to figure out how long based on the rehearsals my speech should take.”
It’s all worth it, though, for the opportunity of performing under the Spruce Goose."...
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INNOVATIVE TO SAY THE LEAST: PO1 William "Chip" Nagel good day Brother William, always informational and of the most interesting. Thanks for sharing, have a blessed day!
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