Posted on Jan 21, 2021
U2, BB.King - When Love Comes To Town(Rattle and Hum version)
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Posted 4 y ago
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FROM MASTER VHS TAPE AIRED IN 1997
Thank you my friend SGT (Join to see) for making us aware that on January 21, 1987 legendary Blues guitar player Riley B. King – better known as B.B. King was inducted into the Rock and Roll Hall of Fame.
He was a wonderful American blues singer, electric guitarist, songwriter, and record producer.
In 1944, Riley B. King was "inducted into the U.S. Army, but discharged after basic training when classified as essential to war economy, based on his skills as a tractor driver."
BB KING--LEGENDS DOCUMENTARY
https://www.youtube.com/watch?v=zMGJsb5jKCA
B.B. King named each and every one of his guitars "Lucille"
My favorite B.B. King album is B.B. King Live at Cook County Jail.
Rest in eternal peace Riley B. King!
Images:
1. B.B. King 'Music is good or everybody. They say it soothes the savage beast. Well, I think there is a beast in all of us. So let's get some more music and sooth all the beasts out there.'
2. B.B. King Live at Cook County Jail
3. B.B King with his guitar Lucille. By the way he named each of his guitars Lucille
4. B.B. King receives the Presidential Medal of Freedom from President George Bush.
Biographies:
1. .bbking.com/content/about
2. Timeline from pbs.org/wnet/americanmasters/b-b-king-life-timeline/6306}
1. Background from {[http://www.bbking.com/content/about]}
"His reign as King of the Blues has been as long as that of any monarch on earth. For more than half a century, Riley B. King – better known as B.B. King – has defined the blues for a worldwide audience. Since he started recording in the 1940s, he has released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In his youth, he played on street corners for dimes, and would sometimes play in as many as four towns a night. In 1947, he hitchhiked to Memphis, TN, to pursue his music career. Memphis was where every important musician of the South gravitated, and which supported a large musical community where every style of African American music could be found. B.B. stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the art of the blues.
B.B.’s first big break came in 1948 when he performed on Sonny Boy Williamson’s radio program on KWEM out of West Memphis. This led to steady engagements at the Sixteenth Avenue Grill in West Memphis, and later to a ten-minute spot on black-staffed and managed Memphis radio station WDIA. “King’s Spot,” became so popular, it was expanded and became the “Sepia Swing Club.” Soon B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.
In the mid-1950s, while B.B. was performing at a dance in Twist, Arkansas, a few fans became unruly. Two men got into a fight and knocked over a kerosene stove, setting fire to the hall. B.B. raced outdoors to safety with everyone else, then realized that he left his beloved $30 acoustic guitar inside, so he rushed back inside the burning building to retrieve it, narrowly escaping death. When he later found out that the fight had been over a woman named Lucille, he decided to give the name to his guitar to remind him never to do a crazy thing like fight over a woman. Ever since, each one of B.B.’s trademark Gibson guitars has been called Lucille.
Soon after his number one hit, “Three O’Clock Blues,” B.B. began touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands. From the chitlin circuit with its small-town cafes, juke joints, and country dance halls to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, B.B. has become the most renowned blues musician of the past 40 years.
Over the years, B.B. has developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist’s vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.”
In 1968, B.B. played at the Newport Folk Festival and at Bill Graham’s Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. and helped to introduce him to a young white audience. In “69, B.B. was chosen by the Rolling Stones to open 18 American concerts for them; Ike and Tina Turner also played on 18 shows.
B.B. was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS’ Lifetime Achievement Grammy Award in 1987, and has received honorary doctorates from Tougaloo (MS) College in 1973; Yale University in 1977; Berklee College of Music in 1982; Rhodes College of Memphis in 1990; Mississippi Valley State University in 2002 and Brown University in 2007. In 1992, he received the National Award of Distinction from the University of Mississippi.
In 1991, B.B. King’s Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal CityWalk in Los Angeles. A third club in New York City’s Times Square opened in June 2000 and most recently two clubs opened at Foxwoods Casino in Connecticut in January 2002. In 1996, the CD-Rom On The Road With B.B. King: An Interactive Autobiography was released to rave reviews. Also in 1996, B.B.’s autobiography, “Blues All Around Me” (written with David Ritz for Avon Books) was published. In a similar vein, Doubleday published “The Arrival of B.B. King” by Charles Sawyer, in 1980.
B.B. continued to tour extensively, averaging over 250 concerts per year around the world. Classics such as “Payin’ The Cost To Be The Boss,” “The Thrill Is Gone,” How Blue Can You Get,” “Everyday I Have The Blues,” and “Why I Sing The Blues” are concert (and fan) staples. Over the years, the Grammy Award-winner has had two #1 R&B hits, 1951’s “Three O’Clock Blues,” and 1952’s “You Don’t Know Me,” and four #2 R&B hits, 1953’s “Please Love Me,” 1954’s “You Upset Me Baby,” 1960’s “Sweet Sixteen, Part I,” and 1966’s “Don’t Answer The Door, Part I.” B.B.’s most popular crossover hit, 1970’s “The Thrill Is Gone,” went to #15 pop.
On May 14th 2015 the world lost a true gentleman. B.B. passed away quietly in his sleep."
2. Timeline from {[https://www.pbs.org/wnet/americanmasters/b-b-king-life-timeline/6306/]}
"Blues musician B.B. King released over 50 albums in his lifetime. With 15 Grammy Awards, the legendary guitarist holds the record for the most won in the Blues genre.
September 16, 1925
B.B. King was born Rileigh King in a cabin on the bank of Bear Creek in the tiny town of Berclair, MS, in the central Mississippi Delta; his birth did not go on record. His parents Albert King and Nora Ella King lived on the plantation of Jim O’Reilly. King was named in honor his father’s brother Riley, who vanished when Albert was a boy.
1931-33
Parents separate and King’s mother moves with Riley to hilly part of Mississippi east of the Delta to be with her extended family. For next 12 years Riley lives alternately with his mother and her new spouse, Elger Baskin, known as “Picaninee,” his grandmother, Elnora Farr, and his aunts and uncles from the Pullian clan in Kilmichael, Montgomery County.
1935
King’s mother Nora Ella dies, blind and wasted, at age 31, most likely of complications from diabetes. She had instilled in King his faith and belief in the goodness of people.
1936-1940
King lives with his grandmother and Pullian family. Church, school and hard work dominate his life. His church is Church of God In Christ (a.k.a. “Sanctified Church”), led by Reverend Archie Fair, who plays guitar in the services. Archie’s wife and King’s aunt are sisters, and when they visit, Riley is allowed to play the Reverend’s guitar. It is love at first touch.
King attends Elkhorn School, maintained by the Elkhorn Church, Primitive Baptist. Teacher Luther Henson teaches Riley to read and to be self-reliant, fair-minded, and devoted to self-improvement. Henson’s influence is life-long. The school year is bounded by the growing season and all children work in the fields. When the ground is ready for cultivation, school lets out, when the crop is harvested, school reopens. Life is hard and primitive by contemporary standards: no electricity, no indoor plumbing.
1940
After his grandmother Elnora Farr dies on January 10, Riley King must begin living the life of an adult at age 14. He and his grandmother had been sharecroppers on Edwayne Henderson’s farm, whose record show she died owing Henderson $21.75 (over five months’ living allowance). Henderson offers Riley to stay in his grandmother’s cabin and raise cotton on one acre for a monthly allowance of $2.50. Henderson farm record lists grim facts: interest charges of 8% applied quarterly; charge of 40¢ for “3 yards cotton sack; charge of 50¢ for ‘wrench;’ credit $1.00 ‘by work.’” At settlement time Riley’s return on his crop is $4.18; he owes Henderson $7.54, nearly four months’ “furnish.”
Fall, 1940
Albert King arrives and takes his son to live in Lexington, Mississippi (pop. 3,000 approx.), county seat of Holmes County. Riley meets his half-siblings and stepmother, enrolls in a coloured school.
Late 1941
Cruelty as commonplace, the humiliations of segregation, and a feeling that he is a stranger in his father’s home, compel 16-year-old Riley to get on his bicycle and ride two days (approximately 45 miles) back to Kilmichael to be reunited with his cousins and familiar surroundings.
1942
Finding his kin gone, Riley takes residence with the family of a white farmer Flake Cartledge, who live in a shack on Cartledge farm. He continues his schooling.
1943
King moves back to Indianola in the Delta, joins cousin Birkett Davis. He works as a tractor driver on Johnson Barrett’s plantation.
1944-45
Marries Martha Lee Denton (marriage ends in divorce in 1952). The young couple live with King’s cousin Birkett and wife Delicia, sharing a cabin and raising cotton on adjacent tracts. King, Birkett and three others form St. John’s Gospel Singers. King is inducted into the U.S. Army, but discharged after basic training when classified as essential to war economy, based on his skills as a tractor driver.
1947
Flees to Memphis after damaging his tractor, leaving Martha alone and a crop in the ground. King’s whereabouts are a closely held secret to prevent landowner Barrett from sending the law after Riley. King stays in Memphis with his cousin, blues singer Bukka White.
1948
Returns to Indianola to work off the debt for tractor damage, but resolves to return to Memphis.
Late 1948
King moves to West Memphis, AR, across the Mississippi River from Memphis and goes straight to radio KWEM and plays a song live on Sonny Boy Williamson’s daily program. This leads to gigs at the Sixteenth Street Grill in West Memphis. At the black-staffed and managed radio station WDIA in Memphis, TN, King lands a daily 15-minute spot as “The Peptikon Boy,” selling the alcohol-laced health tonic Peptikon.
1949-1950
Regional stardom on radio and in area joints around Tennessee, Arkansas, and Mississippi brings King to the attention of a small record label; he cuts four sides for Bullett Records. Radio spot expands, Peptikon Boy becomes “Blues Boy,” then plain “B.B.” King. Survives a near fatal bout of hepatitis. He rushes back into a fiery, burning dance hall to save his guitar, thereafter named “Lucille” as a reminder to avoid foolish risks.
1952
On February 2, B.B. signs with Universal Attractions booking agency, goes on tour with stops at Washington, D.C.’s Howard Theatre, Baltimore’s Royal Theatre, Chicago’s Regal Theatre and Harlem’s Apollo Theater. B.B. rises to the challenge of a new kind of audience and wins wide acceptance and affection across the national network of big city theaters, southern juke joints and road houses called the Chitlin’ Circuit.
He and Martha King divorce. They have no children from the marriage.
1953
B.B. King leaves the roster of DJ’s at WDIA in Memphis. Touring has too big a claim on his time.
1955
Forms first big “B.B. King Band,” buys first bus, “Big Red.” Touring compliment of 16 people includes Walker brothers (bus driver Cato, and bassist “Shinny”), Evelyn “Mama Nuts” Young, drummer Earl Forest (songwriter of “Next Time You See Me”).
1956
King and his band reportedly play 340 one-night engagements.
1958
Marries Sue Hall, daughter of proprietress of Club Ebony, in Indianola, Mississippi. Rev. Clarence LaVaughn Franklin, Aretha Franklin’s father, presides over the ceremony in Detroit, MI. Sue takes up life on the road with her famous husband. In time, they buy a home in Los Angeles. B.B. is rarely there (marriage ends in divorce in 1966).
“Big Red,” B.B.’s touring bus, collides with a butane truck on a bridge in Texas. Truck driver and passenger die in the fiery wreck. All on the bus are safe. Terrible timing: the company insuring the bus was suspended a day or two before the accident, leaving B.B. personally liable, though he was not present. The settlement puts B.B. in debt for years.
1963
Records “How Blue Can You Get?” written by jazz critic Leonard Feather. The song becomes one of B.B.’s most recognizable signature songs, with its punch line lyric “I gave you seven children/And now you wanna give ‘em back.”
1964
Records Live At The Regal, the album that eventually secures his stature as King of The Blues for decades to come.
1966
Bad things come in threes: The IRS slaps a $78,000 lien on B.B.’s income for back taxes owed, Sue King files for divorce, and his bus is stolen.
ABC-Paramount begins issuing B.B. King recordings on BluesWay, the new label devoted to blues artists. Records live album in Chicago club Blues Is King, long to be hailed as among his finest works. B.B. is still virtually unknown to white audiences.
1968
Following a dispute over money with business manager Lou Zito, B.B. fires Zito and hires Zito’s accountant, Sidney Seidenberg, as his new manager. Seidenberg signs B.B. with Associated Booking, the powerhouse agency run by show business legend Joe Glaser. Glaser manages the likes of Louis Armstrong and Fats Domino.
On June 8, B.B. plays the Filmore Auditorium in San Francisco, the rock palace owned by impresario Bill Graham. B.B. is introduced as the “King of the Blues” and is given his first standing ovation as he walks on stage. Coming from his first predominantly white audience, it is clear that B.B. King has arrived in mainstream pop culture. On July 27, B.B. plays the Newport Folk Festival in Newport, RI.
1969
BluesWay records two B.B. King albums, Live and Well, and Completely Well, both produced by Bill Szymczyk. The second includes a track recorded with strings, an adaptation of Roy Hawkins, “The Thrill Is Gone.” It reaches #3 on the R&B charts and #15 on the Pop charts. Its success on the Pop charts seals B.B.’s reputation as a general audience entertainer and the tune becomes his best known song.
1970
“The Thrill Is Gone,” earns B.B. his first Grammy Award for Best Male R&B Vocal Performance. B.B.’s exposure and recognition expand rapidly. B.B. King opens 18 American concerts for the Rolling Stones. B.B. plays before dozens of audiences that only a short time before were completely inaccessible to him.
1971
King begins his first overseas tour. Releases B.B. in London album, which includes Ringo Starr. B.B. seals his new won fame with an appearance on The Ed Sullivan Show. Twenty million Americans see B.B. King perform “Thrill Is Gone.”
1984
King is inducted into the Blues Foundation Hall of Fame.
1987
King is inducted into the Rock and Roll Hall of Fame and receives a Lifetime Achievement Grammy Award.
1988
For the Rattle and Hum album, the Irish rock group U2 records “When Love Comes to Town” with B.B. King in Memphis. He opens for the band on a four-month world tour.
1990
King is awarded the National Medal of Arts.
1995
King receives the Kennedy Center Honors.
1996
B.B. King’s autobiography, Blues All Around Me (written with David Ritz for Avon Books), is published.
2000
Records Riding With The King with Eric Clapton. Album goes double-platinum (2,000,000 in certified sales), and wins the Grammy for Best Traditional Blues Album. B.B. King has his first blockbuster hit record.
February 15, 2005
Mississippi Senate and House of Representatives honor B.B. King with a joint resolution saluting him as a favorite son. B.B. appears at a joint session of House and Senate as the proclamation is read out, Governor Haley Barbour presiding. February 15 is declared B.B. King day in the state.
June 10, 2005
Ground breaking for the B.B. King Museum to be built in Indianola, MS. Former governors, leaders of Mississippi House and Senate, and town officials salute him, then, together they break ground.
December 15, 2006
President George W. Bush presents King with the Presidential Medal of Freedom.
September 2008
The B. B. King Museum and Delta Interpretive Center opens in Indianola, MS.
May 14, 2015
B.B. King dies in Las Vegas at the age of 89."
FYI COL Mikel J. Burroughs SMSgt Lawrence McCarter SPC Michael Duricko, Ph.D GySgt Thomas Vick SGT Denny Espinosa SSG Stephen Rogerson SPC Matthew Lamb LTC (Join to see) Maj Bill Smith, Ph.D. MAJ Dale E. Wilson, Ph.D. PO1 William "Chip" Nagel PO2 (Join to see) SSG Franklin Briant SPC Woody Bullard TSgt David L. MSgt Robert "Rock" AldiSPC Michael Duricko, Ph.D SPC Michael Terrell LTC Greg Henning
He was a wonderful American blues singer, electric guitarist, songwriter, and record producer.
In 1944, Riley B. King was "inducted into the U.S. Army, but discharged after basic training when classified as essential to war economy, based on his skills as a tractor driver."
BB KING--LEGENDS DOCUMENTARY
https://www.youtube.com/watch?v=zMGJsb5jKCA
B.B. King named each and every one of his guitars "Lucille"
My favorite B.B. King album is B.B. King Live at Cook County Jail.
Rest in eternal peace Riley B. King!
Images:
1. B.B. King 'Music is good or everybody. They say it soothes the savage beast. Well, I think there is a beast in all of us. So let's get some more music and sooth all the beasts out there.'
2. B.B. King Live at Cook County Jail
3. B.B King with his guitar Lucille. By the way he named each of his guitars Lucille
4. B.B. King receives the Presidential Medal of Freedom from President George Bush.
Biographies:
1. .bbking.com/content/about
2. Timeline from pbs.org/wnet/americanmasters/b-b-king-life-timeline/6306}
1. Background from {[http://www.bbking.com/content/about]}
"His reign as King of the Blues has been as long as that of any monarch on earth. For more than half a century, Riley B. King – better known as B.B. King – has defined the blues for a worldwide audience. Since he started recording in the 1940s, he has released over fifty albums, many of them classics. He was born September 16, 1925, on a plantation in Itta Bena, Mississippi, near Indianola. In his youth, he played on street corners for dimes, and would sometimes play in as many as four towns a night. In 1947, he hitchhiked to Memphis, TN, to pursue his music career. Memphis was where every important musician of the South gravitated, and which supported a large musical community where every style of African American music could be found. B.B. stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled B.B. further in the art of the blues.
B.B.’s first big break came in 1948 when he performed on Sonny Boy Williamson’s radio program on KWEM out of West Memphis. This led to steady engagements at the Sixteenth Avenue Grill in West Memphis, and later to a ten-minute spot on black-staffed and managed Memphis radio station WDIA. “King’s Spot,” became so popular, it was expanded and became the “Sepia Swing Club.” Soon B.B. needed a catchy radio name. What started out as Beale Street Blues Boy was shortened to Blues Boy King, and eventually B.B. King.
In the mid-1950s, while B.B. was performing at a dance in Twist, Arkansas, a few fans became unruly. Two men got into a fight and knocked over a kerosene stove, setting fire to the hall. B.B. raced outdoors to safety with everyone else, then realized that he left his beloved $30 acoustic guitar inside, so he rushed back inside the burning building to retrieve it, narrowly escaping death. When he later found out that the fight had been over a woman named Lucille, he decided to give the name to his guitar to remind him never to do a crazy thing like fight over a woman. Ever since, each one of B.B.’s trademark Gibson guitars has been called Lucille.
Soon after his number one hit, “Three O’Clock Blues,” B.B. began touring nationally. In 1956, B.B. and his band played an astonishing 342 one-night stands. From the chitlin circuit with its small-town cafes, juke joints, and country dance halls to rock palaces, symphony concert halls, universities, resort hotels and amphitheaters, nationally and internationally, B.B. has become the most renowned blues musician of the past 40 years.
Over the years, B.B. has developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist’s vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. B.B. has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In B.B.’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.”
In 1968, B.B. played at the Newport Folk Festival and at Bill Graham’s Fillmore West on bills with the hottest contemporary rock artists of the day who idolized B.B. and helped to introduce him to a young white audience. In “69, B.B. was chosen by the Rolling Stones to open 18 American concerts for them; Ike and Tina Turner also played on 18 shows.
B.B. was inducted into the Blues Foundation Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 1987. He received NARAS’ Lifetime Achievement Grammy Award in 1987, and has received honorary doctorates from Tougaloo (MS) College in 1973; Yale University in 1977; Berklee College of Music in 1982; Rhodes College of Memphis in 1990; Mississippi Valley State University in 2002 and Brown University in 2007. In 1992, he received the National Award of Distinction from the University of Mississippi.
In 1991, B.B. King’s Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal CityWalk in Los Angeles. A third club in New York City’s Times Square opened in June 2000 and most recently two clubs opened at Foxwoods Casino in Connecticut in January 2002. In 1996, the CD-Rom On The Road With B.B. King: An Interactive Autobiography was released to rave reviews. Also in 1996, B.B.’s autobiography, “Blues All Around Me” (written with David Ritz for Avon Books) was published. In a similar vein, Doubleday published “The Arrival of B.B. King” by Charles Sawyer, in 1980.
B.B. continued to tour extensively, averaging over 250 concerts per year around the world. Classics such as “Payin’ The Cost To Be The Boss,” “The Thrill Is Gone,” How Blue Can You Get,” “Everyday I Have The Blues,” and “Why I Sing The Blues” are concert (and fan) staples. Over the years, the Grammy Award-winner has had two #1 R&B hits, 1951’s “Three O’Clock Blues,” and 1952’s “You Don’t Know Me,” and four #2 R&B hits, 1953’s “Please Love Me,” 1954’s “You Upset Me Baby,” 1960’s “Sweet Sixteen, Part I,” and 1966’s “Don’t Answer The Door, Part I.” B.B.’s most popular crossover hit, 1970’s “The Thrill Is Gone,” went to #15 pop.
On May 14th 2015 the world lost a true gentleman. B.B. passed away quietly in his sleep."
2. Timeline from {[https://www.pbs.org/wnet/americanmasters/b-b-king-life-timeline/6306/]}
"Blues musician B.B. King released over 50 albums in his lifetime. With 15 Grammy Awards, the legendary guitarist holds the record for the most won in the Blues genre.
September 16, 1925
B.B. King was born Rileigh King in a cabin on the bank of Bear Creek in the tiny town of Berclair, MS, in the central Mississippi Delta; his birth did not go on record. His parents Albert King and Nora Ella King lived on the plantation of Jim O’Reilly. King was named in honor his father’s brother Riley, who vanished when Albert was a boy.
1931-33
Parents separate and King’s mother moves with Riley to hilly part of Mississippi east of the Delta to be with her extended family. For next 12 years Riley lives alternately with his mother and her new spouse, Elger Baskin, known as “Picaninee,” his grandmother, Elnora Farr, and his aunts and uncles from the Pullian clan in Kilmichael, Montgomery County.
1935
King’s mother Nora Ella dies, blind and wasted, at age 31, most likely of complications from diabetes. She had instilled in King his faith and belief in the goodness of people.
1936-1940
King lives with his grandmother and Pullian family. Church, school and hard work dominate his life. His church is Church of God In Christ (a.k.a. “Sanctified Church”), led by Reverend Archie Fair, who plays guitar in the services. Archie’s wife and King’s aunt are sisters, and when they visit, Riley is allowed to play the Reverend’s guitar. It is love at first touch.
King attends Elkhorn School, maintained by the Elkhorn Church, Primitive Baptist. Teacher Luther Henson teaches Riley to read and to be self-reliant, fair-minded, and devoted to self-improvement. Henson’s influence is life-long. The school year is bounded by the growing season and all children work in the fields. When the ground is ready for cultivation, school lets out, when the crop is harvested, school reopens. Life is hard and primitive by contemporary standards: no electricity, no indoor plumbing.
1940
After his grandmother Elnora Farr dies on January 10, Riley King must begin living the life of an adult at age 14. He and his grandmother had been sharecroppers on Edwayne Henderson’s farm, whose record show she died owing Henderson $21.75 (over five months’ living allowance). Henderson offers Riley to stay in his grandmother’s cabin and raise cotton on one acre for a monthly allowance of $2.50. Henderson farm record lists grim facts: interest charges of 8% applied quarterly; charge of 40¢ for “3 yards cotton sack; charge of 50¢ for ‘wrench;’ credit $1.00 ‘by work.’” At settlement time Riley’s return on his crop is $4.18; he owes Henderson $7.54, nearly four months’ “furnish.”
Fall, 1940
Albert King arrives and takes his son to live in Lexington, Mississippi (pop. 3,000 approx.), county seat of Holmes County. Riley meets his half-siblings and stepmother, enrolls in a coloured school.
Late 1941
Cruelty as commonplace, the humiliations of segregation, and a feeling that he is a stranger in his father’s home, compel 16-year-old Riley to get on his bicycle and ride two days (approximately 45 miles) back to Kilmichael to be reunited with his cousins and familiar surroundings.
1942
Finding his kin gone, Riley takes residence with the family of a white farmer Flake Cartledge, who live in a shack on Cartledge farm. He continues his schooling.
1943
King moves back to Indianola in the Delta, joins cousin Birkett Davis. He works as a tractor driver on Johnson Barrett’s plantation.
1944-45
Marries Martha Lee Denton (marriage ends in divorce in 1952). The young couple live with King’s cousin Birkett and wife Delicia, sharing a cabin and raising cotton on adjacent tracts. King, Birkett and three others form St. John’s Gospel Singers. King is inducted into the U.S. Army, but discharged after basic training when classified as essential to war economy, based on his skills as a tractor driver.
1947
Flees to Memphis after damaging his tractor, leaving Martha alone and a crop in the ground. King’s whereabouts are a closely held secret to prevent landowner Barrett from sending the law after Riley. King stays in Memphis with his cousin, blues singer Bukka White.
1948
Returns to Indianola to work off the debt for tractor damage, but resolves to return to Memphis.
Late 1948
King moves to West Memphis, AR, across the Mississippi River from Memphis and goes straight to radio KWEM and plays a song live on Sonny Boy Williamson’s daily program. This leads to gigs at the Sixteenth Street Grill in West Memphis. At the black-staffed and managed radio station WDIA in Memphis, TN, King lands a daily 15-minute spot as “The Peptikon Boy,” selling the alcohol-laced health tonic Peptikon.
1949-1950
Regional stardom on radio and in area joints around Tennessee, Arkansas, and Mississippi brings King to the attention of a small record label; he cuts four sides for Bullett Records. Radio spot expands, Peptikon Boy becomes “Blues Boy,” then plain “B.B.” King. Survives a near fatal bout of hepatitis. He rushes back into a fiery, burning dance hall to save his guitar, thereafter named “Lucille” as a reminder to avoid foolish risks.
1952
On February 2, B.B. signs with Universal Attractions booking agency, goes on tour with stops at Washington, D.C.’s Howard Theatre, Baltimore’s Royal Theatre, Chicago’s Regal Theatre and Harlem’s Apollo Theater. B.B. rises to the challenge of a new kind of audience and wins wide acceptance and affection across the national network of big city theaters, southern juke joints and road houses called the Chitlin’ Circuit.
He and Martha King divorce. They have no children from the marriage.
1953
B.B. King leaves the roster of DJ’s at WDIA in Memphis. Touring has too big a claim on his time.
1955
Forms first big “B.B. King Band,” buys first bus, “Big Red.” Touring compliment of 16 people includes Walker brothers (bus driver Cato, and bassist “Shinny”), Evelyn “Mama Nuts” Young, drummer Earl Forest (songwriter of “Next Time You See Me”).
1956
King and his band reportedly play 340 one-night engagements.
1958
Marries Sue Hall, daughter of proprietress of Club Ebony, in Indianola, Mississippi. Rev. Clarence LaVaughn Franklin, Aretha Franklin’s father, presides over the ceremony in Detroit, MI. Sue takes up life on the road with her famous husband. In time, they buy a home in Los Angeles. B.B. is rarely there (marriage ends in divorce in 1966).
“Big Red,” B.B.’s touring bus, collides with a butane truck on a bridge in Texas. Truck driver and passenger die in the fiery wreck. All on the bus are safe. Terrible timing: the company insuring the bus was suspended a day or two before the accident, leaving B.B. personally liable, though he was not present. The settlement puts B.B. in debt for years.
1963
Records “How Blue Can You Get?” written by jazz critic Leonard Feather. The song becomes one of B.B.’s most recognizable signature songs, with its punch line lyric “I gave you seven children/And now you wanna give ‘em back.”
1964
Records Live At The Regal, the album that eventually secures his stature as King of The Blues for decades to come.
1966
Bad things come in threes: The IRS slaps a $78,000 lien on B.B.’s income for back taxes owed, Sue King files for divorce, and his bus is stolen.
ABC-Paramount begins issuing B.B. King recordings on BluesWay, the new label devoted to blues artists. Records live album in Chicago club Blues Is King, long to be hailed as among his finest works. B.B. is still virtually unknown to white audiences.
1968
Following a dispute over money with business manager Lou Zito, B.B. fires Zito and hires Zito’s accountant, Sidney Seidenberg, as his new manager. Seidenberg signs B.B. with Associated Booking, the powerhouse agency run by show business legend Joe Glaser. Glaser manages the likes of Louis Armstrong and Fats Domino.
On June 8, B.B. plays the Filmore Auditorium in San Francisco, the rock palace owned by impresario Bill Graham. B.B. is introduced as the “King of the Blues” and is given his first standing ovation as he walks on stage. Coming from his first predominantly white audience, it is clear that B.B. King has arrived in mainstream pop culture. On July 27, B.B. plays the Newport Folk Festival in Newport, RI.
1969
BluesWay records two B.B. King albums, Live and Well, and Completely Well, both produced by Bill Szymczyk. The second includes a track recorded with strings, an adaptation of Roy Hawkins, “The Thrill Is Gone.” It reaches #3 on the R&B charts and #15 on the Pop charts. Its success on the Pop charts seals B.B.’s reputation as a general audience entertainer and the tune becomes his best known song.
1970
“The Thrill Is Gone,” earns B.B. his first Grammy Award for Best Male R&B Vocal Performance. B.B.’s exposure and recognition expand rapidly. B.B. King opens 18 American concerts for the Rolling Stones. B.B. plays before dozens of audiences that only a short time before were completely inaccessible to him.
1971
King begins his first overseas tour. Releases B.B. in London album, which includes Ringo Starr. B.B. seals his new won fame with an appearance on The Ed Sullivan Show. Twenty million Americans see B.B. King perform “Thrill Is Gone.”
1984
King is inducted into the Blues Foundation Hall of Fame.
1987
King is inducted into the Rock and Roll Hall of Fame and receives a Lifetime Achievement Grammy Award.
1988
For the Rattle and Hum album, the Irish rock group U2 records “When Love Comes to Town” with B.B. King in Memphis. He opens for the band on a four-month world tour.
1990
King is awarded the National Medal of Arts.
1995
King receives the Kennedy Center Honors.
1996
B.B. King’s autobiography, Blues All Around Me (written with David Ritz for Avon Books), is published.
2000
Records Riding With The King with Eric Clapton. Album goes double-platinum (2,000,000 in certified sales), and wins the Grammy for Best Traditional Blues Album. B.B. King has his first blockbuster hit record.
February 15, 2005
Mississippi Senate and House of Representatives honor B.B. King with a joint resolution saluting him as a favorite son. B.B. appears at a joint session of House and Senate as the proclamation is read out, Governor Haley Barbour presiding. February 15 is declared B.B. King day in the state.
June 10, 2005
Ground breaking for the B.B. King Museum to be built in Indianola, MS. Former governors, leaders of Mississippi House and Senate, and town officials salute him, then, together they break ground.
December 15, 2006
President George W. Bush presents King with the Presidential Medal of Freedom.
September 2008
The B. B. King Museum and Delta Interpretive Center opens in Indianola, MS.
May 14, 2015
B.B. King dies in Las Vegas at the age of 89."
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Blues Under the Skin (1973) Obscure Blues Documentary - B.B. King
https://www.youtube.com/watch?v=9kGThGtw3wY
Images:
1. Cover of the Grammy Award-winning 'Riding with the King' album (2000)
2. 1956 B.B. King album 'Singin’ the Blues.
3. 1964 B.B. King album 'Live at the Regal'
Background from {[https://www.allmusic.com/artist/bb-king-mn [login to see] /biography]}
Artist Biography by Bill Dahl
Universally hailed as the king of the blues, the legendary B.B. King was without a doubt the single most important electric guitarist of the last half of the 20th century. His bent notes and staccato picking style influenced legions of contemporary bluesmen, while his gritty and confident voice -- capable of wringing every nuance from any lyric -- provided a worthy match for his passionate playing. Between 1951 and 1985, King notched an impressive 74 entries on Billboard's R&B charts, and he was one of the few full-fledged blues artists to score a major pop hit when his 1970 smash "The Thrill Is Gone" crossed over to mainstream success (engendering memorable appearances on The Ed Sullivan Show and American Bandstand). After his hit-making days, he partnered with such musicians as Eric Clapton and U2 and managed his own acclaimed solo career, all the while maintaining his immediately recognizable style on the electric guitar.
The seeds of Riley B. King's enduring talent were sown deep in the blues-rich Mississippi Delta, where he was born in 1925 near the town of Itta Bena. He was shuttled between his mother's home and his grandmother's residence as a child, his father having left the family when King was very young. The youth put in long days working as a sharecropper and devoutly sang the Lord's praises at church before moving to Indianola -- another town located in the heart of the Delta -- in 1943.
Country and gospel music left an indelible impression on King's musical mindset as he matured, along with the styles of blues greats (T-Bone Walker and Lonnie Johnson) and jazz geniuses (Charlie Christian and Django Reinhardt). In 1946, he set off for Memphis to look up his cousin, a rough-edged country blues guitarist named Bukka White. For ten invaluable months, White taught his eager young relative the finer points of playing blues guitar. After returning briefly to Indianola and the sharecropper's eternal struggle with his wife Martha, King returned to Memphis in late 1948. This time, he stuck around for a while.
King was soon broadcasting his music live via Memphis radio station WDIA, a frequency that had only recently switched to a pioneering all-black format. Local club owners preferred that their attractions also held down radio gigs so they could plug their nightly appearances on the air. When WDIA DJ Maurice "Hot Rod" Hulbert exited his air shift, King took over his record-spinning duties. At first tagged "The Peptikon Boy" (an alcohol-loaded elixir that rivaled Hadacol) when WDIA put him on the air, King's on-air handle became "The Beale Street Blues Boy," later shortened to Blues Boy and then a far snappier B.B.
King had a four-star breakthrough year in 1949. He cut his first four tracks for Jim Bulleit's Bullet Records (including a number entitled "Miss Martha King" after his wife), then signed a contract with the Bihari Brothers' Los Angeles-based RPM Records. King cut a plethora of sides in Memphis over the next couple of years for RPM, many of them produced by a relative newcomer named Sam Phillips (whose Sun Records was still a distant dream at that point in time). Phillips was independently producing sides for both the Biharis and Chess; his stable also included Howlin' Wolf, Rosco Gordon, and fellow WDIA personality Rufus Thomas.
The Biharis also recorded some of King's early output themselves, erecting portable recording equipment wherever they could locate a suitable facility. King's first national R&B chart-topper in 1951, "Three O'Clock Blues" (previously waxed by Lowell Fulson), was cut at a Memphis YMCA. King's Memphis running partners included vocalist Bobby Bland, drummer Earl Forest, and ballad-singing pianist Johnny Ace. When King hit the road to promote "Three O'Clock Blues," he handed the group, known as the Beale Streeters, over to Ace.
It was during this era that King first named his beloved guitar "Lucille." Seems that while he was playing a joint in a little Arkansas town called Twist, fisticuffs broke out between two jealous suitors over a lady. The brawlers knocked over a kerosene-filled garbage pail that was heating the place, setting the room ablaze. In the frantic scramble to escape the flames, King left his guitar inside. He foolishly ran back in to retrieve it, dodging the flames and almost losing his life. When the smoke had cleared, King learned that the lady who had inspired such violent passion was named Lucille. Plenty of Lucilles have passed through his hands since; Gibson has even marketed a B.B.-approved guitar model under the name.
The 1950s saw King establish himself as a perennially formidable hitmaking force in the R&B field. Recording mostly in L.A. (the WDIA air shift became impossible to maintain by 1953 due to King's endless touring) for RPM and its successor Kent, King scored 20 chart items during that musically tumultuous decade, including such memorable efforts as "You Know I Love You" (1952); "Woke Up This Morning" and "Please Love Me" (1953); "When My Heart Beats like a Hammer," "Whole Lotta' Love," and "You Upset Me Baby" (1954); "Every Day I Have the Blues" (another Fulson remake), the dreamy blues ballad "Sneakin' Around," and "Ten Long Years" (1955); "Bad Luck," "Sweet Little Angel," and a Platters-like "On My Word of Honor" (1956); and "Please Accept My Love" (first cut by Jimmy Wilson) in 1958. King's guitar attack grew more aggressive and pointed as the decade progressed, influencing a legion of up-and-coming axemen across the nation.
In 1960, King's impassioned two-sided revival of Joe Turner's "Sweet Sixteen" became another mammoth seller, and his "Got a Right to Love My Baby" and "Partin' Time" weren't far behind. But Kent couldn't hang onto a star like King forever (and he may have been tired of watching his new LPs consigned directly into the 99-cent bins on the Biharis' cheapo Crown logo). King moved over to ABC-Paramount Records in 1962, following the lead of Lloyd Price, Ray Charles, and before long, Fats Domino.
In November of 1964, the guitarist cut his seminal Live at the Regal album at the fabled Chicago theater and excitement virtually leaped out of the grooves. That same year, he enjoyed a minor hit with "How Blue Can You Get," one of his many signature tunes. "Don't Answer the Door" in 1966 and "Paying the Cost to Be the Boss" two years later were Top Ten R&B entries, and the socially charged and funk-tinged "Why I Sing the Blues" just missed achieving the same status in 1969.
Across-the-board stardom finally arrived in 1969 for the deserving guitarist, when he crashed the mainstream consciousness in a big way with a stately, violin-drenched minor-key treatment of Roy Hawkins' "The Thrill Is Gone" that was quite a departure from the concise horn-powered backing King had customarily employed. At last, pop audiences were convinced that they should get to know King better: not only was the track a number-three R&B smash, it vaulted to the upper reaches of the pop lists as well.
King was one of a precious few bluesmen to score hits consistently during the 1970s, and for good reason: he wasn't afraid to experiment with the idiom. In 1973, he ventured to Philadelphia to record a pair of huge sellers, "To Know You Is to Love You" and "I Like to Live the Love," with the same silky rhythm section that powered the hits of the Spinners and the O'Jays. In 1976, he teamed up with his old cohort Bland to wax some well-received duets. And in 1978, he joined forces with the jazzy Crusaders to make the gloriously funky "Never Make Your Move Too Soon" and an inspiring "When It All Comes Down." Occasionally, the daring deviations veered off-course; Love Me Tender, an album that attempted to harness the Nashville country sound, was an artistic disaster.
Although his concerts were consistently as satisfying as anyone in the field (King asserted himself as a road warrior of remarkable resiliency who gigged an average of 300 nights a year), King tempered his studio activities somewhat. Nevertheless, his 1993 MCA disc Blues Summit was a return to form, as King duetted with his peers (John Lee Hooker, Etta James, Fulson, Koko Taylor) on a program of standards. Other notable releases from that period include 1999's Let the Good Times Roll: The Music of Louis Jordan and 2000's Riding with the King, a collaboration with Eric Clapton. King celebrated his 80th birthday in 2005 with the star-studded album 80, which featured guest spots from such varied artists as Gloria Estefan, John Mayer, and Van Morrison. Live was issued in 2008; that same year, King released an engaging return to pure blues, One Kind Favor, which eschewed the slick sounds of his 21st century work for a stripped-back approach. A long overdue career-spanning box set of King's over 60 years of touring, recording, and performing, Ladies and Gentlemen...Mr. B.B. King, appeared in 2012. Late in 2014, King was forced to cancel several shows due to exhaustion; he was later hospitalized twice and entered hospice care in the spring. He died in Las Vegas, Nevada, on May 14, 2015.
FYI Sgt John H. SGM Bill FrazerCSM (Join to see)SSG Jeffrey LeakeSSG Paul HeadleeSGM Major StroupeCPL Michael PeckSgt (Join to see)PO1 Steve Ditto CPL Douglas ChryslerSP5 Geoffrey Vannerson LTC John Shaw SPC Matthew Lamb SPC(P) (Join to see) SSG Robert WebsterSFC Bernard Walko SFC Chuck Martinez CSM Chuck Stafford Lt Col Charlie Brown Lt Col John (Jack) Christensen
https://www.youtube.com/watch?v=9kGThGtw3wY
Images:
1. Cover of the Grammy Award-winning 'Riding with the King' album (2000)
2. 1956 B.B. King album 'Singin’ the Blues.
3. 1964 B.B. King album 'Live at the Regal'
Background from {[https://www.allmusic.com/artist/bb-king-mn [login to see] /biography]}
Artist Biography by Bill Dahl
Universally hailed as the king of the blues, the legendary B.B. King was without a doubt the single most important electric guitarist of the last half of the 20th century. His bent notes and staccato picking style influenced legions of contemporary bluesmen, while his gritty and confident voice -- capable of wringing every nuance from any lyric -- provided a worthy match for his passionate playing. Between 1951 and 1985, King notched an impressive 74 entries on Billboard's R&B charts, and he was one of the few full-fledged blues artists to score a major pop hit when his 1970 smash "The Thrill Is Gone" crossed over to mainstream success (engendering memorable appearances on The Ed Sullivan Show and American Bandstand). After his hit-making days, he partnered with such musicians as Eric Clapton and U2 and managed his own acclaimed solo career, all the while maintaining his immediately recognizable style on the electric guitar.
The seeds of Riley B. King's enduring talent were sown deep in the blues-rich Mississippi Delta, where he was born in 1925 near the town of Itta Bena. He was shuttled between his mother's home and his grandmother's residence as a child, his father having left the family when King was very young. The youth put in long days working as a sharecropper and devoutly sang the Lord's praises at church before moving to Indianola -- another town located in the heart of the Delta -- in 1943.
Country and gospel music left an indelible impression on King's musical mindset as he matured, along with the styles of blues greats (T-Bone Walker and Lonnie Johnson) and jazz geniuses (Charlie Christian and Django Reinhardt). In 1946, he set off for Memphis to look up his cousin, a rough-edged country blues guitarist named Bukka White. For ten invaluable months, White taught his eager young relative the finer points of playing blues guitar. After returning briefly to Indianola and the sharecropper's eternal struggle with his wife Martha, King returned to Memphis in late 1948. This time, he stuck around for a while.
King was soon broadcasting his music live via Memphis radio station WDIA, a frequency that had only recently switched to a pioneering all-black format. Local club owners preferred that their attractions also held down radio gigs so they could plug their nightly appearances on the air. When WDIA DJ Maurice "Hot Rod" Hulbert exited his air shift, King took over his record-spinning duties. At first tagged "The Peptikon Boy" (an alcohol-loaded elixir that rivaled Hadacol) when WDIA put him on the air, King's on-air handle became "The Beale Street Blues Boy," later shortened to Blues Boy and then a far snappier B.B.
King had a four-star breakthrough year in 1949. He cut his first four tracks for Jim Bulleit's Bullet Records (including a number entitled "Miss Martha King" after his wife), then signed a contract with the Bihari Brothers' Los Angeles-based RPM Records. King cut a plethora of sides in Memphis over the next couple of years for RPM, many of them produced by a relative newcomer named Sam Phillips (whose Sun Records was still a distant dream at that point in time). Phillips was independently producing sides for both the Biharis and Chess; his stable also included Howlin' Wolf, Rosco Gordon, and fellow WDIA personality Rufus Thomas.
The Biharis also recorded some of King's early output themselves, erecting portable recording equipment wherever they could locate a suitable facility. King's first national R&B chart-topper in 1951, "Three O'Clock Blues" (previously waxed by Lowell Fulson), was cut at a Memphis YMCA. King's Memphis running partners included vocalist Bobby Bland, drummer Earl Forest, and ballad-singing pianist Johnny Ace. When King hit the road to promote "Three O'Clock Blues," he handed the group, known as the Beale Streeters, over to Ace.
It was during this era that King first named his beloved guitar "Lucille." Seems that while he was playing a joint in a little Arkansas town called Twist, fisticuffs broke out between two jealous suitors over a lady. The brawlers knocked over a kerosene-filled garbage pail that was heating the place, setting the room ablaze. In the frantic scramble to escape the flames, King left his guitar inside. He foolishly ran back in to retrieve it, dodging the flames and almost losing his life. When the smoke had cleared, King learned that the lady who had inspired such violent passion was named Lucille. Plenty of Lucilles have passed through his hands since; Gibson has even marketed a B.B.-approved guitar model under the name.
The 1950s saw King establish himself as a perennially formidable hitmaking force in the R&B field. Recording mostly in L.A. (the WDIA air shift became impossible to maintain by 1953 due to King's endless touring) for RPM and its successor Kent, King scored 20 chart items during that musically tumultuous decade, including such memorable efforts as "You Know I Love You" (1952); "Woke Up This Morning" and "Please Love Me" (1953); "When My Heart Beats like a Hammer," "Whole Lotta' Love," and "You Upset Me Baby" (1954); "Every Day I Have the Blues" (another Fulson remake), the dreamy blues ballad "Sneakin' Around," and "Ten Long Years" (1955); "Bad Luck," "Sweet Little Angel," and a Platters-like "On My Word of Honor" (1956); and "Please Accept My Love" (first cut by Jimmy Wilson) in 1958. King's guitar attack grew more aggressive and pointed as the decade progressed, influencing a legion of up-and-coming axemen across the nation.
In 1960, King's impassioned two-sided revival of Joe Turner's "Sweet Sixteen" became another mammoth seller, and his "Got a Right to Love My Baby" and "Partin' Time" weren't far behind. But Kent couldn't hang onto a star like King forever (and he may have been tired of watching his new LPs consigned directly into the 99-cent bins on the Biharis' cheapo Crown logo). King moved over to ABC-Paramount Records in 1962, following the lead of Lloyd Price, Ray Charles, and before long, Fats Domino.
In November of 1964, the guitarist cut his seminal Live at the Regal album at the fabled Chicago theater and excitement virtually leaped out of the grooves. That same year, he enjoyed a minor hit with "How Blue Can You Get," one of his many signature tunes. "Don't Answer the Door" in 1966 and "Paying the Cost to Be the Boss" two years later were Top Ten R&B entries, and the socially charged and funk-tinged "Why I Sing the Blues" just missed achieving the same status in 1969.
Across-the-board stardom finally arrived in 1969 for the deserving guitarist, when he crashed the mainstream consciousness in a big way with a stately, violin-drenched minor-key treatment of Roy Hawkins' "The Thrill Is Gone" that was quite a departure from the concise horn-powered backing King had customarily employed. At last, pop audiences were convinced that they should get to know King better: not only was the track a number-three R&B smash, it vaulted to the upper reaches of the pop lists as well.
King was one of a precious few bluesmen to score hits consistently during the 1970s, and for good reason: he wasn't afraid to experiment with the idiom. In 1973, he ventured to Philadelphia to record a pair of huge sellers, "To Know You Is to Love You" and "I Like to Live the Love," with the same silky rhythm section that powered the hits of the Spinners and the O'Jays. In 1976, he teamed up with his old cohort Bland to wax some well-received duets. And in 1978, he joined forces with the jazzy Crusaders to make the gloriously funky "Never Make Your Move Too Soon" and an inspiring "When It All Comes Down." Occasionally, the daring deviations veered off-course; Love Me Tender, an album that attempted to harness the Nashville country sound, was an artistic disaster.
Although his concerts were consistently as satisfying as anyone in the field (King asserted himself as a road warrior of remarkable resiliency who gigged an average of 300 nights a year), King tempered his studio activities somewhat. Nevertheless, his 1993 MCA disc Blues Summit was a return to form, as King duetted with his peers (John Lee Hooker, Etta James, Fulson, Koko Taylor) on a program of standards. Other notable releases from that period include 1999's Let the Good Times Roll: The Music of Louis Jordan and 2000's Riding with the King, a collaboration with Eric Clapton. King celebrated his 80th birthday in 2005 with the star-studded album 80, which featured guest spots from such varied artists as Gloria Estefan, John Mayer, and Van Morrison. Live was issued in 2008; that same year, King released an engaging return to pure blues, One Kind Favor, which eschewed the slick sounds of his 21st century work for a stripped-back approach. A long overdue career-spanning box set of King's over 60 years of touring, recording, and performing, Ladies and Gentlemen...Mr. B.B. King, appeared in 2012. Late in 2014, King was forced to cancel several shows due to exhaustion; he was later hospitalized twice and entered hospice care in the spring. He died in Las Vegas, Nevada, on May 14, 2015.
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LTC Stephen F.
B.B. King - Live in Dallas (1983) - Full Concert
B.B. King - Live in Dallas (1983) - Full Concert00:00 intro 01:14 Nightlife06:00 Love me tender09:59 There must be a better world somewhere15:55 Better not ...
B.B. King - Live in Dallas (1983) - Full Concert
https://www.youtube.com/watch?v=j2OXNThMj7s
FYI LTC David BrownCpl Vic BurkSSG Jimmy Cernich
GySgt Gary CordeiroPO1 Steve DittoSPC Michael Duricko, Ph.D SPC Nancy Greene SSG Paul HeadleeSGT Michael Hearn1SG Steven ImermanSSG Samuel KermonSSG Jeffrey LeakeSSG Michael NollSPC Michael Oles SRSGT Randell RoseCpl (Join to see)PO3 Lynn SpaldingCPL Cadrew StricklandCSM Bruce Trego
https://www.youtube.com/watch?v=j2OXNThMj7s
FYI LTC David BrownCpl Vic BurkSSG Jimmy Cernich
GySgt Gary CordeiroPO1 Steve DittoSPC Michael Duricko, Ph.D SPC Nancy Greene SSG Paul HeadleeSGT Michael Hearn1SG Steven ImermanSSG Samuel KermonSSG Jeffrey LeakeSSG Michael NollSPC Michael Oles SRSGT Randell RoseCpl (Join to see)PO3 Lynn SpaldingCPL Cadrew StricklandCSM Bruce Trego
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