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https://www.npr.org/2023/11/10/ [login to see] /noname-tiny-desk-concert
Out of the thousand and some Tiny Desk concerts to date, it's seldom an artist returns to the Desk. But when they do, there are a couple requirements: come in a new iteration or present something completely different. In this case, the Chicago-bred, emcee-activist Noname does both when she performs some revolutionary raps from her third album, Sundial, and premieres an unreleased single from hip-hop trio Ghetto Sage, made up of her and frequent collaborators, Smino and Saba.
A lot has changed since Fatimah Warner dropped her classic debut, Telefone, in 2016 and made her first appearance behind the Tiny Desk in 2017. She released a stunning follow-up, Room 25, and she even briefly paused her music career to delve deep into her work as an activist. However, holding a mirror up to herself, her community and the music industry is a signature that persists across her career, and even more so on her album Sundial.
Out of the thousand and some Tiny Desk concerts to date, it's seldom an artist returns to the Desk. But when they do, there are a couple requirements: come in a new iteration or present something completely different. In this case, the Chicago-bred, emcee-activist Noname does both when she performs some revolutionary raps from her third album, Sundial, and premieres an unreleased single from hip-hop trio Ghetto Sage, made up of her and frequent collaborators, Smino and Saba.
A lot has changed since Fatimah Warner dropped her classic debut, Telefone, in 2016 and made her first appearance behind the Tiny Desk in 2017. She released a stunning follow-up, Room 25, and she even briefly paused her music career to delve deep into her work as an activist. However, holding a mirror up to herself, her community and the music industry is a signature that persists across her career, and even more so on her album Sundial.
Noname: Tiny Desk Concert
Posted from npr.org
Music
Chicago
Poetry
Hip Hop
Community
Posted 6 mo ago
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PO1 William "Chip" Nagel
..."A lot has changed since Fatimah Warner dropped her classic debut, Telefone, in 2016 and made her first appearance behind the Tiny Desk in 2017. She released a stunning follow-up, Room 25, and she even briefly paused her music career to delve deep into her work as an activist. However, holding a mirror up to herself, her community and the music industry is a signature that persists across her career, and even more so on her album Sundial.
Complemented by her dynamic six-piece band, she performs a few selects from this album including the gospel-infused "hold me down," which Noname describes perfectly as "a petty love letter to my community." Then she gets into "boomboom" featuring the vocalist Ayoni, who delivers a raw and powerful performance. She then invites Smino and Saba up to perform the unreleased "kush and love songs," delivering clever and conscious bars on top of a swing groove. Concluding the show in true Noname fashion with "balloons," she asks the audience: "Where better to do my most controversial song than NPR? Real journalism."...
..."A lot has changed since Fatimah Warner dropped her classic debut, Telefone, in 2016 and made her first appearance behind the Tiny Desk in 2017. She released a stunning follow-up, Room 25, and she even briefly paused her music career to delve deep into her work as an activist. However, holding a mirror up to herself, her community and the music industry is a signature that persists across her career, and even more so on her album Sundial.
Complemented by her dynamic six-piece band, she performs a few selects from this album including the gospel-infused "hold me down," which Noname describes perfectly as "a petty love letter to my community." Then she gets into "boomboom" featuring the vocalist Ayoni, who delivers a raw and powerful performance. She then invites Smino and Saba up to perform the unreleased "kush and love songs," delivering clever and conscious bars on top of a swing groove. Concluding the show in true Noname fashion with "balloons," she asks the audience: "Where better to do my most controversial song than NPR? Real journalism."...
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