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On October 13, 2016, American singer-songwriter Bob Dylan was awarded the Nobel Prize for Literature. From the article:
"The Nobel Prize in Literature 2016
Bob Dylan was born on May 24, 1941 in Duluth, Minnesota. He grew up in a Jewish middle-class family in the city of Hibbing. As a teenager he played in various bands and with time his interest in music deepened, with a particular passion for American folk music and blues. One of his idols was the folk singer Woody Guthrie. He was also influenced by the early authors of the Beat Generation, as well as by modernist poets.
Dylan moved to New York City in 1961 and began to perform in clubs and cafés in Greenwich Village. He met the record producer John Hammond with whom he signed a contract for his debut album, Bob Dylan (1962). In the following years he recorded a number of albums which have had a tremendous impact on popular music: Bringing It All Back Home and Highway 61 Revisited in 1965, Blonde On Blonde in 1966 and Blood On The Tracks in 1975. His productivity continued in the following decades, resulting in masterpieces like Oh Mercy (1989), Time Out Of Mind (1997) and Modern Times (2006).
Dylan’s tours in 1965 and 1966 attracted a lot of attention. For a period he was accompanied by film maker D. A. Pennebaker, who documented life around the stage in what would come to be the movie Dont Look Back (1967). Dylan has recorded a large number of albums revolving around topics such as: the social conditions of man, religion, politics and love. The lyrics have continuously been published in new editions, under the title Lyrics. As an artist, he is strikingly versatile; he has been active as painter, actor and scriptwriter.
Besides his large production of albums, Dylan has published experimental work like Tarantula (1971) and the collection Writings and Drawings (1973). He has written an autobiography, Chronicles (2004), which depicts memories from the early years in New York and which provides glimpses of his life at the center of popular culture. Since the late 1980s, Bob Dylan has toured persistently, an undertaking called the “Never-Ending Tour”. Dylan has the status of an icon. His influence on contemporary music is profound, and he is the object of a steady stream of secondary literature."
"The Nobel Prize in Literature 2016
Bob Dylan was born on May 24, 1941 in Duluth, Minnesota. He grew up in a Jewish middle-class family in the city of Hibbing. As a teenager he played in various bands and with time his interest in music deepened, with a particular passion for American folk music and blues. One of his idols was the folk singer Woody Guthrie. He was also influenced by the early authors of the Beat Generation, as well as by modernist poets.
Dylan moved to New York City in 1961 and began to perform in clubs and cafés in Greenwich Village. He met the record producer John Hammond with whom he signed a contract for his debut album, Bob Dylan (1962). In the following years he recorded a number of albums which have had a tremendous impact on popular music: Bringing It All Back Home and Highway 61 Revisited in 1965, Blonde On Blonde in 1966 and Blood On The Tracks in 1975. His productivity continued in the following decades, resulting in masterpieces like Oh Mercy (1989), Time Out Of Mind (1997) and Modern Times (2006).
Dylan’s tours in 1965 and 1966 attracted a lot of attention. For a period he was accompanied by film maker D. A. Pennebaker, who documented life around the stage in what would come to be the movie Dont Look Back (1967). Dylan has recorded a large number of albums revolving around topics such as: the social conditions of man, religion, politics and love. The lyrics have continuously been published in new editions, under the title Lyrics. As an artist, he is strikingly versatile; he has been active as painter, actor and scriptwriter.
Besides his large production of albums, Dylan has published experimental work like Tarantula (1971) and the collection Writings and Drawings (1973). He has written an autobiography, Chronicles (2004), which depicts memories from the early years in New York and which provides glimpses of his life at the center of popular culture. Since the late 1980s, Bob Dylan has toured persistently, an undertaking called the “Never-Ending Tour”. Dylan has the status of an icon. His influence on contemporary music is profound, and he is the object of a steady stream of secondary literature."
The Nobel Prize in Literature 2016
Posted from nobelprize.org
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In his first television network news interview, 44 year-old Bob Dylan is interviewed by 20/20's Bob Brown. Aired October 10, 1985.
Thank you my friend SGT (Join to see) for making us aware that on October 13, 2016, American singer-songwriter Bob Dylan was awarded the Nobel Prize for Literature.
He is gracious and humble and he has long shared his songs with other musicians who have launched them into the stratosphere of music
From All Along the Watchtower [Hendrix, Robin Trower, et al.]; I'll Keep it With Mine [Sandy Denny and Fairport Convention]; Dear Landlord [Fairport Convention]; Percy's Song [Fairport Convention]; and Si tu dois partir [Fairport Convention]; etc.
Bob Dylan Interview (1985)
In his first television network news interview, 44 year-old Bob Dylan is interviewed by 20/20's Bob Brown. Aired October 10, 1985.
https://www.youtube.com/watch?v=YsaIjZ9hWvg
Images:
1. 1971 Dylan performs with George Harrison at Madison Square Garden for a Bangladesh relief concert.
2. 1966 Dylan drinks a cup of tea while backstage at his famous Free Trade Hall concert
3. In 1965, Dylan released his sixth album, Highway 61 Revisited
4. Dylan performs at the Singers Club Christmas Party in the U.K. in December 1962.
Background from {[HTTPS://rollingstone.com/music/artists/bob-dylan/biography]}
"For almost 50 years, Bob Dylan has remained, along with James Brown, the most influential American musician rock & roll has ever produced. Inscrutable and unpredictable, Dylan has been both deified and denounced for his shifts of interest, while whole schools of musicians took up his ideas. His lyrics — the first in rock to be seriously regarded as literature — became so well known that politicians from Jimmy Carter to Vaclav Havel have cited them as an influence.
By personalizing folk songs, Dylan reinvented the singer-songwriter genre; by performing his allusive, poetic songs in his nasal, spontaneous vocal style with an electric band, he enlarged pop's range and vocabulary while creating a widely imitated sound. By recording with Nashville veterans, he helped give rise to Seventies country-rock. In the 1980s and 1990s, although he often seemed to flounder, he still had the ability to challenge, influence, and surprise listener — something he did more reliably in the late 1990s and 2000s, when he recorded some of the greatest music of his career.
Born May 24, 1941, in Duluth, Minnesota, Robert Allen Zimmerman's family moved to Hibbing when he was six. After taking up guitar and harmonica, he formed the Golden Chords while a high school freshman. He enrolled at the arts college of the University of Minnesota in 1959; during his three semesters there, he began performing solo at coffeehouses as Bob Dylan; he legally changed his name in August 1962.
Dylan moved to New York City in January 1961, saying he wanted to meet Woody Guthrie, who by then was hospitalized with Huntington's chorea. Dylan visited his idol frequently. That April he played New York's Gerdes Folk City as the opening act for bluesman John Lee Hooker, with a set of Guthrie-style ballads and his own lyrics set to traditional tunes. A New York Times review by Robert Shelton alerted A&R man John Hammond, who signed Dylan to Columbia and produced his 1962 debut album.
Although Bob Dylan contained only two originals ("Talking New York" and "Song to Woody"), Dylan stirred up the Greenwich Village folk scene with his caustic humor and gift for writing deeply resonant topical songs. The Freewheelin' Bob Dylan (Number 22, 1963) included the soon-to-be folk standard "Blowin' in the Wind" (a hit for Peter, Paul and Mary), "A Hard Rain's a-Gonna Fall," and "Masters of War," protest songs on par with Guthrie's and Pete Seeger's. Joan Baez, already established as a "protest singer," recorded Dylan's songs and brought him on tour; in summer 1963 they became lovers.
By 1964, Dylan was playing 200 concerts a year. The Times They Are a-Changin' (Number 20, 1964) mixed protest songs ("With God on Our Side") and more personal lyrics ("One Too Many Mornings"). He met the Beatles that year and reportedly introduced them to marijuana. Another Side of Bob Dylan (Number 43), recorded in a single session on June 9, 1964 and released on August 8, concentrated on personal songs and imagistic free associations such as "Chimes of Freedom"; Dylan repudiated his protest phase with "My Back Pages." In late 1964 Columbia A&R man Jim Dickson introduced Dylan to Jim (later Roger) McGuinn, whose band the Byrds would in 1965 have its first hit with "Mr. Tambourine Man," kicking off the mid-decade folk-rock boom. Meanwhile the Dylan-Baez liaison fell apart, and Dylan met 25-year-old ex-model Shirley Noznisky, a.k.a. Sara Lowndes, whom he married in 1965.
With Bringing It All Back Home (Number Six), released early in 1965, Dylan surprised listeners for the first of many times by turning his back on folk purism; for half the album he was backed by a rock & roll band. On July 25, 1965, he played the Newport Folk Festival (where two years earlier he had been the cynosure of the folksingers) backed by the Paul Butterfield Blues Band, and was booed. The next month, he played the Forest Hills tennis stadium in Queens, NY, with a band that included members of Canadian band the Hawks (including drummer Levon Helm and guitarist Robbie Robertson), which accompanied him on tour and later became the Band. "Like a Rolling Stone" (Number Two, 1965) became Dylan's first major hit as a performer.
The music Dylan made in 1965 and 1966 revolutionized rock. The intensity of his performances and his live-in-the-studio albums — Highway 61 Revisited (Number Three, 1965), Blonde on Blonde (Number Nine, 1966) — were a revelation. His lyrics were analyzed, debated, and quoted like no pop before them. With rage and slangy playfulness, Dylan chewed up and spat out literary and folk traditions in a wild, inspired doggerel. He didn't explain; he gave off-the-wall interviews and press conferences in which he'd spin contradictory fables about his background and intentions. D.A. Pennebaker's documentary of Dylan's British tour, Don't Look Back, shows some of the hysteria that came to surround him and the cool detachment with which he would always regard his celebrity. As "Rainy Day Women # 12 & 35" went to Number Two in April 1966, Dylan's worldwide record sales topped Ten million, and more than 150 other groups or artists across a wide range of genres had recorded at least one of his songs.
On July 29, 1966, Dylan smashed up his Triumph 55 motorcycle while riding near his Woodstock, New York, home. With several broken neck vertebrae, a concussion, and lacerations of the face and scalp, he was reportedly in critical condition for a week and bedridden for a month, with aftereffects including amnesia and mild paralysis. Though the extent of Dylans' injuries was later questioned by biographers, he did spend nine months in seclusion. As he recovered, he and the Band recorded the songs that were widely bootlegged — and legitimately released in 1975 — as The Basement Tapes (Number Seven), whose droll, enigmatic, steeped-in-Americana sound would be continued by the Band on their own.
In 1968 Dylan made his public re-entry with the quiet John Wesley Harding (Number Two), which ignored the baroque psychedelia in vogue over the prior year; Dylan wrapped his enigmatic lyrics in such folkish ballads as "All Along the Watchtower" (later covered, and redefined, by Jimi Hendrix). On January 20, 1968, he returned to the stage, performing three songs at a Woody Guthrie memorial concert, and in May 1969 he released the overly countryish Nashville Skyline (Number Three), featuring "Lay Lady Lay" (Number Seven , 1969) and "Girl From the North Country," with a guest vocal by Johnny Cash and a new, mellower voice.
Dylan's early-Seventies acts seemed less portentous. His 1970 Self Portrait (Number Four) included songs by other writers and live takes from a 1969 Isle of Wight concert with the Band. Widely criticized, Dylan went back into the studio and rush released the mild and twangy New Morning (Number Seven, 1970). By mid-1970 Dylan had moved to 94 MacDougal Street in Greenwich Village; on June 9, he received an honorary doctorate in music from Princeton.
George Harrison, with whom Dylan cowrote "I'd Have You Anytime," "If Not for You," and a few other songs that summer, persuaded Dylan to appear at the benefit Concert for Bangladesh; Leon Russell, who also performed, produced Dylan's single "Watching the River Flow." That year he also released his first protest song since the mid-Sixties , "George Jackson." In 1971, Tarantula, a collection of writings from the mid-Sixties, was published to an unenthusiastic reception.
Dylan sang at the Band concert that resulted in Rock of Ages (1972) but didn't appear on the album; he sat in on albums by Doug Sahm, Steve Goodman, McGuinn, and others. Late in 1972 he played the role of Alias in and wrote a score for Sam Peckinpah's Pat Garrett & Billy the Kid (Number 16, 1973). Writings and Drawings by Bob Dylan, a collection of lyrics and liner notes up to New Morning, was published in 1973. Between Columbia contracts, Dylan moved to Malibu in 1973 and made a handshake deal with David Geffen's Asylum label, which released Planet Waves (Number One, 1974); Columbia retaliated with Dylan (Number 17), a collection of embarrassing outtakes from Self Portrait. (Dylan has never been reissued on CD.) Dylan and the Band played 39 shows in 21 cities, selling out 651,000 seats for a 1974 tour; the last three dates in L.A. were recorded for Before the Flood (Number Three, 1974).
"Dylan scrapped an early version of Blood on the Tracks, recutting several songs with local Minneapolis players, and the result hit Number One in 1975. He cowrote some of the songs on the platinum Desire (Number One, 1976) with producer Jacques Levy; before making that LP, Dylan had returned to some Greenwich Village hangouts. A series of jams at the Other End led to the notion of a communal tour, and in October bassist Rob Stoner began rehearsing the large, shifting entourage (including Baez and such Village regulars as Ramblin' Jack Elliott and Bobby Neuwirth) that became the Rolling Thunder Revue, which toured on and off — with guests including Allen Ginsberg, Joni Mitchell, Mick Ronson, McGuinn, and Arlo Guthrie — until spring 1976.
The Revue started with surprise concerts at small halls (the first in Plymouth, Massachusetts, for an audience of 200) and worked up to outdoor stadiums like the one in Fort Collins, Colorado, where NBC-TV filmed Hard Rain. The troupe played two benefits for convicted murderer Rubin ""Hurricane"" Carter (subject of Dylan's ""Hurricane,"" from Desire), which, after expenses, raised no money. Dylan's efforts helped Carter get a retrial, but he was convicted and one of the witnesses, Patty Valentine, sued Dylan over his use of the name in ""Hurricane"" (Valentin lost the suit in 1979; six years later, a federal judge overturned Carter's conviction, freeing him after nearly 20 years in prison.)
In 1976 Dylan appeared in the Band's farewell concert, The Last Waltz, which was filmed by Martin Scorsese. Dylan's wife, Sara Lowndes, filed for divorce in March 1977. She received custody of their five children: Maria (Sara's daughter by a previous marriage, whom Dylan had adopted), Jesse, Anna, Samuel, and Jakob. (It was revealed in 2001 that in 1986 Dylan had secretly married backup singer Carolyn Dennis, six months after she gave birth to the couple's daughter, Desiree Gabrielle Dennis-Dylan. The couple divorced in 1992.)
In 1978 Dylan took a $2 million loss on Renaldo and Clara, a four-hour film including footage of the Rolling Thunder tour and starring himself and Joan Baez. He embarked on an extensive tour (New Zealand, Australia, Europe, the U.S., and Japan, where he recorded Live at Budokan), redoing his old songs with some of the trappings of a Las Vegas lounge act.
In 1979 Dylan announced that he was a born-again Christian. The platinum Slow Train Coming (Number 24, 1979) netted Dylan his first Grammy (for Best Rock Vocal Performance, Male). His West Coast tour late in 1979 featured only his born-again material; Saved (Number 24, 1980) and Shot of Love (Number 33, 1981) continued that message. In late 1981 he embarked on a 22-city U.S. tour; in 1982 amid rumors he had repudiated his born-again Christianity, Dylan traveled to Israel. Infidels (Number 20, 1983), recorded with a band that included Mark Knopfler, Mick Taylor, and reggae greats Sly and Robbie, answered no questions. Despite its title, the album was more churlish than religious, although Dylan did admit that ""Neighborhood Bully,"" his apparent defense of Israeli policy towards Palestine, was indeed about Arab-Israeli relations.
Biograph (Number 33, 1985), a five-LP retrospective with 18 previously unreleased tracks, helped put Dylan's long career in perspective, but Empire Burlesque (Number 33), released the same year, puzzled listeners with its backup singers and cluttered production by dance-music specialist Arthur Baker. A tour with Tom Petty and the Heartbreakers in 1986 supported the sloppy, cryptic Knocked Out Loaded (Number 53). Dylan then toured in 1987 with the Grateful Dead as his backup band, yielding the concert album, Dylan & the Dead (Number 37, 1989). Dylan delayed release of Down in the Groove (Number 61, 1988) twice in six months. The final product, with guests including Eric Clapton, Steve Jones (Sex Pistols), rappers Full Force, and members of the Dead, sounded tentative and unfocused. But as ""Lucky,"" one-fifth of the Traveling Wilburys, Dylan seemed to genuinely enjoy participating in a group project again.
Dylan was inducted into the Rock and Roll Hall of Fame in 1989 and later that year released his best received album of the Eighties, Oh Mercy (Number 30). Produced by Daniel Lanois (U2, Robbie Robertson) in New Orleans, it was a coherent collection of songs, and Dylan sounded reenergized and engaged. But as he had throughout his career, Dylan defied expectations. On his Never Ending Tour, started in 1988, Dylan recast his songs, at times throwing them away with offhand performances. His appearance on the L'Chaim — To Life telethon led to rumors he had joined a Hasidic sect. Under the Red Sky (Number 38, 1990), the follow-up to Oh Mercy, was widely panned.
"In 1990 Dylan was named a Commandeur dans l'Ordre des Art et des Lettres, France's highest cultural honor. At the 1991 Grammy ceremony, where he was given a Lifetime Achievement Award, Dylan's whimsical acceptance speech and almost unintelligible performance of "Masters of War" (the first Gulf War had recently started), left some fans scratching their heads, with others applauding his pugnacious attitude. Dylan opened up the vaults for The Bootleg Series, Vols. 1-3 (Rare & Unreleased) (Number 49, 1991), 58 outtakes, live tracks, demos, and rarities that proved his prolific virtuosity.
On October 16, 1992, Columbia marked the 30th anniversary of Dylan's first album with Bobfest, an all-star concert at New York's Madison Square Garden featuring more than 30 artists, including Neil Young, Pearl Jam's Eddie Vedder, Tom Petty, George Harrison, Eric Clapton, Johnny Cash, Lou Reed, and Dylan himself. Broadcast live on pay-per-view, it was released as an album and video the next year. As if to bring his career full circle, Dylan recorded two folkish solo guitar and vocal albums, Good as I Been to You (Number 51, 1992) and World Gone Wrong (Number 70, 1993).
In the mid-Nineties Dylan revived his live concerts by assembling one of the best bands of his career — he stopped throwing away his songs, instead playing both country-rock and acoustic string-band versions of his best compositions. He made a triumphant appearance at Woodstock '94, though he had snubbed the 1969 festival. In late 1994 Dylan performed on MTV's Unplugged with his new band augmented by Pearl Jam's producer Brendan O'Brien on keyboards; highlights were released on the 1995 Unplugged album (Number 23).
Hooking up again with producer Lanois, Dylan recorded the deep-blue songs of Time Out of Mind, which debuted (and peaked) on the Billboard chart at Number Ten, becoming his highest-charting release (as well as his most acclaimed) in nearly 20 years. The same year Dylan found himself on the road touring and crossing paths with his son Jakob Dylan's band the Wallflowers.
Other highlights of the year for Dylan included performing before Pope John Paul II in Bologna, Italy; the inaugural release on his Egyptian Records label (The Songs of Jimmie Rodgers — A Tribute); and receiving the Kennedy Center Lifetime Achievement Award from President Bill Clinton at the White House. That year he had a brush with death when he suffered a serious heart infection that landed him in the hospital for a few tense days. In 1998 he picked up three Grammys for Time Out of Mind (Album of the Year, Best Contemporary Folk Album, and Best Male Rock Vocal Performance for the track "Cold Irons Bound"), and released The Bootleg Series Vol. 4: Live 1966: The "Royal Albert Hall" Concert, one of the most legendary of all live rock performances. (It's the one where an audience member, incensed at Dylan's electric performance, shouts, "Judas!" Dylan's response: "I don't believe you. You're a liar! [to band] Play fucking loud," before crashing into "Like a Rolling Stone.") Also that year, Dylan's Time Out of Mind song "To Make You Feel My Love" was turned by Garth Brooks into a Number One country smash.
In 2000, Dylan received the prestigious Polar Prize and performed a new song, "Things Have Changed," for the soundtrack of the movie Wonder Boys. (It was also included on The Essential Bob Dylan, a two-CD anthology, later that year.) The song went on to receive a Grammy Award and Dylan's first-ever Oscar. Another kind of retrospective occurred with the fascinating Japan-only Live 1961-2000: Thirty-Nine Years of Great Concert Performances (2001), which collected some of Dylan's most striking performances from throughout his concert history.
In summer 2001, Dylan took his road band back into the studio and in a quick burst recorded "Love and Theft", which reached Number Five. The title was a reference to Eric Lott's groundbreaking minstrelsy study of the same name, and it was canny: Dylan here played the same cracked voice and doomy viewpoint that fueled Time Out of Mind for laughs, even cracking a knock-knock joke in "Po' Boy." The effect was as hard-hitting as Time Out of Mind, and the album won every major critics poll, with several reviewers reading deeply into the fact that an album as apocalyptic as this one was released on September 11, 2001.
From there, Dylan scooped out his vaults some more, with volumes 5 and 6 of The Bootleg Series (covering the Rolling Thunder Revue and a 1964 Philharmonic Hall performance, respectively) as well as the early Live at the Gaslight 1962, which was initially sold only through Starbucks. He also penned a book of impressionistic memoirs, Chronicles Vol. 1, to great acclaim. No Direction Home, the Martin Scorsese documentary and its accompanying two-CD soundtrack, were released in 2005; the film (which had limited screenings before airing on PBS and becoming available on DVD) did a sharp job of capturing Dylan's life and work through 1966. But Dylan was still in trim, as he demonstrated on the road and with 2006's Modern Times, which became his first album to top the chart since Desire 30 years earlier. It merged the approaches he'd taken on his previous two albums, and, like its predecessor, earned a five-star rating from Rolling Stone. That year Dylan began his XM Satellite show Theme Time Radio Hour, in which he would tell stories and spin records ranging from early 20th century obscurities to more contemporary artists like Prince and Blur.
Todd Haynes' surrealistic film I'm Not There arrived the following year, and featured six different actors of different races and genders — Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw — playing the role of Dylan. Having already appeared in a bizarre and controversial lingerie advertisement for Victoria's Secret in 2004, Dylan upped the ante in 2009, teaming with producer and rapper Will.i.am for a Super Bowl Pepsi ad doing an updated "Forever Young."
Ever the unpredictable lightning rod, he released two new albums that year: the generally well-received Together Through Life (his second Number One album of his fifth decade as an artist) and a strange set of holiday covers, Christmas In The Heart (Number 23). The latter polarized fans and critics alike, who either saw it as a typically enigmatic Dylan move or just a bad decision. Whatever the opinions, the 21st-century Dylan was clearly the oldest performer in rock still making unassailably interesting and popular albums."
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He is gracious and humble and he has long shared his songs with other musicians who have launched them into the stratosphere of music
From All Along the Watchtower [Hendrix, Robin Trower, et al.]; I'll Keep it With Mine [Sandy Denny and Fairport Convention]; Dear Landlord [Fairport Convention]; Percy's Song [Fairport Convention]; and Si tu dois partir [Fairport Convention]; etc.
Bob Dylan Interview (1985)
In his first television network news interview, 44 year-old Bob Dylan is interviewed by 20/20's Bob Brown. Aired October 10, 1985.
https://www.youtube.com/watch?v=YsaIjZ9hWvg
Images:
1. 1971 Dylan performs with George Harrison at Madison Square Garden for a Bangladesh relief concert.
2. 1966 Dylan drinks a cup of tea while backstage at his famous Free Trade Hall concert
3. In 1965, Dylan released his sixth album, Highway 61 Revisited
4. Dylan performs at the Singers Club Christmas Party in the U.K. in December 1962.
Background from {[HTTPS://rollingstone.com/music/artists/bob-dylan/biography]}
"For almost 50 years, Bob Dylan has remained, along with James Brown, the most influential American musician rock & roll has ever produced. Inscrutable and unpredictable, Dylan has been both deified and denounced for his shifts of interest, while whole schools of musicians took up his ideas. His lyrics — the first in rock to be seriously regarded as literature — became so well known that politicians from Jimmy Carter to Vaclav Havel have cited them as an influence.
By personalizing folk songs, Dylan reinvented the singer-songwriter genre; by performing his allusive, poetic songs in his nasal, spontaneous vocal style with an electric band, he enlarged pop's range and vocabulary while creating a widely imitated sound. By recording with Nashville veterans, he helped give rise to Seventies country-rock. In the 1980s and 1990s, although he often seemed to flounder, he still had the ability to challenge, influence, and surprise listener — something he did more reliably in the late 1990s and 2000s, when he recorded some of the greatest music of his career.
Born May 24, 1941, in Duluth, Minnesota, Robert Allen Zimmerman's family moved to Hibbing when he was six. After taking up guitar and harmonica, he formed the Golden Chords while a high school freshman. He enrolled at the arts college of the University of Minnesota in 1959; during his three semesters there, he began performing solo at coffeehouses as Bob Dylan; he legally changed his name in August 1962.
Dylan moved to New York City in January 1961, saying he wanted to meet Woody Guthrie, who by then was hospitalized with Huntington's chorea. Dylan visited his idol frequently. That April he played New York's Gerdes Folk City as the opening act for bluesman John Lee Hooker, with a set of Guthrie-style ballads and his own lyrics set to traditional tunes. A New York Times review by Robert Shelton alerted A&R man John Hammond, who signed Dylan to Columbia and produced his 1962 debut album.
Although Bob Dylan contained only two originals ("Talking New York" and "Song to Woody"), Dylan stirred up the Greenwich Village folk scene with his caustic humor and gift for writing deeply resonant topical songs. The Freewheelin' Bob Dylan (Number 22, 1963) included the soon-to-be folk standard "Blowin' in the Wind" (a hit for Peter, Paul and Mary), "A Hard Rain's a-Gonna Fall," and "Masters of War," protest songs on par with Guthrie's and Pete Seeger's. Joan Baez, already established as a "protest singer," recorded Dylan's songs and brought him on tour; in summer 1963 they became lovers.
By 1964, Dylan was playing 200 concerts a year. The Times They Are a-Changin' (Number 20, 1964) mixed protest songs ("With God on Our Side") and more personal lyrics ("One Too Many Mornings"). He met the Beatles that year and reportedly introduced them to marijuana. Another Side of Bob Dylan (Number 43), recorded in a single session on June 9, 1964 and released on August 8, concentrated on personal songs and imagistic free associations such as "Chimes of Freedom"; Dylan repudiated his protest phase with "My Back Pages." In late 1964 Columbia A&R man Jim Dickson introduced Dylan to Jim (later Roger) McGuinn, whose band the Byrds would in 1965 have its first hit with "Mr. Tambourine Man," kicking off the mid-decade folk-rock boom. Meanwhile the Dylan-Baez liaison fell apart, and Dylan met 25-year-old ex-model Shirley Noznisky, a.k.a. Sara Lowndes, whom he married in 1965.
With Bringing It All Back Home (Number Six), released early in 1965, Dylan surprised listeners for the first of many times by turning his back on folk purism; for half the album he was backed by a rock & roll band. On July 25, 1965, he played the Newport Folk Festival (where two years earlier he had been the cynosure of the folksingers) backed by the Paul Butterfield Blues Band, and was booed. The next month, he played the Forest Hills tennis stadium in Queens, NY, with a band that included members of Canadian band the Hawks (including drummer Levon Helm and guitarist Robbie Robertson), which accompanied him on tour and later became the Band. "Like a Rolling Stone" (Number Two, 1965) became Dylan's first major hit as a performer.
The music Dylan made in 1965 and 1966 revolutionized rock. The intensity of his performances and his live-in-the-studio albums — Highway 61 Revisited (Number Three, 1965), Blonde on Blonde (Number Nine, 1966) — were a revelation. His lyrics were analyzed, debated, and quoted like no pop before them. With rage and slangy playfulness, Dylan chewed up and spat out literary and folk traditions in a wild, inspired doggerel. He didn't explain; he gave off-the-wall interviews and press conferences in which he'd spin contradictory fables about his background and intentions. D.A. Pennebaker's documentary of Dylan's British tour, Don't Look Back, shows some of the hysteria that came to surround him and the cool detachment with which he would always regard his celebrity. As "Rainy Day Women # 12 & 35" went to Number Two in April 1966, Dylan's worldwide record sales topped Ten million, and more than 150 other groups or artists across a wide range of genres had recorded at least one of his songs.
On July 29, 1966, Dylan smashed up his Triumph 55 motorcycle while riding near his Woodstock, New York, home. With several broken neck vertebrae, a concussion, and lacerations of the face and scalp, he was reportedly in critical condition for a week and bedridden for a month, with aftereffects including amnesia and mild paralysis. Though the extent of Dylans' injuries was later questioned by biographers, he did spend nine months in seclusion. As he recovered, he and the Band recorded the songs that were widely bootlegged — and legitimately released in 1975 — as The Basement Tapes (Number Seven), whose droll, enigmatic, steeped-in-Americana sound would be continued by the Band on their own.
In 1968 Dylan made his public re-entry with the quiet John Wesley Harding (Number Two), which ignored the baroque psychedelia in vogue over the prior year; Dylan wrapped his enigmatic lyrics in such folkish ballads as "All Along the Watchtower" (later covered, and redefined, by Jimi Hendrix). On January 20, 1968, he returned to the stage, performing three songs at a Woody Guthrie memorial concert, and in May 1969 he released the overly countryish Nashville Skyline (Number Three), featuring "Lay Lady Lay" (Number Seven , 1969) and "Girl From the North Country," with a guest vocal by Johnny Cash and a new, mellower voice.
Dylan's early-Seventies acts seemed less portentous. His 1970 Self Portrait (Number Four) included songs by other writers and live takes from a 1969 Isle of Wight concert with the Band. Widely criticized, Dylan went back into the studio and rush released the mild and twangy New Morning (Number Seven, 1970). By mid-1970 Dylan had moved to 94 MacDougal Street in Greenwich Village; on June 9, he received an honorary doctorate in music from Princeton.
George Harrison, with whom Dylan cowrote "I'd Have You Anytime," "If Not for You," and a few other songs that summer, persuaded Dylan to appear at the benefit Concert for Bangladesh; Leon Russell, who also performed, produced Dylan's single "Watching the River Flow." That year he also released his first protest song since the mid-Sixties , "George Jackson." In 1971, Tarantula, a collection of writings from the mid-Sixties, was published to an unenthusiastic reception.
Dylan sang at the Band concert that resulted in Rock of Ages (1972) but didn't appear on the album; he sat in on albums by Doug Sahm, Steve Goodman, McGuinn, and others. Late in 1972 he played the role of Alias in and wrote a score for Sam Peckinpah's Pat Garrett & Billy the Kid (Number 16, 1973). Writings and Drawings by Bob Dylan, a collection of lyrics and liner notes up to New Morning, was published in 1973. Between Columbia contracts, Dylan moved to Malibu in 1973 and made a handshake deal with David Geffen's Asylum label, which released Planet Waves (Number One, 1974); Columbia retaliated with Dylan (Number 17), a collection of embarrassing outtakes from Self Portrait. (Dylan has never been reissued on CD.) Dylan and the Band played 39 shows in 21 cities, selling out 651,000 seats for a 1974 tour; the last three dates in L.A. were recorded for Before the Flood (Number Three, 1974).
"Dylan scrapped an early version of Blood on the Tracks, recutting several songs with local Minneapolis players, and the result hit Number One in 1975. He cowrote some of the songs on the platinum Desire (Number One, 1976) with producer Jacques Levy; before making that LP, Dylan had returned to some Greenwich Village hangouts. A series of jams at the Other End led to the notion of a communal tour, and in October bassist Rob Stoner began rehearsing the large, shifting entourage (including Baez and such Village regulars as Ramblin' Jack Elliott and Bobby Neuwirth) that became the Rolling Thunder Revue, which toured on and off — with guests including Allen Ginsberg, Joni Mitchell, Mick Ronson, McGuinn, and Arlo Guthrie — until spring 1976.
The Revue started with surprise concerts at small halls (the first in Plymouth, Massachusetts, for an audience of 200) and worked up to outdoor stadiums like the one in Fort Collins, Colorado, where NBC-TV filmed Hard Rain. The troupe played two benefits for convicted murderer Rubin ""Hurricane"" Carter (subject of Dylan's ""Hurricane,"" from Desire), which, after expenses, raised no money. Dylan's efforts helped Carter get a retrial, but he was convicted and one of the witnesses, Patty Valentine, sued Dylan over his use of the name in ""Hurricane"" (Valentin lost the suit in 1979; six years later, a federal judge overturned Carter's conviction, freeing him after nearly 20 years in prison.)
In 1976 Dylan appeared in the Band's farewell concert, The Last Waltz, which was filmed by Martin Scorsese. Dylan's wife, Sara Lowndes, filed for divorce in March 1977. She received custody of their five children: Maria (Sara's daughter by a previous marriage, whom Dylan had adopted), Jesse, Anna, Samuel, and Jakob. (It was revealed in 2001 that in 1986 Dylan had secretly married backup singer Carolyn Dennis, six months after she gave birth to the couple's daughter, Desiree Gabrielle Dennis-Dylan. The couple divorced in 1992.)
In 1978 Dylan took a $2 million loss on Renaldo and Clara, a four-hour film including footage of the Rolling Thunder tour and starring himself and Joan Baez. He embarked on an extensive tour (New Zealand, Australia, Europe, the U.S., and Japan, where he recorded Live at Budokan), redoing his old songs with some of the trappings of a Las Vegas lounge act.
In 1979 Dylan announced that he was a born-again Christian. The platinum Slow Train Coming (Number 24, 1979) netted Dylan his first Grammy (for Best Rock Vocal Performance, Male). His West Coast tour late in 1979 featured only his born-again material; Saved (Number 24, 1980) and Shot of Love (Number 33, 1981) continued that message. In late 1981 he embarked on a 22-city U.S. tour; in 1982 amid rumors he had repudiated his born-again Christianity, Dylan traveled to Israel. Infidels (Number 20, 1983), recorded with a band that included Mark Knopfler, Mick Taylor, and reggae greats Sly and Robbie, answered no questions. Despite its title, the album was more churlish than religious, although Dylan did admit that ""Neighborhood Bully,"" his apparent defense of Israeli policy towards Palestine, was indeed about Arab-Israeli relations.
Biograph (Number 33, 1985), a five-LP retrospective with 18 previously unreleased tracks, helped put Dylan's long career in perspective, but Empire Burlesque (Number 33), released the same year, puzzled listeners with its backup singers and cluttered production by dance-music specialist Arthur Baker. A tour with Tom Petty and the Heartbreakers in 1986 supported the sloppy, cryptic Knocked Out Loaded (Number 53). Dylan then toured in 1987 with the Grateful Dead as his backup band, yielding the concert album, Dylan & the Dead (Number 37, 1989). Dylan delayed release of Down in the Groove (Number 61, 1988) twice in six months. The final product, with guests including Eric Clapton, Steve Jones (Sex Pistols), rappers Full Force, and members of the Dead, sounded tentative and unfocused. But as ""Lucky,"" one-fifth of the Traveling Wilburys, Dylan seemed to genuinely enjoy participating in a group project again.
Dylan was inducted into the Rock and Roll Hall of Fame in 1989 and later that year released his best received album of the Eighties, Oh Mercy (Number 30). Produced by Daniel Lanois (U2, Robbie Robertson) in New Orleans, it was a coherent collection of songs, and Dylan sounded reenergized and engaged. But as he had throughout his career, Dylan defied expectations. On his Never Ending Tour, started in 1988, Dylan recast his songs, at times throwing them away with offhand performances. His appearance on the L'Chaim — To Life telethon led to rumors he had joined a Hasidic sect. Under the Red Sky (Number 38, 1990), the follow-up to Oh Mercy, was widely panned.
"In 1990 Dylan was named a Commandeur dans l'Ordre des Art et des Lettres, France's highest cultural honor. At the 1991 Grammy ceremony, where he was given a Lifetime Achievement Award, Dylan's whimsical acceptance speech and almost unintelligible performance of "Masters of War" (the first Gulf War had recently started), left some fans scratching their heads, with others applauding his pugnacious attitude. Dylan opened up the vaults for The Bootleg Series, Vols. 1-3 (Rare & Unreleased) (Number 49, 1991), 58 outtakes, live tracks, demos, and rarities that proved his prolific virtuosity.
On October 16, 1992, Columbia marked the 30th anniversary of Dylan's first album with Bobfest, an all-star concert at New York's Madison Square Garden featuring more than 30 artists, including Neil Young, Pearl Jam's Eddie Vedder, Tom Petty, George Harrison, Eric Clapton, Johnny Cash, Lou Reed, and Dylan himself. Broadcast live on pay-per-view, it was released as an album and video the next year. As if to bring his career full circle, Dylan recorded two folkish solo guitar and vocal albums, Good as I Been to You (Number 51, 1992) and World Gone Wrong (Number 70, 1993).
In the mid-Nineties Dylan revived his live concerts by assembling one of the best bands of his career — he stopped throwing away his songs, instead playing both country-rock and acoustic string-band versions of his best compositions. He made a triumphant appearance at Woodstock '94, though he had snubbed the 1969 festival. In late 1994 Dylan performed on MTV's Unplugged with his new band augmented by Pearl Jam's producer Brendan O'Brien on keyboards; highlights were released on the 1995 Unplugged album (Number 23).
Hooking up again with producer Lanois, Dylan recorded the deep-blue songs of Time Out of Mind, which debuted (and peaked) on the Billboard chart at Number Ten, becoming his highest-charting release (as well as his most acclaimed) in nearly 20 years. The same year Dylan found himself on the road touring and crossing paths with his son Jakob Dylan's band the Wallflowers.
Other highlights of the year for Dylan included performing before Pope John Paul II in Bologna, Italy; the inaugural release on his Egyptian Records label (The Songs of Jimmie Rodgers — A Tribute); and receiving the Kennedy Center Lifetime Achievement Award from President Bill Clinton at the White House. That year he had a brush with death when he suffered a serious heart infection that landed him in the hospital for a few tense days. In 1998 he picked up three Grammys for Time Out of Mind (Album of the Year, Best Contemporary Folk Album, and Best Male Rock Vocal Performance for the track "Cold Irons Bound"), and released The Bootleg Series Vol. 4: Live 1966: The "Royal Albert Hall" Concert, one of the most legendary of all live rock performances. (It's the one where an audience member, incensed at Dylan's electric performance, shouts, "Judas!" Dylan's response: "I don't believe you. You're a liar! [to band] Play fucking loud," before crashing into "Like a Rolling Stone.") Also that year, Dylan's Time Out of Mind song "To Make You Feel My Love" was turned by Garth Brooks into a Number One country smash.
In 2000, Dylan received the prestigious Polar Prize and performed a new song, "Things Have Changed," for the soundtrack of the movie Wonder Boys. (It was also included on The Essential Bob Dylan, a two-CD anthology, later that year.) The song went on to receive a Grammy Award and Dylan's first-ever Oscar. Another kind of retrospective occurred with the fascinating Japan-only Live 1961-2000: Thirty-Nine Years of Great Concert Performances (2001), which collected some of Dylan's most striking performances from throughout his concert history.
In summer 2001, Dylan took his road band back into the studio and in a quick burst recorded "Love and Theft", which reached Number Five. The title was a reference to Eric Lott's groundbreaking minstrelsy study of the same name, and it was canny: Dylan here played the same cracked voice and doomy viewpoint that fueled Time Out of Mind for laughs, even cracking a knock-knock joke in "Po' Boy." The effect was as hard-hitting as Time Out of Mind, and the album won every major critics poll, with several reviewers reading deeply into the fact that an album as apocalyptic as this one was released on September 11, 2001.
From there, Dylan scooped out his vaults some more, with volumes 5 and 6 of The Bootleg Series (covering the Rolling Thunder Revue and a 1964 Philharmonic Hall performance, respectively) as well as the early Live at the Gaslight 1962, which was initially sold only through Starbucks. He also penned a book of impressionistic memoirs, Chronicles Vol. 1, to great acclaim. No Direction Home, the Martin Scorsese documentary and its accompanying two-CD soundtrack, were released in 2005; the film (which had limited screenings before airing on PBS and becoming available on DVD) did a sharp job of capturing Dylan's life and work through 1966. But Dylan was still in trim, as he demonstrated on the road and with 2006's Modern Times, which became his first album to top the chart since Desire 30 years earlier. It merged the approaches he'd taken on his previous two albums, and, like its predecessor, earned a five-star rating from Rolling Stone. That year Dylan began his XM Satellite show Theme Time Radio Hour, in which he would tell stories and spin records ranging from early 20th century obscurities to more contemporary artists like Prince and Blur.
Todd Haynes' surrealistic film I'm Not There arrived the following year, and featured six different actors of different races and genders — Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw — playing the role of Dylan. Having already appeared in a bizarre and controversial lingerie advertisement for Victoria's Secret in 2004, Dylan upped the ante in 2009, teaming with producer and rapper Will.i.am for a Super Bowl Pepsi ad doing an updated "Forever Young."
Ever the unpredictable lightning rod, he released two new albums that year: the generally well-received Together Through Life (his second Number One album of his fifth decade as an artist) and a strange set of holiday covers, Christmas In The Heart (Number 23). The latter polarized fans and critics alike, who either saw it as a typically enigmatic Dylan move or just a bad decision. Whatever the opinions, the 21st-century Dylan was clearly the oldest performer in rock still making unassailably interesting and popular albums."
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Dylan press conference, 1986, Brett Whiteley Studio, Sydney
Thought I'd post this previously unseen recording of a Dylan press conference from 1986. I shot it in Brett Whiteley's studio and it's sat on the shelf since...
Dylan press conference, 1986, Brett Whiteley Studio, Sydney
https://www.youtube.com/watch?v=pDq1jD9nqm4
Images:
1. Dylan performed a duet with country singer Johnny Cash on The Johnny Cash Show in 1969.
2. Dylan with pop duo Sonny & Cher in 1965. The musicians met backstage at Atlantic Records' studios.
3. Bob Dylan and the Band perform onstage during their 1974 tour
4. Bob Dylan and the Band perform onstage during their 1974 tour
Background from {{ http://www.keno.org/classic_rock/bob_dylan_bio.htm/]}
Where would Rock 'n Roll be without Bob Dylan? Well lyrically speaking, lost.
Dylan was born Robert Allen Zimmerman, on May 24, 1941 in Duluth, Minnesota. He grew up in the town of Hibbing, MN, where as a child he wrote poems. He taught himself how to play piano and guitar in his early teens and formed a couple of bands, Golden Chords and Elston Gunn and His Rock Boppers. He loved the early rock of Elvis Presley, Little Richard as well as the country and folk singers Hank Williams and Woody Guthrie.
While attending the University of Minnesota in 1959, he would play local clubs and talk about taking a road trip across America to experience what Guthrie had done. Around this time he changed his name to Bob Dylan, because he felt it sounded cool. Some who knew him them claimed he did it in honor of poet Dylan Thomas, even though Dylan denies it.
Dylan spent the summer of 1960 in Denver, CO, where he met bluesman Jesse Fuller. It seemed to have an effect on him, as he would change his style a bit, at least as far as playing live went. He now played with a harmonica rack, like Fuller did. He also decided at that time that he wanted to become a professional musician. In January 1961 he dropped out of school and headed for New York City to do just that, plus he also wanted to meet his idol Woody Guthrie. He started out playing in small clubs and coffeehouses in Greenwich Village, where he would soon make a name for himself. He also started to visit Guthrie in a New York hospital where Woody was dying from Huntington's chorea. Dylan would play to Woody some of his own songs. He wrote a song for Guthrie which would later show up on his first album called " Song To Woody".
It was at one of his first shows at Gerde's Folk City in the Village, where a story that would appear in the NY Times was written about his performance. In turn, the shinning review was read by Columbia A&R man John Hammond who would soon sign him. Hammond would produce Dylan's debut which was released in March of 1962. The self titled album, a collection of folk and blues standards, contained only two original songs. Dylan was only 21 years old at this point, but all ready had his nasal voice which made him sound a bit older and different from other singers.
After his first release he began to write songs in a frenzy. Many of these song were political protest songs. His next album, The Freewheelin' Bob Dylan, released in '63 was comprised entirely of original songs. The album was something nobody really expected so soon, a masterpiece. Already other performers started to cover songs from the album. Peter, Paul and Mary had a number 2 hit with the protest song "Blowin' In The Wind".
By the time his third album hit, The Times They Are A-Chang in 1964, Dylan was now a concert hit playing dates every night. But he was growing tried with the label tagged on him as a "protest singer and writer". The new album's title cut was of course another great protest song but he hinted that he wanted to change. On his next release, also in '64, Another Side of Bob Dylan, was just that. His least topical to date, and its finale cut, "It Ain't Me Babe," was in a way a goodbye to the folk movement he had helped reinvigorate.
1965 was one big year for Dylan. On top of everything else that would take place that year, his personal life would change too. He began a romantic relationship with fellow folk singer Joan Baez who he played live with, early in the year. He also wanted to get more into electric rock. He gave his folk song "Mr. Tambourine Man", which he was recording for his new album, to the Byrds to record as an electric arrangement and the song was a huge hit for them. When Bringing It All Back Home was released, it was a half-electric, half-acoustic album. Besides "Mr. Tambourine Man" it also had on it classics like "It's All Over Now, Baby Blue" and "Subterranean Homesick Blues" which featuring the famous line, "You don't need a weatherman to know which way the wind blows". Then at the '65 Newport Folk Festival with the Paul Butterfield Blues Band, he was booed off the stage when he started to play electric. Dylan being Dylan, could care less and told the crowd "that was the way we used to play and this is how we play now". Around mid 1965 he recorded yet another album, Highway 61 Revisited. It was his first full-fledged rock & roll album and included the hit single "Like A Rolling Stone", which clocked in at six minutes, the first single ever of such length to be put out by any artist. Around this time he also broke off with Baez and started dating a model named Sara Lowndes. They would marry by the year's end. Also in late '65 he would hire The Hawks as his touring band. They had played for Ronnie Hawkins, where they got the name, but would change names to "the Band" two years later.
In 1966 he released the double album Blonde on Blonde, with songs like "Rainy Day Women #12 & 35", "Stuck Inside of Mobile With the Memphis Blues Again" and "Just Like A Woman". The album sold over 10 million copies. But everything would come to a halt on July 29, 1966. Dylan was in a near-fatal motorcycle accident which broke his neck. He retreated to his home in Woodstock, NY to mend and spend time with his now growing family. A few months later, the Hawks joined him at a rented home in Woodstock called 'the Big Pink' and they began recording country-flavored tracks that were not meant to ever be released. The tapes made there would be bootlegged (and finally released eight years later) as The Basement Tapes.
Dylan return in December of 1967 with the country rock album John Wesley Harding, recorded in Nashville with a three-piece backing band, it would go to number 2 on the Billboard charts. The next album released in '68, Nashville Skyline was even more country, but some fans were growing tired with his new sound. Still it contained the hit single "Lay Lady Lay".
In 1970 the double LP Self Portrait was put out to hostile reviews. Rolling Stone magazine led the way, actually asking the question "What is this shit?" in their review of the album. But just four months later he released New Morning and the album was hailed as a comeback.
In '71 his book Tarantula was released and he made his first American concert appearance since his motorcycle accident five years earlier at the George Harrison organized Concert for Bangladesh. It would be his only live performance in the first half of the decade. In '72 he appeared in his first acting role Pat Garrett and Billy the Kid as Alias, Billy's sidekick. Dylan also composed the score for the movie and the soundtrack album was a success. The single "Knockin' on Heaven's Door" broke the Top 20. The movie came out in '73 and later that year Dylan was recording a new album and finally planning to tour again.
In January of '74 Planet Waves was released and would be his first number 1 album. He and the Band went on a sold out 40 show tour which in turn produced the two record live set, Before the Flood. Just before the tour Dylan and his wife Sara split. That breakup would toll heavy on his mind and his next album, Blood on the Tracks, released in '75 reflected what he was going through. This album also went to number 1 on the charts. Soon after Dylan was back on tour with the Rolling Thunder Revue, which featured old friends like Joan Baez, Arlo Guthrie, Mick Ronson, Jonie Mitchell, Roger McGuinn and poet Allen Ginsberg. The tour went on into 1976. During this time, Desire was released , it was his third straight number 1 hit album. Throughout the tour, Dylan showcased "Hurricane," a protest song from the new album that he had written about boxer Rubin Carter, who had been unjustly imprisoned for murder.
In 1978 he released a new studio album Street Legal and in 1979 the live album, At Budokan. Still in '79 he announced that he was a born-again Christain, and released a series of Christian albums, mostly to poor reviews. He returned to secular recording with 1983's Infidels, which was greeted with good reviews and once again made his fans happy.
Empire Burlesque, his self-produced follow-up to Infidels, was released in '85. In 1986, Dylan hit the road with Tom Petty & the Heartbreakers for a successful tour, but his album that year, Knocked Out Loaded, was received poorly. The following year, he toured with the Grateful Dead as his backing band. Then in 1988, Dylan embarked on what became known as "The Never-Ending Tour" a constant stream of shows that ran on and off into the late '90s
In 1988 he formed the group The Traveling Wilburys with former Beatle George Harrison, former Electric Light Orchestra leader Jeff Lynne, Tom Petty and Roy Orbison. The group represented three generations of rock stars and put out two great albums, Traveling Wilburys Vol. 1, and Traveling Wilburys Vol. 3, but they never toured.
Dylan would put out five more albums in the 90s: Under the Red Sky (1990) which was a album of covers, 1992's Good As I Been to You, World Gone Wrong in '93, MTV Unplugged in '95 and finally 1997's Time Out Of My Mind. In December '97, Dylan was honored in the U.S. for artistic excellence with the Kennedy Center Honors. Finally in 2001, he won the Academy Award for Best Song, "Things Have Changed". Even more of an honor is the fact that since 1963, hundreds of other performers have record many of his songs. No one else has written lyrics like Bob Dylan and I don't believe anyone else ever will. The man is a true living god.'
FYI SGM Gerald FifeMaj Wayne CristSGM Bill FrazerCSM (Join to see)SSG Jeffrey LeakeCSM Bruce Trego]SSG Chad HenningSPC Chris HallgrimsonMSG Glen MillerCWO3 Randy WestonSSG Samuel KermonSSG Robert Mark OdomCpl (Join to see)SSG Jimmy CernichSSG Robert Pratt SMSgt David A Asbury CPL Dave Hoover Maj Marty Hogan SMSgt David A Asbury PVT Mark Zehner
https://www.youtube.com/watch?v=pDq1jD9nqm4
Images:
1. Dylan performed a duet with country singer Johnny Cash on The Johnny Cash Show in 1969.
2. Dylan with pop duo Sonny & Cher in 1965. The musicians met backstage at Atlantic Records' studios.
3. Bob Dylan and the Band perform onstage during their 1974 tour
4. Bob Dylan and the Band perform onstage during their 1974 tour
Background from {{ http://www.keno.org/classic_rock/bob_dylan_bio.htm/]}
Where would Rock 'n Roll be without Bob Dylan? Well lyrically speaking, lost.
Dylan was born Robert Allen Zimmerman, on May 24, 1941 in Duluth, Minnesota. He grew up in the town of Hibbing, MN, where as a child he wrote poems. He taught himself how to play piano and guitar in his early teens and formed a couple of bands, Golden Chords and Elston Gunn and His Rock Boppers. He loved the early rock of Elvis Presley, Little Richard as well as the country and folk singers Hank Williams and Woody Guthrie.
While attending the University of Minnesota in 1959, he would play local clubs and talk about taking a road trip across America to experience what Guthrie had done. Around this time he changed his name to Bob Dylan, because he felt it sounded cool. Some who knew him them claimed he did it in honor of poet Dylan Thomas, even though Dylan denies it.
Dylan spent the summer of 1960 in Denver, CO, where he met bluesman Jesse Fuller. It seemed to have an effect on him, as he would change his style a bit, at least as far as playing live went. He now played with a harmonica rack, like Fuller did. He also decided at that time that he wanted to become a professional musician. In January 1961 he dropped out of school and headed for New York City to do just that, plus he also wanted to meet his idol Woody Guthrie. He started out playing in small clubs and coffeehouses in Greenwich Village, where he would soon make a name for himself. He also started to visit Guthrie in a New York hospital where Woody was dying from Huntington's chorea. Dylan would play to Woody some of his own songs. He wrote a song for Guthrie which would later show up on his first album called " Song To Woody".
It was at one of his first shows at Gerde's Folk City in the Village, where a story that would appear in the NY Times was written about his performance. In turn, the shinning review was read by Columbia A&R man John Hammond who would soon sign him. Hammond would produce Dylan's debut which was released in March of 1962. The self titled album, a collection of folk and blues standards, contained only two original songs. Dylan was only 21 years old at this point, but all ready had his nasal voice which made him sound a bit older and different from other singers.
After his first release he began to write songs in a frenzy. Many of these song were political protest songs. His next album, The Freewheelin' Bob Dylan, released in '63 was comprised entirely of original songs. The album was something nobody really expected so soon, a masterpiece. Already other performers started to cover songs from the album. Peter, Paul and Mary had a number 2 hit with the protest song "Blowin' In The Wind".
By the time his third album hit, The Times They Are A-Chang in 1964, Dylan was now a concert hit playing dates every night. But he was growing tried with the label tagged on him as a "protest singer and writer". The new album's title cut was of course another great protest song but he hinted that he wanted to change. On his next release, also in '64, Another Side of Bob Dylan, was just that. His least topical to date, and its finale cut, "It Ain't Me Babe," was in a way a goodbye to the folk movement he had helped reinvigorate.
1965 was one big year for Dylan. On top of everything else that would take place that year, his personal life would change too. He began a romantic relationship with fellow folk singer Joan Baez who he played live with, early in the year. He also wanted to get more into electric rock. He gave his folk song "Mr. Tambourine Man", which he was recording for his new album, to the Byrds to record as an electric arrangement and the song was a huge hit for them. When Bringing It All Back Home was released, it was a half-electric, half-acoustic album. Besides "Mr. Tambourine Man" it also had on it classics like "It's All Over Now, Baby Blue" and "Subterranean Homesick Blues" which featuring the famous line, "You don't need a weatherman to know which way the wind blows". Then at the '65 Newport Folk Festival with the Paul Butterfield Blues Band, he was booed off the stage when he started to play electric. Dylan being Dylan, could care less and told the crowd "that was the way we used to play and this is how we play now". Around mid 1965 he recorded yet another album, Highway 61 Revisited. It was his first full-fledged rock & roll album and included the hit single "Like A Rolling Stone", which clocked in at six minutes, the first single ever of such length to be put out by any artist. Around this time he also broke off with Baez and started dating a model named Sara Lowndes. They would marry by the year's end. Also in late '65 he would hire The Hawks as his touring band. They had played for Ronnie Hawkins, where they got the name, but would change names to "the Band" two years later.
In 1966 he released the double album Blonde on Blonde, with songs like "Rainy Day Women #12 & 35", "Stuck Inside of Mobile With the Memphis Blues Again" and "Just Like A Woman". The album sold over 10 million copies. But everything would come to a halt on July 29, 1966. Dylan was in a near-fatal motorcycle accident which broke his neck. He retreated to his home in Woodstock, NY to mend and spend time with his now growing family. A few months later, the Hawks joined him at a rented home in Woodstock called 'the Big Pink' and they began recording country-flavored tracks that were not meant to ever be released. The tapes made there would be bootlegged (and finally released eight years later) as The Basement Tapes.
Dylan return in December of 1967 with the country rock album John Wesley Harding, recorded in Nashville with a three-piece backing band, it would go to number 2 on the Billboard charts. The next album released in '68, Nashville Skyline was even more country, but some fans were growing tired with his new sound. Still it contained the hit single "Lay Lady Lay".
In 1970 the double LP Self Portrait was put out to hostile reviews. Rolling Stone magazine led the way, actually asking the question "What is this shit?" in their review of the album. But just four months later he released New Morning and the album was hailed as a comeback.
In '71 his book Tarantula was released and he made his first American concert appearance since his motorcycle accident five years earlier at the George Harrison organized Concert for Bangladesh. It would be his only live performance in the first half of the decade. In '72 he appeared in his first acting role Pat Garrett and Billy the Kid as Alias, Billy's sidekick. Dylan also composed the score for the movie and the soundtrack album was a success. The single "Knockin' on Heaven's Door" broke the Top 20. The movie came out in '73 and later that year Dylan was recording a new album and finally planning to tour again.
In January of '74 Planet Waves was released and would be his first number 1 album. He and the Band went on a sold out 40 show tour which in turn produced the two record live set, Before the Flood. Just before the tour Dylan and his wife Sara split. That breakup would toll heavy on his mind and his next album, Blood on the Tracks, released in '75 reflected what he was going through. This album also went to number 1 on the charts. Soon after Dylan was back on tour with the Rolling Thunder Revue, which featured old friends like Joan Baez, Arlo Guthrie, Mick Ronson, Jonie Mitchell, Roger McGuinn and poet Allen Ginsberg. The tour went on into 1976. During this time, Desire was released , it was his third straight number 1 hit album. Throughout the tour, Dylan showcased "Hurricane," a protest song from the new album that he had written about boxer Rubin Carter, who had been unjustly imprisoned for murder.
In 1978 he released a new studio album Street Legal and in 1979 the live album, At Budokan. Still in '79 he announced that he was a born-again Christain, and released a series of Christian albums, mostly to poor reviews. He returned to secular recording with 1983's Infidels, which was greeted with good reviews and once again made his fans happy.
Empire Burlesque, his self-produced follow-up to Infidels, was released in '85. In 1986, Dylan hit the road with Tom Petty & the Heartbreakers for a successful tour, but his album that year, Knocked Out Loaded, was received poorly. The following year, he toured with the Grateful Dead as his backing band. Then in 1988, Dylan embarked on what became known as "The Never-Ending Tour" a constant stream of shows that ran on and off into the late '90s
In 1988 he formed the group The Traveling Wilburys with former Beatle George Harrison, former Electric Light Orchestra leader Jeff Lynne, Tom Petty and Roy Orbison. The group represented three generations of rock stars and put out two great albums, Traveling Wilburys Vol. 1, and Traveling Wilburys Vol. 3, but they never toured.
Dylan would put out five more albums in the 90s: Under the Red Sky (1990) which was a album of covers, 1992's Good As I Been to You, World Gone Wrong in '93, MTV Unplugged in '95 and finally 1997's Time Out Of My Mind. In December '97, Dylan was honored in the U.S. for artistic excellence with the Kennedy Center Honors. Finally in 2001, he won the Academy Award for Best Song, "Things Have Changed". Even more of an honor is the fact that since 1963, hundreds of other performers have record many of his songs. No one else has written lyrics like Bob Dylan and I don't believe anyone else ever will. The man is a true living god.'
FYI SGM Gerald FifeMaj Wayne CristSGM Bill FrazerCSM (Join to see)SSG Jeffrey LeakeCSM Bruce Trego]SSG Chad HenningSPC Chris HallgrimsonMSG Glen MillerCWO3 Randy WestonSSG Samuel KermonSSG Robert Mark OdomCpl (Join to see)SSG Jimmy CernichSSG Robert Pratt SMSgt David A Asbury CPL Dave Hoover Maj Marty Hogan SMSgt David A Asbury PVT Mark Zehner
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