17
17
0
Marlon Brando Jr. (April 3, 1924 – July 1, 2004) was an American actor and film director. With a career spanning 60 years, he is well-regarded for his cultural influence on 20th-century film.[4] Brando's Academy Award-winning performances include that of Terry Malloy in On the Waterfront (1954) and Don Vito Corleone in The Godfather (1972). Brando was an activist for many causes, notably the civil rights movement and various Native American movements. He is credited with helping to popularize the Stanislavski system of acting, having studied with Stella Adler in the 1940s. He is often regarded as one of the first actors to bring Method Acting to mainstream audiences.
He initially gained acclaim and an Academy Award nomination for reprising the role of Stanley Kowalski in the 1951 film adaptation of Tennessee Williams' play A Streetcar Named Desire, a role that he originated successfully on Broadway.[5] He received further praise for his performance as Terry Malloy in On the Waterfront, and his portrayal of the rebellious motorcycle gang leader Johnny Strabler in The Wild One proved to be a lasting image in popular culture.[6] Brando received Academy Award nominations for playing Emiliano Zapata in Viva Zapata!; Mark Antony in Joseph L. Mankiewicz's 1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd Gruver in Sayonara (1957), an adaptation of James Michener's 1954 novel. Brando was included in a list of Top Ten Money Making Stars three times in the 1950s, coming in at number 10 in 1954, number 6 in 1955, and number 4 in 1958.
The 1960s saw Brando's career take a downturn. He directed and starred in the cult western film One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of box-office failures, beginning with the 1962 film adaptation of the novel Mutiny on the Bounty. After 10 years, during which he did not appear in a successful film, he won his second Academy Award for playing Vito Corleone in Francis Ford Coppola's The Godfather, a role critics consider among his greatest. The Godfather was then one of the most commercially successful films of all time. With that and his Oscar-nominated performance in Last Tango in Paris, Brando re-established himself in the ranks of top box-office stars, placing sixth and tenth in the Money Making Stars poll in 1972 and 1973, respectively. Brando took a four-year hiatus before appearing in The Missouri Breaks (1976). After this, he was content with being a highly paid character actor in cameo roles, such as in Superman (1978) and The Formula (1980), before taking a nine-year break from motion pictures. According to the Guinness Book of World Records, Brando was paid a record $3.7 million ($15 million in inflation-adjusted dollars) and 11.75% of the gross profits for 13 days' work on Superman. He finished out the 1970s with his controversial performance as Colonel Kurtz in another Coppola film, Apocalypse Now, a box-office hit for which he was highly paid and which helped finance his career layoff during the 1980s.
Brando was ranked by the American Film Institute as the fourth-greatest movie star among male movie stars whose screen debuts occurred in or before 1950. He was one of six professional actors, along with Charlie Chaplin, U.S. President Ronald Reagan, Lucille Ball, Frank Sinatra, and Marilyn Monroe, named in 1999 by Time magazine as one of its 100 Most Important People of the Century.[7]
He initially gained acclaim and an Academy Award nomination for reprising the role of Stanley Kowalski in the 1951 film adaptation of Tennessee Williams' play A Streetcar Named Desire, a role that he originated successfully on Broadway.[5] He received further praise for his performance as Terry Malloy in On the Waterfront, and his portrayal of the rebellious motorcycle gang leader Johnny Strabler in The Wild One proved to be a lasting image in popular culture.[6] Brando received Academy Award nominations for playing Emiliano Zapata in Viva Zapata!; Mark Antony in Joseph L. Mankiewicz's 1953 film adaptation of Shakespeare's Julius Caesar; and Air Force Major Lloyd Gruver in Sayonara (1957), an adaptation of James Michener's 1954 novel. Brando was included in a list of Top Ten Money Making Stars three times in the 1950s, coming in at number 10 in 1954, number 6 in 1955, and number 4 in 1958.
The 1960s saw Brando's career take a downturn. He directed and starred in the cult western film One-Eyed Jacks, a critical and commercial flop, after which he delivered a series of box-office failures, beginning with the 1962 film adaptation of the novel Mutiny on the Bounty. After 10 years, during which he did not appear in a successful film, he won his second Academy Award for playing Vito Corleone in Francis Ford Coppola's The Godfather, a role critics consider among his greatest. The Godfather was then one of the most commercially successful films of all time. With that and his Oscar-nominated performance in Last Tango in Paris, Brando re-established himself in the ranks of top box-office stars, placing sixth and tenth in the Money Making Stars poll in 1972 and 1973, respectively. Brando took a four-year hiatus before appearing in The Missouri Breaks (1976). After this, he was content with being a highly paid character actor in cameo roles, such as in Superman (1978) and The Formula (1980), before taking a nine-year break from motion pictures. According to the Guinness Book of World Records, Brando was paid a record $3.7 million ($15 million in inflation-adjusted dollars) and 11.75% of the gross profits for 13 days' work on Superman. He finished out the 1970s with his controversial performance as Colonel Kurtz in another Coppola film, Apocalypse Now, a box-office hit for which he was highly paid and which helped finance his career layoff during the 1980s.
Brando was ranked by the American Film Institute as the fourth-greatest movie star among male movie stars whose screen debuts occurred in or before 1950. He was one of six professional actors, along with Charlie Chaplin, U.S. President Ronald Reagan, Lucille Ball, Frank Sinatra, and Marilyn Monroe, named in 1999 by Time magazine as one of its 100 Most Important People of the Century.[7]
Marlon Brando - Wikipedia
Posted from en.wikipedia.org
Birthday
Actor/Actress
Movies
American History
Edited >1 y ago
Posted >1 y ago
Responses: 11
10
10
0
Marlon Brando - Interview (12-06-1973)
In 1973, one of Hollywood’s most beloved actors Marlon Brando sat with talk show host Dick Cavett to discuss his new found insight on America’s relationship ...
Thank you, my friend Maj Marty Hogan for making us aware that April 4 is the anniversary of the birth of American actor, film director, and activist Marlon Brando Jr. who certainly brought a large measure of realism to his acting.
I enjoy watching "A Streetcar Named Desire," "On the Waterfront, "The Wild One" and The Godfather.
Rest in peace Marlon Brando Jr.
Marlon Brando - Interview (12-06-1973)
"In 1973, one of Hollywood’s most beloved actors Marlon Brando sat with talk show host Dick Cavett to discuss his new found insight on America’s relationship with the Indian, and how that relationship is falsely promoted in schools and in Hollywood films."
https://www.youtube.com/watch?v=uU-4wmwc2Rw
Background from britannica.com/biography/Marlon-Brando
"Marlon Brando
AMERICAN ACTOR
WRITTEN BY: The Editors of Encyclopaedia Britannica
LAST UPDATED: 3-27-2018 See Article History
Alternative Titles: Marlon Brando, Jr.
Marlon Brando, in full Marlon Brando, Jr., (born April 3, 1924, Omaha, Nebraska, U.S.—died July 1, 2004, Los Angeles, California), American motion picture and stage actor known for his visceral, brooding characterizations. Brando was the most celebrated of the method actors, and his slurred, mumbling delivery marked his rejection of classical dramatic training. His true and passionate performances proved him one of the greatest actors of his generation.
Brando, the son of a salesman and an actress, grew up in Nebraska, California, and Illinois. After he was expelled from the Shattuck Military Academy in Faribault, Minnesota, for insubordination, he moved in 1943 to New York City, where he studied acting under Stella Adler at the Dramatic Workshop. He made his stage debut in 1944 as Jesus Christ in the Workshop production of Gerhart Hauptmann’s Hannele, and in that same year he first appeared on Broadway in I Remember Mama. After that play’s successful two-year run, Brando appeared in Maxwell Anderson’s Truckline Cafe, George Bernard Shaw’s Candida, and Ben Hecht’s A Flag Is Born (all 1946) and was voted “Broadway’s most promising actor” by New York critics. In 1947 he attained stage stardom with his astonishingly brutal, emotionally charged performance as Stanley Kowalski in the Elia Kazan-directed production of Tennessee Williams’s A Streetcar Named Desire (1947).
Brando made his motion picture debut in The Men (1950), a powerfully realistic study of disabled World War II veterans. In preparation for his role, he spent a month in a hospital paraplegic ward. He received his first Oscar nomination for his performance in A Streetcar Named Desire (1951), Kazan’s highly praised screen adaptation of the play, and went on to receive nominations for his performances in Viva Zapata! (1952) and Julius Caesar (1953). Also from this period is The Wild One (1953), a low-budget drama in which he played the leader of an outlaw motorcycle gang. The film became one of Brando’s most famous and served to enhance his iconoclastic image. It also contains one of Brando’s most oft-quoted lines; when asked what it is he is rebelling against, his character responds, “Whaddya got?”
Brando’s sensitive portrayal of a union muscleman who testifies against his gangster boss in Kazan’s On the Waterfront (1954) won for him the best-actor Oscar and firmly established him as one of Hollywood’s most-admired actors. In 1954 he also portrayed Napoleon Bonaparte in Desiree, and in 1955 he sang and danced in the musical comedy Guys and Dolls. He had continued success with such films as The Teahouse of the August Moon (1956), Sayonara (1957; Oscar nomination), and The Young Lions (1958). In the 1960s, however, his career went into a long period of decline. He starred in the only film he ever directed, the western One-Eyed Jacks (1961); now a cult favourite, it was notorious at the time for Brando’s excessive expenditure of time and money. A lavish remake of Mutiny on the Bounty (1962) was another expensive flop, and Brando’s recalcitrant behaviour during its filming added to his growing reputation as a troublesome and demanding actor. Most of his remaining films of the ’60s, including Charlie Chaplin’s final film, A Countess from Hong Kong (1967), are forgettable.
Francis Ford Coppola’s The Godfather (1972) rejuvenated Brando’s career. As organized-crime boss Don Vito Corleone, Brando created one of the most memorable—and most imitated—film characters of all time. His performance earned him another best-actor Oscar, but he refused the award in protest against the stereotypical portrayals of Native Americans throughout motion picture history. Brando was further vindicated as an actor by his leading role in Bernardo Bertolucci’s sexually explicit L’ultimo tango a Parigi (1972; Last Tango in Paris). He appeared in only five more films during the remainder of the decade—including noted supporting roles in Superman (1978) and Apocalypse Now (1979)—whereupon he retreated to his private Polynesian atoll.
Brando reemerged nine years later to play a crusading antiapartheid attorney in A Dry White Season (1989) and received his eighth Oscar nomination—his first for best supporting actor—for the role. He appeared in six films during the 1990s, highlighted by a send-up of his Godfather character in The Freshman (1990) and by his sensitive portrayal of an aging psychiatrist in Don Juan DeMarco (1995). He also received good notices for his role as a corrupt prison warden in the comedy Free Money (1998), though the film was not widely distributed. In 2001 he appeared in the heist thriller The Score (2001). Brando’s extensive collection of personal audio diaries—recorded over many years—were the basis of the documentary Listen to Me Marlon (2015).
Brando was something of a paradox: he is regarded as the most influential actor of his generation, yet his open disdain for the acting profession—as detailed in his autobiography, Songs My Mother Taught Me (1994)—often manifested itself in the form of questionable choices and uninspired performances. Nevertheless, he remains a riveting screen presence with a vast emotional range and an endless array of compulsively watchable idiosyncrasies."
FYI LTC (Join to see) Lt Col John (Jack) Christensen Maj Bill Smith, Ph.D. Maj William W. "Bill" Price Maj Marty Hogan SCPO Morris Ramsey SFC William Farrell SGT Mark Halmrast Sgt Randy Wilber Sgt John H. SGT Gregory Lawritson CPL Dave Hoover SPC Margaret Higgins SSgt Brian Brakke 1stSgt Eugene Harless SSG William Jones SSG Diane R.
I enjoy watching "A Streetcar Named Desire," "On the Waterfront, "The Wild One" and The Godfather.
Rest in peace Marlon Brando Jr.
Marlon Brando - Interview (12-06-1973)
"In 1973, one of Hollywood’s most beloved actors Marlon Brando sat with talk show host Dick Cavett to discuss his new found insight on America’s relationship with the Indian, and how that relationship is falsely promoted in schools and in Hollywood films."
https://www.youtube.com/watch?v=uU-4wmwc2Rw
Background from britannica.com/biography/Marlon-Brando
"Marlon Brando
AMERICAN ACTOR
WRITTEN BY: The Editors of Encyclopaedia Britannica
LAST UPDATED: 3-27-2018 See Article History
Alternative Titles: Marlon Brando, Jr.
Marlon Brando, in full Marlon Brando, Jr., (born April 3, 1924, Omaha, Nebraska, U.S.—died July 1, 2004, Los Angeles, California), American motion picture and stage actor known for his visceral, brooding characterizations. Brando was the most celebrated of the method actors, and his slurred, mumbling delivery marked his rejection of classical dramatic training. His true and passionate performances proved him one of the greatest actors of his generation.
Brando, the son of a salesman and an actress, grew up in Nebraska, California, and Illinois. After he was expelled from the Shattuck Military Academy in Faribault, Minnesota, for insubordination, he moved in 1943 to New York City, where he studied acting under Stella Adler at the Dramatic Workshop. He made his stage debut in 1944 as Jesus Christ in the Workshop production of Gerhart Hauptmann’s Hannele, and in that same year he first appeared on Broadway in I Remember Mama. After that play’s successful two-year run, Brando appeared in Maxwell Anderson’s Truckline Cafe, George Bernard Shaw’s Candida, and Ben Hecht’s A Flag Is Born (all 1946) and was voted “Broadway’s most promising actor” by New York critics. In 1947 he attained stage stardom with his astonishingly brutal, emotionally charged performance as Stanley Kowalski in the Elia Kazan-directed production of Tennessee Williams’s A Streetcar Named Desire (1947).
Brando made his motion picture debut in The Men (1950), a powerfully realistic study of disabled World War II veterans. In preparation for his role, he spent a month in a hospital paraplegic ward. He received his first Oscar nomination for his performance in A Streetcar Named Desire (1951), Kazan’s highly praised screen adaptation of the play, and went on to receive nominations for his performances in Viva Zapata! (1952) and Julius Caesar (1953). Also from this period is The Wild One (1953), a low-budget drama in which he played the leader of an outlaw motorcycle gang. The film became one of Brando’s most famous and served to enhance his iconoclastic image. It also contains one of Brando’s most oft-quoted lines; when asked what it is he is rebelling against, his character responds, “Whaddya got?”
Brando’s sensitive portrayal of a union muscleman who testifies against his gangster boss in Kazan’s On the Waterfront (1954) won for him the best-actor Oscar and firmly established him as one of Hollywood’s most-admired actors. In 1954 he also portrayed Napoleon Bonaparte in Desiree, and in 1955 he sang and danced in the musical comedy Guys and Dolls. He had continued success with such films as The Teahouse of the August Moon (1956), Sayonara (1957; Oscar nomination), and The Young Lions (1958). In the 1960s, however, his career went into a long period of decline. He starred in the only film he ever directed, the western One-Eyed Jacks (1961); now a cult favourite, it was notorious at the time for Brando’s excessive expenditure of time and money. A lavish remake of Mutiny on the Bounty (1962) was another expensive flop, and Brando’s recalcitrant behaviour during its filming added to his growing reputation as a troublesome and demanding actor. Most of his remaining films of the ’60s, including Charlie Chaplin’s final film, A Countess from Hong Kong (1967), are forgettable.
Francis Ford Coppola’s The Godfather (1972) rejuvenated Brando’s career. As organized-crime boss Don Vito Corleone, Brando created one of the most memorable—and most imitated—film characters of all time. His performance earned him another best-actor Oscar, but he refused the award in protest against the stereotypical portrayals of Native Americans throughout motion picture history. Brando was further vindicated as an actor by his leading role in Bernardo Bertolucci’s sexually explicit L’ultimo tango a Parigi (1972; Last Tango in Paris). He appeared in only five more films during the remainder of the decade—including noted supporting roles in Superman (1978) and Apocalypse Now (1979)—whereupon he retreated to his private Polynesian atoll.
Brando reemerged nine years later to play a crusading antiapartheid attorney in A Dry White Season (1989) and received his eighth Oscar nomination—his first for best supporting actor—for the role. He appeared in six films during the 1990s, highlighted by a send-up of his Godfather character in The Freshman (1990) and by his sensitive portrayal of an aging psychiatrist in Don Juan DeMarco (1995). He also received good notices for his role as a corrupt prison warden in the comedy Free Money (1998), though the film was not widely distributed. In 2001 he appeared in the heist thriller The Score (2001). Brando’s extensive collection of personal audio diaries—recorded over many years—were the basis of the documentary Listen to Me Marlon (2015).
Brando was something of a paradox: he is regarded as the most influential actor of his generation, yet his open disdain for the acting profession—as detailed in his autobiography, Songs My Mother Taught Me (1994)—often manifested itself in the form of questionable choices and uninspired performances. Nevertheless, he remains a riveting screen presence with a vast emotional range and an endless array of compulsively watchable idiosyncrasies."
FYI LTC (Join to see) Lt Col John (Jack) Christensen Maj Bill Smith, Ph.D. Maj William W. "Bill" Price Maj Marty Hogan SCPO Morris Ramsey SFC William Farrell SGT Mark Halmrast Sgt Randy Wilber Sgt John H. SGT Gregory Lawritson CPL Dave Hoover SPC Margaret Higgins SSgt Brian Brakke 1stSgt Eugene Harless SSG William Jones SSG Diane R.
(10)
(0)
5
5
0
4
4
0
Read This Next
Continue with Facebook 
Continue with Google