Posted on Aug 1, 2023
Black Belt Eagle Scout’s latest record inspired by return home to Swinomish tribe’s ancestral...
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The beginning of the pandemic was devasting for the leader of the indie rock band Black Belt Eagle Scout, Katherine Paul. All her tours, including one headlining across North America, were canceled and she feared her ascending music career might be over.
She got a day job at a nonprofit and returned to the Swinomish Indian Tribal Community's homelands in Western Washington. But as Paul, or KP to her friends, spent time in the cedar forests and walked along the Skagit River, she turned to her guitar to deal with the isolation and stress. Those snippets, recorded on her phone, provided the foundation for what would become songs on her powerful, grunge-soaked new record "The Land, The Water, The Sky."
“I feel like if the pandemic hadn't happened, I probably wouldn't have made this record,” said KP, who writes the songs, sings and plays guitar in the band that was the only Native American artist at the Pitchfork Music Festival in Chicago this month.
She got a day job at a nonprofit and returned to the Swinomish Indian Tribal Community's homelands in Western Washington. But as Paul, or KP to her friends, spent time in the cedar forests and walked along the Skagit River, she turned to her guitar to deal with the isolation and stress. Those snippets, recorded on her phone, provided the foundation for what would become songs on her powerful, grunge-soaked new record "The Land, The Water, The Sky."
“I feel like if the pandemic hadn't happened, I probably wouldn't have made this record,” said KP, who writes the songs, sings and plays guitar in the band that was the only Native American artist at the Pitchfork Music Festival in Chicago this month.
Black Belt Eagle Scout’s latest record inspired by return home to Swinomish tribe’s ancestral...
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Posted 10 mo ago
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PO1 William "Chip" Nagel
..."“As a Native person, you know someone who is missing. Your tribe is trying to get your land back. Those are topics that are part of your every day life," she said. ”I care about those things deeply but there are certain ways in which my music is, maybe not as direct, but it can be healing.”
KP also doesn't want to be seen just as a rock musician or as a Native artist. “I am a musician who happens to be Native, but I am also a Native musician ... I think I am always both,” she said.
Her latest record aims to show that.
“I kind of had in the back of mind, just kept thinking what would Built to Spill do,” KP said of the guitar-heavy, indie-rock band from the Pacific Northwest. “I've gone on tour with them and seen their three guitars at one point playing together and how they overlap and all these other things."
It's also a more collaborative effort with more musicians playing on the record— a departure for KP, who is accustomed to doing everything herself. A cellist who played with Nirvana, Lori Goldston, is featured on several songs, as are two violinists, as well as a saxophone and mellotron player.
Takiaya Reed, a first-time producer who is also in a doom metal band, described the experience of working on the record as “beautiful and amazing" and said the two bonded over their love of punk. Reid also brought her classical training and love of “heavier sounds” to the studio.
“We approached it fearlessly. It was wonderful to be expansive in terms of sonic possibilities,” she said.
KP also wanted to find a place for her parents, whom she had grown especially close to during the pandemic, to play on the record. She chose the song “Spaces,” which she described as having a “healing vibe." Her dad, who is one of the main singers at the tribe's cultural events, embraced the idea of lending his powerful powwow chant to the song. Her mom sang harmonies.
KP said: “It meant the world to me to have my parents sing because it felt like it was full circle in who I am.""
..."“As a Native person, you know someone who is missing. Your tribe is trying to get your land back. Those are topics that are part of your every day life," she said. ”I care about those things deeply but there are certain ways in which my music is, maybe not as direct, but it can be healing.”
KP also doesn't want to be seen just as a rock musician or as a Native artist. “I am a musician who happens to be Native, but I am also a Native musician ... I think I am always both,” she said.
Her latest record aims to show that.
“I kind of had in the back of mind, just kept thinking what would Built to Spill do,” KP said of the guitar-heavy, indie-rock band from the Pacific Northwest. “I've gone on tour with them and seen their three guitars at one point playing together and how they overlap and all these other things."
It's also a more collaborative effort with more musicians playing on the record— a departure for KP, who is accustomed to doing everything herself. A cellist who played with Nirvana, Lori Goldston, is featured on several songs, as are two violinists, as well as a saxophone and mellotron player.
Takiaya Reed, a first-time producer who is also in a doom metal band, described the experience of working on the record as “beautiful and amazing" and said the two bonded over their love of punk. Reid also brought her classical training and love of “heavier sounds” to the studio.
“We approached it fearlessly. It was wonderful to be expansive in terms of sonic possibilities,” she said.
KP also wanted to find a place for her parents, whom she had grown especially close to during the pandemic, to play on the record. She chose the song “Spaces,” which she described as having a “healing vibe." Her dad, who is one of the main singers at the tribe's cultural events, embraced the idea of lending his powerful powwow chant to the song. Her mom sang harmonies.
KP said: “It meant the world to me to have my parents sing because it felt like it was full circle in who I am.""
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